Explicating the productivity of W. E. B. Du Bois’s “double consciousness” through existentialism and quantum physics as “Black spaces” in Charles W. Chesnutt’s The House Behind the Cedars, Daniel Black’s Perfect Peace, and Tina McElroy Ansa’s The Hand I Fan With, 2021
MLA
Reuven, Hadrakel E.. "Explicating the productivity of W. E. B. Du Bois’s “double consciousness” through existentialism and quantum physics as “Black spaces” in Charles W. Chesnutt’s The House Behind the Cedars, Daniel Black’s Perfect Peace, and Tina McElroy Ansa’s The Hand I Fan With, 2021." Atlanta University Center Robert W. Woodruff Library. 2021-05, http://hdl.handle.net/20.500.12322/cau.td:2021_reuven_hadrakel_e.
APA
Reuven, Hadrakel E. (2021-05). Explicating the productivity of W. E. B. Du Bois’s “double consciousness” through existentialism and quantum physics as “Black spaces” in Charles W. Chesnutt’s The House Behind the Cedars, Daniel Black’s Perfect Peace, and Tina McElroy Ansa’s The Hand I Fan With, 2021. Retrieved from http://hdl.handle.net/20.500.12322/cau.td:2021_reuven_hadrakel_e
Chicago
Reuven, Hadrakel E.. "Explicating the productivity of W. E. B. Du Bois’s “double consciousness” through existentialism and quantum physics as “Black spaces” in Charles W. Chesnutt’s The House Behind the Cedars, Daniel Black’s Perfect Peace, and Tina McElroy Ansa’s The Hand I Fan With, 2021." 2021-05. April 26, 2024. http://hdl.handle.net/20.500.12322/cau.td:2021_reuven_hadrakel_e.