- Collection:
- Atlanta University and Clark Atlanta University Theses and Dissertations
- Title:
- "Our art itself was our activism" Atlanta's neighborhood arts center, 1975-1990, 2012
- Creator:
- Tate, Rachanice Candy Patrice
- Date of Original:
- 2010/2019
- Subject:
- Degrees, Academic
Dissertations, Academic - Location:
- United States, Georgia, Fulton County, Atlanta, 33.749, -84.38798
- Medium:
- theses
dissertations - Type:
- Text
- Format:
- application/pdf
- Description:
- This cultural history study examined Atlantas Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of Art for Peoples Sake. The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the centers unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. The research offers an alternative to the claim that southern expressions of this movement were generated solely by the historically black colleges and universities of their cities. The studys findings demonstrate that the Neighborhood Arts Center was a grassroots. multidisciplinary entity for black aesthetics and black cultural nationalism. The findings also suggest that the Neighborhood Arts Center perpetuated the Black Arts Movement through the 1980s. Lastly, the study offers insight on the movements transition and legacies.
Date of award: 5/1/2012
Degree type: dissertation
Degree name: Doctor of Philosophy (PhD)
Granting institution: Clark Atlanta University
Department: School of Arts and Sciences, Department of History
Advisor: Morton, Richard
Advisor: Twining, Mary
Advisor: Crawford, Vicki - Metadata URL:
- http://hdl.handle.net/20.500.12322/cau.td:2012_tate_rachanice_c_p
- Holding Institution:
- Atlanta University Center Robert W. Woodruff Library
- Rights:
-
