The John Burrison Georgia Folklore Archive recordings contains unedited versions of all interviews. Some material may contain descriptions of violence, offensive language, or negative stereotypes reflecting the culture or language of a particular period or place. There are instances of racist language and description, particularly in regards to African Americans. These items are presented as part of the historical record. This project is a repository for the stories, accounts, and memories of those who chose to share their experiences for educational purposes. The viewpoints expressed in this project do not necessarily represent the viewpoints of the Atlanta History Center or any of its officers, agents, employees, or volunteers. The Atlanta History Center makes no warranty as to the accuracy or completeness of any information contained in the interviews and expressly disclaims any liability therefore. If you believe you are the copyright holder of any of the content published in this collection and do not want it publicly available, please contact the Kenan Research Center at the Atlanta History Center at 404-814-4040 or reference@atlantahistorycenter.com. The audio from this recording is available upon request. This is the second installment in a two-part interview; this part begins with a clear reproduction of the first interview with less audio interference. At 15:55, Nelson continues the interview by recounting the time he and his nephew made sausage from three hogs, including slaughtering them and using premixed sausage seasoning that he purchases from Birmingham, Alabama. Nelson then hammers a horseshoe and presents a piece of an old steam engine; afterwards, the conversation becomes inaudible. There is silence between 20:14 and 21:08; then, Nicholson plays a recording of a radio station that starts with two arias from Carl Heinrich Grauns opera Montezuma: Ah, sol per te, ben mio, sung by Lauris Elms and Joan Sutherland, and S, per la rea congiura, sung by Monica Sinclair. At 27:45, Nicholson plays a recording of Jean Sibelius String Quartet in D minor, Op. 56. At 56:19, the station starts again, this time playing pianist Arthur Rubinstein performing Franz Schuberts Fantasie in C major, Op. 15. Then at 1:17:45, the radio host provides the biography of composer Mauro Giuliani and plays Guitar Concerto No. 1 in A Major, Op. 30, featuring Julian Bream and the Melos Ensemble. Next at 1:41:13 are the first two movements in Aaron Coplands Quartet for Piano and Strings; the audio ends soon into the third movement. No biographical information about Jud Nelson has been determined. No transcript exists for this recording. Professor John Burrison founded the Atlanta Folklore Archive Project in 1967 at Georgia State University. He trained undergraduates and graduate students enrolled in his folklore curriculum to conduct oral history interviews. Students interviewed men, women, and children of various demographics in Georgia and across the southeast on crafts, storytelling, music, religion, rural life, and traditions. As archivists, we acknowledge our role as stewards of information, which places us inaposition to choose how individuals and organizations are represented and described in our archives. We are not neutral, andbias isreflected in our descriptions, whichmay not convey the racist or offensive aspects of collection materialsaccurately.Archivists make mistakes and might use poor judgment.We often re-use language used by the former owners and creators, which provides context but also includes bias and prejudices of the time it was created.Additionally,our work to use reparative languagewhereLibrary of Congress subject termsareinaccurate and obsolete isongoing. Kenan Research Center welcomes feedback and questions regarding our archival descriptions. If you encounter harmful, offensive, or insensitive terminology or description please let us know by emailingreference@atlantahistorycenter.com. Your comments are essential to our work to create inclusive and thoughtful description.