Personified Goddesses: An archetypal pattern of female protagonists in the works of two black women writers, 2013

Collection:
Atlanta University and Clark Atlanta University Theses and Dissertations
Title:
Personified Goddesses: An archetypal pattern of female protagonists in the works of two black women writers, 2013
Creator:
Adadevoh, Anthonia
Date of Original:
2010/2019
Subject:
Degrees, Academic
Dissertations, Academic
Location:
United States, Georgia, Fulton County, Atlanta, 33.749, -84.38798
Medium:
theses
dissertations
Type:
Text
Format:
application/pdf
Description:
This dissertation investigates the works of two Black female writers: Flora Nwapa(African and Nigerian) and Zora Neale Hurston (African American). Although theycome from different geographical regions, both writers use the same rchetypal patterns to create strong female protagonists. By characterizing protagonists in their novels from an African religious cultural perspective, both authors dismantle the stereotypical images of how black women are typically portrayed in fiction. Using Jung's theory of the collective unconscious and archetypal criticism the study finds that both authors create black female protagonists who are wise, resilient, decisive, courageous, independent, and risk-taking; the women who, through their self-discovery journeys, are neither defined by nor in oppositional relationships with the males in their lives. The study compares how the qualities of two archetypal goddesses, Uhamiri of the Igbo cosmology and Oya of the Yoruba cosmology, are personified through the personalities of the two female protagonists in Nwapa's Efuru and Hurston's Their Eyes Were Watching God, respectively. Using strong mythical females as templates, this research explores the ways in which the authors have defined their female characters, thus providing an alternative strategy for defining and analyzing black female characters in fiction. The study asserts that literary interpretation of Africana women should include the cultural realities associated with the African religious framework in order to capture the full essence of their humanity. In addition, African feminist thought, unlike Western feminist theory, provides a more realistic model of discourse on Africana women's selfidentity. Examining Africana women from these perspectives, as opposed to analyzing them based on European standards, is an effective method of discrediting stereotypical images that continue to plague the portrayal of black women in fiction. When black women in fiction are explored from this vantage point, the literary work sends a message of cultural authenticity and preservation that elevates Africana women, expanding their functions and positions in society beyond traditional roles.
Date of award: 5/1/2013
Degree type: dissertation
Degree name: Doctor of Arts (DA)H
Granting institution: Clark Atlanta University
Department: School of Arts and Sciences, English
Advisor: Osinubi, Viktor
Advisor: Wright, Susan
Advisor: Askew, Timothy
Metadata URL:
http://hdl.handle.net/20.500.12322/cau.td:2013_adadevoh_anthonia
Holding Institution:
Atlanta University Center Robert W. Woodruff Library
Rights:
Rights Statement information

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