jns AGNES SCOTT COLLEGE Digitized by the Internet Archive in 2011 with funding from LYRASIS Members and Sloan Foundation http://www.archive.org/details/agnesscottalumna3132agne The AGIB8 SCOTT Alumnae Quarterly *./ fall 1952 THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS Jean Bailey Owen '39 President Dorothy Holloran Addison '43 Vice-President Florence Brinkxey '14 Vice-President Mary Warren Read '29 Vice-President Betty Jeanne Ellison Candler '49 Secretary Betty Medlock '42 Treasurer TRUSTEES Catherine Baker Matthews '32 Frances Winship Walters Inst. CHAIRMEN Fannie G. Mayson Donaldson '12 Nominations Dorothy Cremin Read '42 Special Events Edwina Davis Christian '46 Vocational Guidance Mary Wallace Kirk '11 Education Elaine Stubbs Mitchell '41 Publications Betty Jean Radford Moeller '47 Class Officers Hallie Smith Walker ex '16 House Laurie Belle Stubbs Johns '22 Grounds Clara Allen Reinero '23 Entertainment STAFF Eleanor N. Hutchens '40 Director of Alumnae Affairs Eloise Hardeman Ketchin House Manager Martha Weakley '51 Office Manager MEMBER AMERICAN ALUMNI COUNCIL The AGNES SCOTT Alumnae Quarterly Agnes Scott College, Decatur, Georgia Volume 31 Fall 1952 Number 1 The Alumnae House Its Past l Report on the Present 2 Hallie Smith Walker xl 6 Are You Sitting in the Shade? 4 Laurie Belle Stubbs Johns ' Class News 7 About this issue: Hallie Smith Walker xl6. chairman of the House Commit- tee, and Laurie Belle Stubbs Joh/is '22. chairman of the Garden Committee, were asked to bring Quarterly readers up to date on Association property, and they have done so in a way which should entertain alumnae of all vintages. These hard-working chairmen are two of the score of efficient volunteers who make up the Executive Board of the Association. Make-up and cover by Leone Bowers Hamilton '26 Eleanor N. Hutchens '40, Editor The Agnes Scott Alumnae Quarterly is published four times a yean (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. Yearly subscription, $2.00. Single copy,i 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24, 1912. THE ALUMNAE HOUSE ITS PAST THIRTY ^ EARS is no great age for a house, but Agnes Scott's Anna Young Alumnae House is believed to be the oldest of its kind in the United States. Com- pleted in 1922, it was the only one known to exist in 1924 wherj \ assar made a national survey in prepara- tion for building its own. The Alumnae House was named for Anna \ oung '10. beloved alumna and professor of mathematics, who died in 1922. Building costs totaled about 820.000. of which 815.000 was supplied by the College and $5000 by the alumnae. L pstairs were six bedrooms I as there are today) including the one set aside for the use of College guests, and a utility room equipped with sew- ing machines and ironing facilities. The Office was downstairs in a tiny room 8 bv 12 feet in area. At that time all the alumnae records could have been kept in a shoebox. whereas today thev comprise some 40.000 cards and stencils, a dozen filing cabinet drawers. tv\o ten-foot shelves of scrap- books and bound volumes of The Quarterly and a great many odd memorabilia. The space necessary for these, plus the typewriters, addressing machine, work- tables and other equipment demanded bv the growing volume of Association work, was later found in one of the rooms upstairs and the Office transferred there, the small downstairs space becoming a reception room. A great feature of the new house was the Silhouette Tea Room, which alumnae had formerly operated in the basement of the Science Hall. Attractively located at the back of the house, lighted by large pairs of windows on three sides, the Tea Room remained for more than twenty years a favorite campus spot. In the 1940's, a combination of circumstances diminished its usefulness and foreshadowed its end. The College bookstore in Buttrick largely replaced it as a snack enter. Food and labor costs rose, threatening the xistence of all small restaurants because their volume of business could not keep up with overhead. Campus life was changing; Agnes Scott was no longer the closed little community of other years; the students sought out restaurants in Decatur and Atlanta. Alum- nae Board members tried valiantly to keep the Tea Room alive, because it was an asset to the campus as a place for banquets and to the house as a convenience for guests. Finally in 1950, when the new college din- ing hall was completed and day students were wel- comed there for lunch, the Tea Room's last resource disappeared and it was forced to close. The Associa- tion looks back with pride on its more than two dec- ades of service. ^ hile the business of the Tea Room had been dwin- dling, that of the Office had been overflowing the upstairs quarters. The Tea Room area was assigned to the Office and movable bookshelves installed as partitions, without alteration in the actual structure of the large room. When the Alumnae House was completed. Agnes Scott alumnae clubs and individuals, notably members of Miss \ oung's family, eagerly began giving generous contributions for its furnishing. Various classes under- took to furnish the bedrooms. Beautiful pieces were bought fur the downstairs area. Silver, linen and china were laid in for use in the small dining room, and the large kitchen and pantry were adequately equipped. The annual alumnae tea for the freshmen, held in the fall. 68 S? ? In the first guest book of the Alumnae House, still carefully preserved, are the signatures of those who attended the housewarming January 27. 1922. The first signature is that of Anna Young"s mother. In the scores of names which follow are those of the people who made Agnes Scott great some of them now dead, but main still working and giving for the advance- ment of the College. That guest book was kept until it was filled, and it contains several famous names. One signature of 1924-25 was not notable when its writer scribbled "Peggy Mitchell. Atlanta Journal" across the page, but the author of Gone With the Wind was a dozen years later probably the most widely known of all who had signed the book. The Alumnae House still keeps a guest book for the celebrities who stay there: in the current volume Robert Frost and Pearl Buck are both on the first page. The College maintains a special guest room in the house for lecturers and other distinguished visitors. The four alumnae guest rooms which are now avail- able are more popular than ever before. The 1917 room, beautifully decorated in 1950, is possibly the most luxurious spot on the campus. In 1949 the Resi- dence Committee installed twin Hollywood beds in the other rooms and redecorated the whole upstairs area. I Funds for such major improvements are usually raised and donated by an alumnae club. I Alumnae and the parents and friends of students stay in these rooms when they visit the campus. Many alumnae make the Alumnae House their hotel when they came to Atlanta, and some use it as a quiet refuge when they need a week or two away from home responsibili- ties. They may take their meals in the College dining hall and enter into campus life as they wish; everybody is glad to see them, and their reunions with favorite faculty members are a familiar sight in the dining room or on the quadrangle. The Alumnae House dining room and kitchen are still used for small dinners given by alumnae, faculty members or students, the giver of the party securing her own kitchen help and refreshments but having the use of all the china, crystal, silver and other equip- ment which has always been available at the House. The front parlor and the dining room are used under a similar arrangement for teas, small receptions, and other gatherings including the regular meetings of two local alumnae clubs. report on THE PRESENT Hallie Smith Walker ex-' 16 THERE MUST BE MANY of you alumnae who haven't visited the Alumnae House for years. Would you like to refresh your memory and see also what has been accomplished in the interim? Let's knock at the handsome white colonial door, shall we? On entering, the overall picture is one of quiet dignity made charming with soft colors and bright chintz. The house decor is traditional, and to keep the everchanging house committees on the right path we decorate under the surveillance of a good decorator. The color scheme for the downstairs is taken from the lovely colonial wallpaper hung in the entrance hall, red roses in soft shades and rich green foliage on a gray background. The hall, like all the other rooms downstairs, except the office, is carpeted in gray green rugs. A console with a large mirror hung above it completes the hall furnishings. To the right as you enter is the coat room. In our dreams for the future we see it as a small committee room, and a place where house guests and speakers for the various meetings may powder their noses or straighten their ties. This room would have to have drapes, chairs, and suitable accessories. As you enter the living room your attention is drawn immediately to the green plaque of Miss Anna Young hanging over the mantel. Placed under the plaque is a portrait light, and on either side are handsome brass candlesticks. Combined with the fire- place brasses this group makes an interesting focal point. The furnishings of the living room and dining room, as I have said before, are traditional. They consist of a fine Sheraton couch done in gray green, tripod tables, and period chairs. A pair of lovely gilt-framed mirrors grace one wall, a gift of an alumna. A love seat done in gay red and green chintz ties the living and dining room together, as the same chintz is used for drapes in the dining area. The drapes in the living room are rose silk hung beneath red velvet, soft style cornices. The dining room table is also a gift of an alumna., and it is beautiful. There are six Hepplewhite chair with seats of rose striped in gray. A pair of sma il I, feill lifer :f room in the Alumnae House. The Tulip Room is of a zher order than this one. iperiod chests to hold our linen and silver are placed ion either side of a mirrored door. All this combined with accessories which accent the color scheme, and fresh flower arrangements, or glossy magnolia leaves, make our college home something to be proud of. The Alumnae Office, which is the old Tea Room, is painted a green that goes nicely with our garden that looks so pretty through its large windows and double doors. I won't mention the kitchen, for really it is un- mentionable, there is so much to restore after the ravages of the Tea Room. It is utilitarian and still iin continual use. but it is far from handsome. Now, let's go upstairs. Although our stairs are carpeted, our upstairs hall is bare. It looks nice now, for this summer all the floors were sanded and re- ifinished and all the rugs dry-cleaned. Our floor engi- neer, however, advises us to carpet this floor as a protective measure, for so much surface had to be removed to even up the floors he would not advise sanding again without strengthening the house. Do you still long for glamor in your life? Well, come spend the weekend in the Tulip Room. Bring your husband (you can, you know) and have a second honeymoon. The room will set the right mood with its mauve wall paper, patterned with yellow tulips edged with crisp Victorian white lace, a deep yellow rug, and twin Hollywood beds done in pinwale green corduroy. To this are added all those exciting acces- sories in frothy, fragile white that we dream we will certainly have some day when the children grow up. Then there's the College Guest room, dignified and comfortable, in rose and green. You know we could have a sign on that door saying "Robert Frost slept here." or Jan Struther, or Carl Sandburg, and many other famous folk. Right here, fellow sisters, my adjectives stop. We have five more rooms upstairs. They have wonderful beds and fragrant linens, and our hostess has a way with ruffled organdy curtains and special touches, but that stab you got when you tried to sit in the once-upon-a-time easy chair was not your conscience, and although we love polished floors we hate to see you slip on the rugs. The big room that used to be the office is in our future dreams, too. We want to make it into a sitting- bed room. At present it's holding out its arms for help. I must stop before I catch myself hinting! But I do hope I have disturbed you enough to come to see us the very next time you come to Atlanta. The House will welcome you with open arms, and it will be con- venient, cheaper, and fun for you. P.S.: I have been reading this along with you and find myself in the position of the woman who, after hearing the preacher eulogize her late husband at his funeral, tiptoed up to the casket to be sure it was her beloved's body and not someone else. We all know everything looks better on paper, but really we do need your help. We need rugs in the bed rooms, easy chairs, linens (always), blankets, and just plain hard cash to keep it immaculate. At present it is being run on a shoestring. Think it over and start a project for this year. COMING TO ATLANTA? As an active alumna, you are entitled to stay at the Alumnae House for $2.00 a night. It's $3.00 for the luxurious Tulip Room with private bath, for $2.00 more you may bring your husband. Just write Mrs. Eloise Ketchin. Agnes Scott Alumnae House, Decatur. Ga., giving the day and hour of your proposed arrival and the length of your stay. Write a few days in advance, so Mrs. Ketchin can notify you if the house is full. Entertaining in Decatur? As an active alumna, you may use the Alumnae House as your clubhouse. Except for food supplies and servants (you bring your own), it is fully equipped for entertaining. Call Mrs. Ketchin, DE. 1726, for your reservation. Fees: 1-15 guests $3.00, 16-30 guests 5.00, 31-100 guests $10.00. ARE YOU SITTING IN THE SHADE? Laurie Belle Stubbs Johns '22 THOSE OF YOU who were here around 1919-1921 will remember how we loved to listen to Margaret McLaughlin Hogshead sing in her soft contralto, I'se so sorry for ole Adam, Jus' as sorry as kin be, 'Case he neber had no mammy . . . I'm so sorry for ole Adam because he had a garden and lost it. We had a house ten good years before we could afford an Alumnae Garden per se. "If you want the past to come alive." said Miss Alexander in a Found- er's Da\ r talk about the history of our Association, "get assigned a subject that requires research in old Alumnae Quarterlies and files." When Eleanor Hutchens told me she wanted an article about the garden I began such a research. It was both an inspiration and a deflation! I am afraid that as Nelle and Frances and I grubbed out Bermuda grass, reset boxwood, or were all hung up pruning long rose runners. I was prone to blame you for your lack of interest in the garden as it is today. But bv the time I had finished reading every report of Beautifica- tion of Grounds committees since the first chairman. Allie Candler Guy. gave hers. I was very humble: for until you honored me by electing me chairman. I hadn't done a single thing for the garden except enjoy it. while those others had been accomplishing such miracles of beauty. Believe me, Kipling is right : such gardens are nut made By singing, 'Oh. how beautiful' And sitting in the shade. I really feel that the first idea for an Alumnae Garden is revealed in Allie's 1921 report. In February the committee suggested that a plot be made for foun- dation plantings of evergreen shrubs for all the build- ings on the campus. This was done by Wachendorff Bros., and the plantings were made around Inman Hall and White House, with a view toward doing more each winter to cover all the bare brick foundations of the campus. Allie's recommendation "that a compe- tent gardener be employed by the College to care for these shrubs, as they become more valuable with each year's growth if properly cared for," carries a prophecy. In February 1926 the Alumnae Association gave the committee $50 to spend on shrubbery about the 4 Tea Room entrance of the House. That same year Florinne Brown Arnold, who was at that time hostess of the Alumnae House, planted pansies and many- bulbs in beds behind the house. When Allie Candler Guy became president of the Association Eileen Dodd Sams was named Grounds Chairman. Eileen's report for 1928 has such a familiar ring! "On account of the lack of funds the work of the Committee on Beautifying Grounds and Buildings has been seriously handicapped. However, the Asso- ciation has been the recipient of a very lovely gift. Miss Marie Schlev Brown of Michigan sent us, entirely at her own expense, a collection of spruce and cedars from her own state. These were set out by Wachen- dorff in groups about the House." That same year Eileen and her committee gave a flowering cherry which was set between the House and Inman. The cherry is still there and very beautiful; the cedars continue to furnish contrast to the broadleafed ever- greens: it was the four spruces that had to be felled with the hatchet when they were killed by the "great freeze ' that was colder than Michigan. Then, in that report so apologetically begun. Eileen gave words to her dreams: "We suggest that further plantings made should be more of the varieties of blooming shrubs. Beds of tulips, hyacinths, daffodils, crocus, etc., might be effectively used. Even a formal flower garden somewhere between the Alumnae House and Inman Hall with gravel paths, trellises, and a lily pond is not too impossible a feature and would add greatly to the interest and beauty of the grounds. These suggestions we leave to the incoming committee." And that incoming committee had as a chairman Louise Brown Hastings, with her unbounded enthusi- asm, her expert knowledge of gardening, her winter home almost within a stone's throw of the campus, and not at all least a husband who was born into and grew up in the best known nursery company in the South. Louise headed the committee for the next six years with seemingly tireless efforts and unflagging zeal. The first two years were spent in furthering the inherited task of landscaping the entire campus as a unit. Louise never for a moment lost sight of the ulti- mate goal, an Alumnae Garden. Her own words will bring you a clearer picture : "Practically the entire ef- fort of your Grounds Committee has been to further the progress of the Alumnae Garden. . . . We are par- ticularly anxious for alumnae groups everywhere to know that this undertaking is really what its name implies Alumnae Garden that it will belong to and should be enjoyed by all. Then all should have some part, great or small, in its completion. "The primary object of this formal garden located in the space between our house and Inman is to provide a quiet retreat for our girls, where they may enjoy the still depth of the silent lilied pool, surrounded by a carpet of cool green, and reached by a refreshing walk under a many-pillared archway of climbing roses, and flanked by long beds of flowering plants and bulbs, selected principally for spring and autumn blooming, the whole set off by banks of appropriate shrubs of charm and dignity. A complete unit in itself, the Garden is designed to fit in and blend with the general campus picture. . . . We believe the Garden, when complete, will prove a source of real pleasure and true inspiration . . . and it is with this in mind we have undertaken this lasting and beautifying memo- rial." Louise secured the offer of the services of a profes- sional landscape artist, "who would draw up blue prints and assist in all the plantings free of charge," and in 1931: "We are happy to announce that our major project for this year, the Alumnae Garden, is well under way, and that completion of the initial phase of the work is assured through the generosity of the senior class of '31 in giving the beautiful formal pool as a permanent memorial of their love and affection." Then the seniors of '32. delighted with the garden that literally blossomed forth under their eyes, gave the memorial planting of abelia and January jasmine that entirely surrounds the grass plot around the pool. That same year the Charlotte Club pledged money for the erection of the pergola. Only the brick pillars could be paid for that first year, but with an eye to the future Louise and her committee planted twenty- eight Mary Wallace roses which were soon running riot and clamoring for a place to twine. Thus did our garden grow! Louise concludes her final report to the Association. "Your chairman takes great pride in the development of the Garden, and hopes that it will be allowed to continue to grow and spread its beauty throughout succeeding years by the loyal support oj alumnae everywhere." The report of the '41 committee includes, "Louise Brown Hastings gave to the garden the beautiful cherry laurel that now adorns our background plantings," so Louise did not lose interest when her job was com- pleted. We alumnae should weave her a garland of laurel for her part in our plan of beauty. Frances Gilliland Stukes was next made Garden Chairman, and what a lucky day for us! Frances has been working in the garden ever since and I do mean working. Her first report concludes. "We have not left the Garden to the disinterested care of campus workmen, but have spent many hot hours digging, planting, and weeding." Later, when necessary main- tenance tasks were carried on with the aid of students working to raise their campaign pledges, Frances supervised and worked along with them. Probably no other alumna has worked in our garden over so long a period of years so consistently, so faithfully, or so lovingly as Frances. \ou cant forget a garden When you have planted seed; When you have watched the weather And know a rose's need. Frances had as her committee Floise Gay Brawlev and Mrs. Robert Holt. Mrs. Holt was a faculty wife, not an alumna, but she gave the Alumnae Garden many hours of her time. The committee borrowed the money necessary for completing the rose trellis imme- diately. Someone had compared the topless brick columns all overgrown with a tangle of roses to "the lonesome chimneys of burned out houses." a discord- ant note in a garden symphony. At the request of the committee the College was helping lav a new walk to connect the front of the alumnae grounds with the rest of the campus. The committee conceived the idea of rooting boxwood to border this walk and to line each side of the front walk. These first cuttings rooted so well that in three years' time they had rooted around three thousand at no cost to the Association or the College, a very worth- while contribution. This same committee served six years, with Frances and Eloise saving of the chairman- ship. "You take this one, I'll take that one." Frances '35-37, Eloise "37-39, Frances '39-41 ; but the three of them yvere such a good working team, who cared? Eloise tells us in her 1937 report: "We did not change the lines of the original planting, but with the help of Monroe Landscaping Company and the co- operation of the College and many friends, we added eighty new boxwood along the side of the rose trellis and ten large box. five on each side, as a background for the benches the reunion classes of 1916 and 1917 plan to place this year. I wish to bring before the Alumnae Board the fact that we now have a permanent investment in our garden. This investment needs regular care." The next year, again with suggestions from Mon- roe's, the long beds on each side of the trellis were cut up into seven smaller ones, four circular and three semi-circular, bordered with boxwood given by the committee, thus providing more walkways in the formal garden. Thus was our Garden as it is today. They have wrought well, and now as Voltaire's Can- dirle observes. // laul cullivei notre fardin. That brings us to the war years when labor was so hard to get. but like Mr. Finney's turnip our garden grew, and it grew, and it grew! So did the grass and the weeds and our maintenance problems. I am certain that our gardeners at large were not "sitting in the shade." but were making shells, or doing Red Cross work, or away in the armed services. From '41 to '49 the Garden Chairmen were successively Jo Clark Fleming. Eugenia Symms. Charlotte Hunter. Nell Fattillo Kendall, and Vella Marie Behm Cowan. I do not in any way minimize their labors or accomplish- ments in thus grouping them together. It's just that maintaining a garden, in the retelling, is so much less glamorous than planting one. Not so to the gardener himself, whose greatest satisfaction is in the cultivation. When the "shovel and the hoe" were handed me at the resignation of Vella Marie. I had no more idea than most of you what I was undertaking. My first major task on inheriting the Garden was to re- place the decapitated boy who spouted water from his headless body. About that time I appealed for garden helpers who were willing to go down on their hands and knees and pull out the surplus ivy that was chok- ing out our big boxwood. One of the volunteers was Jean Grey Morgan, secretary of the class of '31, the original donors of the pool and fountain. That was providence, not coincidence. She told me the class still had a bank balance of forty-one dollars and that she was sure the class would want to help repair their own gift. After writing the class members to get their approval she gave us the money, and that together with other gifts designated for the Garden enabled us to buy our little dancing girl for the pool. The lovely little figure is cast in lead and. because lead is not affected by freezes, will be more permanent. Another volunteer worker that day was Nelle Cham- lee Howard, and I eagerly secured her promise to work on the Grounds Committee. Frances Stukes had already promised to help me. I must confess that for the next four years she was more my mentor and my guide. The small boxwood seemed to be dying. She knew much more about boxwood than I, but I was eager to learn. A nursery expert told us among other things that they were just plain hungry. By the time we had restored their glossy greenness with the proper vitamins, "Came the Freeze." Now our problem was one of survival. What did you do in your own garden? Buy replacements? We couldn't (no funds), but with the mother of invention prodding us we began to root new boxwood, transplanted volunteers coming up be- neath the original specimen plantings, begged for gifts, robbed our own gardens, and had faith in you. Alum- nae. Both the Atlanta and Decatur clubs came with succor. Nelle Howard brought her husband over and regraded and reseeded the bare side of the front lawn. Nelle has certainly worked with devotion. If you were at Agnes Scott after the Garden was made you know how the students love it. As thev pass they often pause to store up a bit of beauty for their work-filled hours; the faculty is lavish in praise; visi- tors often loiter on the shaded benches in the boxwood nooks; and in her biography of Peter Marshall, Cath- erine Wood Marshall "36 has immorta- lized our Garden, calling the rose arbor and the lily pool by name. \ our present chairman has realized to the fullest the pure joy of helping to keep our Alumnae Garden "a thing of beauty," a joy that I hope you will "come and share with me." \& ith the kiss of the sun for pardon And the song of the birds for mirth. One is nearer God's heart in a garden Than anywhere else on earth. The Alumnae Garden. The author of this article with two of her co-workers, Nelle Chamlee Howard and Frances Gilli- land Stukes. DEATHS ACADEMY INSTITUTE ti s( a Y Janie McBryde Williams died Jan. ei 11. tl Mary Schorb Kell died March 25. ti G 1908 Jane Hays Brown died May 5. t6 1910 Bessie Powell Stubbs died March a 28. 1918 Alvin E. Foster, husband of a Margaret Leyburn Foster, father of e ' Betty Jane Foster '51, and brother- in-law of Ellen Douglass Leyburn '27, ri died Sept. 17. V 1 920 Lulie Harris Henderson died 2 July 2, after an illness of a year. Five children and three grandchil- dren survive her. ( 1921 Caroline Agee Rowan died Sept. 22, 1951. ^ Lucille Smith Bishop's mother died "L last April. * 1 926 Florence Perkins Ferry's fa ther died in August. 1930 Robert Sydney Cope, father of ic Mary Cope Sweat and Emily Cope c Fennell '28, died June 20. it 1933 Mrs. A. G. Etheredge, mother I of Helen Etheredge Griffin '31, died ^ June 7. fi 1936 Naomi Cooper Gale's father, i> William C. Cooper, was killed in an rr automobile accident June 20. n 1941 Pattie Patterson Johnson's fa- J ther died Feb. 16. G 1943 Dr. W. R. Craig, father of Jo- b ella Craig Good, died in March. s ' 1944 Charles M. Beckham, husband " of June Lanier Beckham, died Aug. 12. 1 945 Margaret Milam Inserni's fa- ther died June 12. RETURN POSTAGE GUARANTEED BY ALUMNAE QUARTERLY, AGNES SCOTT COLLEGE, DECATUR, GEORGIA ^tix;. .T 6. &+CA4- < Q Z UJ _J < U m D LX < U CQ l_> LU _J I i | oo Q 1 | I H o I h UO g- U Z OO ci LU u ECTURE: " L, 8:00 PM. Q < \^ 3 > CC < CL o ro I" Q O CN o z z < LU CQ Z 3 < CQ 5 UJ Q LU CC ii- CC Q < oo I 00 4 <. LU QC LU CQ O h- Z O 3 _i O >- CC CC < LU < S^ U < Q_ 00 CO .. 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", -v EMF"" The Agnes Scott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributions to the Alum- nae hind receive the magazine. Yearly subscription., $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur. Georgia, under act of August 24, 1912. NTRODUCTION GROWTH PRESUPPOSES CHANGE, not of a revolutionary character but change that is a natural maturing, a necessary adjustment to the demands of life. Agnes Scott is a live, grow- ing institution and the changes reflected in the story told in the following pages, both by pic- tures and the written word, will interest you as indications of that growth. Today life offers more opportunity and more challenge to women than ever before. They must still be wives and mothers, but they may also be scientists, soldiers, artists, and states- men. The demands of their education, intellectuallv. technicallv. and socially, are enormous and unique. Agnes Scott is preparing women for this enlarged role. Without sacrifice of those enduring values that made great her past, and with reaffirmation of her belief in the liberal arts as the foundation for the best and most satisfying life, she is lengthening her cords and strengthening her stakes. Any attempt at a presentation of the College in a magazine of this size has, of necessity, to be selective and therefore partial. So, regretfullv turning our back on much that is alluring, we direct vour thought to a few outstanding features that characterize Agnes Scott Today. Our contributors who have written the story for vou are representative of alumnae, facultv. and the student bodv. They have shown a great spirit of cooperation and have taken time out from heavy schedules to make this contribution. Our heartiest thanks go to them. Marybeth Little '48, College Board Editor of Mademoiselle and a guest editor of that maga- zine when she was a senior in college, has written delightfullv of Agnes Scott's coveted position in relation to the men's colleges that surround her. and the absence of the old "either-or" debate since here is the chance to have vour cake and eat it. too. Dr. Margret Trotter of the English Department gives an attractive blueprint of Agnes Scott's and Emory's new plan for closer cooperation and exchange of students which is stimulating to facultv and students alike. The fine Arts at Agnes Scott are in a healthy state as Roberta Winter '27 has admirablv shown in her account of them, and also bv her own accomplishment in the Speech Depart- ment. Creative activity is abroad on the campus and fascinating work is being done in all branches of the arts. Arresting to recent campus visitors are the John Bulow Campbell Science Hall and the Bradley Observatory. Both are indicative of today's emphasis on science and are centers of campus as w 7 ell as off-campus influence. The exciting things that have been and are being done in that field are told by Edwina Davis Christian '46, who is science reporter for the Atlanta Journal. Environment is a telling factor in the life of an institution as well as in that of an indivi- dual, and one of the great assets of the college is its proximity to Atlanta. Kathryn Johnson '47, of the Associated Press, agrees with that opinion and sets forth a delectable list of the city's cultural offerings. She also emphasizes the opportunity Atlanta affords to the student in sociologv and other kindred subjects. But Marion Merritt '53, a senior and a former guest editor of Mademoiselle, (we seem to have the habit of supplving them) is right when she says that it is not all studv at Agnes Scott. She gives vou, first hand and from the vantage point of the student, the social life of the College: the good times, the freedoms, the rich friendships, the democratic ideals. For there is a kind of Agnes Scott magic and all who are ever on the campus discover something in common. But however absorbing and engaging each student body may be, Agnes Scott never ceases to be mindful of her alumnae and to rejoice with permissible pride in their accomplishments. To complete the picture, to justify the story we point to a new department inaugurated in this issue: Alumnae Achievement. Thus we give you, however sketchily, Agnes Scott as she is today, a college where the pattern of life is both beautiful and wise. Mary Wallace Kirk '11, Chairman Education Committee The AGNES SCOTT Alumnae Quarterly Agnes Scott College, Decatur, Ga. Volume 31 Number 2 Winter 1953 AGNES SCOTT TODAY Introduction 1 The Story In Pictures 3 No Bitter Either-Or At Agnes Scott Marybeth Little '48 7 Agnes Scott And Emory Have A Plan Of Cooperation 9 Margret G. Trotter There Is A New Emphasis On The Fine Arts Roberta Winter '27 11 Science Moves To The Fore Edrvina Davis Christian '46 14 Atlanta Is A Growing Class Room Kathryn Johnson '47 15 No, It's Not All Study Marion Merritt '53 17 Alumnae Achievement 20 Class News 22 COVER Our appreciation goes to Mr. Ferdinand Warren, outstanding American artist and head of the Art Department, for permission to reproduce his delightful Georgia landscape. This Winter issue of The Quarterly is the work of the Education Committee of the Alumnae Association. Its mem- bers Lucile Alexander '11, Leone Bowers Hamilton '26, and Mary King Critchell '37 have given generously and creatively of their thought and time. Mary Wallace Kirk '11 Editor < * 1 ., ' ' -*- :i *m T_? m - i ; ' i tf ' s JU*1 > &m 1 1 ^^T^^*^ ^ ^K^^B^^ ^ lT i pj| i| T NO BITTER EITHER-OR AT AGNES SCOTT PHE OTHER DAY a pretty but rather bewildered een-ager came into my office. She was looking for idvice on choosing a college. I cleared away a snow- Irift of college catalogues that had piled up on the inlv guest chair and she plumped down. "I'm a senior n high school," she said, "and I always thought I'd ;o to a coed college. But last week my brother came lome on leave and he got me all stirred up." She wiveled lightly to the right and left, happily oblivious i the chair's dissonance. "He went to a big university, iut he told me he'd met lots of women's college women ince he graduated and that he thought they had a lot riore on the ball than most of the coeds he'd dated in chool. He said he was tired of all-the-time party girls nd bunnies who never spoke up in class or did any- hing big for fear of what the boys would think. Any- ray he showed me an article he'd seen in a magazine md told me to think about it." We in College Board had also read Lynn White, r.'s article in Harper's, "Do Women's Colleges Turn )ut Spinsters?" in which he quotes a 39c marital ad- antage for the woman's college graduate and explains. ' . . . despite its claims to sex equality, coeducation as t now operates in America is socially and psychologi- ally designed to produce women who are merely locile . . . When an American man is looking for a ute date, just something cuddly, he is in one state of nind; when he starts searching for a wife, he is looking or this, but something more . . . men have increasing- y been looking for wives endowed with that essential [uality which our women's colleges, because of the vay they are organized, are best able to encourage and levelop in their students: self confidence based on elf respect." On top of reading White's piece, I'd ust gotten back from a trip to a coed school where lot a single girl had interrupted her knitting long enough to ask a question in the seminar I attended ind where the girl who was managing editor of the >aper told me, "When I was put up for editor. I cratched. It's bad enough being brighter than a fellow vithout letting him know you know it." As I learned more about my rather typical visitor ind what she wanted out of college, I realized she was i girl with lots of energy and interests that would [uickly be channeled into campus extra-currics and >ne who desired and deserved a top-notch education. But she was deathly afraid of a manless four years i who wouldn't be? ) and she thought she faced a bitter either-or. I showed her advance proof of an article for MADE- MOISELLE'S January issue titled. "Where Do the Top Students Go?" This is a report on an independent survey made by two professors, an attempt to determine which colleges and what kinds of colleges produce scholars. Women's colleges outdid the coeds' in turning out prospective women Who's Whos. There is a list of outstanding women's colleges, as evaluated in this survey. Four of the top nine have a very lively social and academic relationship with nearby men's colleges: Bryn Mawr, Barnard. Radcliffe. and Agnes Scott. This seems significant and to my visitor it was fas- cinating. All the advantages of separate education and sovereign extra-curricular organizations plus a healthy easy exchange of ideas and good times. We talked about the distinctive features of the top colleges with this system, and trying hard not to be biased, I told her all I could about Agnes Scott and the men's col- leges that are cheek-to-cheek to trolley distance from our campus: At most women's colleges, social life means packing your bag and scooting off for an all too occasional weekend at a men's college; and the intellectual stimu- lation of a boy's point of view is pretty well reduced to limited conversations between train arrival, partv rounding, train departure. On the other hand the coed schools that encourage the academic and allow women to head up extra curries are few and far between. For- tunately there are a few colleges for women where both the good of the coed school and the good of a woman's college are combined. Agnes Scott is one and in many ways Agnes Scott is unique even among her cousins. We're not a grudgingly-founded, just- tolerated adjunct of a men's college. We're an inde- pendent college with a pick-and-choose agreement with other institutions. Atlanta is a beehive of students. Emory University's 2172 undergraduates in professional fields. Georgia Tech's 3775 future engineers, Columbia Seminary's 200 apprentices to the ministry and hundreds of other students from various colleges make this a city of youthful excitement, idea interchange and fun. Without giving up the freedom to resort to morning pigtails instead of evening curlers during exam week, Agnes Scott students can take classes with men on their own campus or at Emory University's. Without giving up their right to top posts in their own student government, newspaper and other extra-curricular activities, Agnes Scott girls can confer with comparable groups and leaders at other schools, learn from dis- cussing one another's problems and solutions. ( Chances are at a coed college a girl would be secretary, not president, of student government; woman's page editor, not editor-in-chief, of the campus sheet.) Without facing the problems inherent in a Greek system, Agnes Scott girls can enjoy fraternity parties at Emory and Tech. Without having to take the time and money necessary for weekend jaunts, Agnes Scott girls can enjoy cheering Tech's football team, dancing to name bands on special weekends, informally sipping cokes or sitting around listening to records with dates any weekend of the year and almost any evening in the week. Emory and Agnes Scott have coalesced chapters of Phi Sigma (biology) and student division of the American Chemical Society. French club devotees and debaters often have joint meetings and Agnes Scott's Mortar Board and Tech and Emory's ODK chapters have an annual get together. Other cooperative high- lights recent alumnae recall are Savoyarding with Tech men in Gilbert and Sullivan operettas, working with other colleges on sociological surveys at the request of municipal government commissions, practicing for weeks on Atlanta-wide oratorios, meeting with Negro student leaders to discuss common problems at Inter- collegiate Council, playing flirtation scenes in Black- friar productions with Tech and Emory contempor- aries (NOT willing but portly papas). One of the newest projects that brings together not only men and women students but students of dif- ferent races is the International Student News Center, which has its publicity office on the Agnes Scott cam-' pus. Made up of world-minded Agnes Scott, Tech, Emory, Morehouse and other Atlanta area colleges, ISNC serves as a news exchange between North and South American students. The Atlanta group reads college newspapers from all over, chooses news stories and editorials that reveal North American student life, translates them into Spanish and sends out a digest to Central and South American universities. Praised by the National Student Association and encouraged by college newspaper editors across this country, they hope to make this student news exchange a reciprocal affair. Certainly Miss Scandrett's pink slips have always disappeared faster than anticipated, Atlanta churches long ago set up collegiate classes and social groups and Agnes Scott and Emory have for a decade opened their classrooms to each other. But not until recently has our nodding acquaintance with the other Atlanta col- leges developed into a real friend- and partnership. Now from the first fiddle scrape at the Agnes Scott- Emory freshman square dance to the time when as graduate and job applicant the Agnes Scott girl writes for an Emory-dotted transcript, each Agnes Scott stu- dent can live a coed date and classroom life. But during those four years she has had the advantage of another schools facilities without losing the closeness to her Agnes Scott professors which we alumnae feel is one of the great things about our small college. And she has had the chance to develop in a world like the real world where friendship with women and leadership in women's activities are important, where men are loved and respected as individuals, not feared or catered to as a collective black ball on all enterprise. Each student now has an easier social give-and-take and a wider understanding of college and community life. But at the same time, each student has retained a valuable membership in a distinctive college, has not been submerged in a large impersonal education machine. The teen-ager in my office was surprised as may be many alumnae of a not recent vintage. Fact is, if the word really gets around, we may have to give our ad- missions committee aspirin as well as moral support. Agnes Scott as a recognized top college in the nation and as one of the few women's colleges with the stimulation of coed life plus the prestige and ad- vantages of a sovereign college of and for women, is something rare and coveted indeed. Marybelh Little '48 AGNES SCOTT AND EMORY HAVE A NEW PLAN OF COOPERATION ALUMNAE OF AGNES SCOTT will remember the marble buildings and beautiful wooded campus of Emory, one of Agnes Scott's closest academic neigh- bors. Emory is a Methodist university. This year on its main campus in Atlanta, some two miles from Agnes Scott, are 2.650 students, most of them men. Emory has professional schools of business adminis- tration, library science, dentistry, nursing, law, medi- cine, and theology. Emory has also a growing graduate school and an undergraduate College of Arts and Sciences. Former Agnes Scott students have pleasant memories of dances and Dooley Frolics shared with Emory students. Some also have shared classes on the pine-scented Emory campus and know that the two institutions have been intellectual as well as social neighbors for some time. In fact there has been a formal understanding be- tween them for a baker's dozen years. In 1939 an agreement entered into by both institutions enabled students of either to attend classes at the other and paved the way for additional types of cooperation. This year a new program of heightened cooperation has just been initiated. It is time to look back and see how the institutions have been working together as a result of the first agreement and what happy develop- ments we may anticipate from the new one. Since 1939 students of both institutions have had access to the combined libraries of the University Center institutions, totalling more than a million volumes. This pooling of resources has been of profit to both student groups. Students have joined forces in extracurricular acti- vities from time to time. In 1950-51 when Miss Roberta Winter, our director of dramatics, was absent on leave. Mr. George Neely of Emory directed the dra- matic associations of both institutions. A cooperative plan has since been devised by which Miss Winter and Mr. Neely will alternate in directing plays that will be produced on both campuses. Another pleasant association has been provided by the Emory chapter of Phi Sigma, a national honor society for biology majors. Eligible Agnes Scott girls belong and serve as hostesses on our campus for at least one of the meetings during the year. Programs are both social and scientific. A tradition of some years' standing is the joint Emory- Agnes Scott square dance for fresh- men during Orientation Week. It is planned by student leaders from both campuses and in conjunction with their deans; both institutions share the expenses and the fun. For years faculty members have been meeting to talk shop together. The Emory Humanities Club in- vites Agnes Scott to participate in its monthly meet- ings, and Agnes Scott faculty members in the scientific fields have been welcomed at the programs of the Emory chapter of Sigma Xi. honorary science frater- nity. Some of our students have taken advantage of the opportunity to attend classes at Emory, and some Emory students attend classes at Agnes Scott. We are able to offer a major in business economics through our association with Emory', enabling Agnes Scott students to avail themselves of a valuable field of study not yet ordinarily offered by women's colleges. A sizeable group of our students have been attracted by this opportunity. A few physics and mathematics students were able to obtain advanced work not avail- able here and ease an almost insuperable difficulty in schedule. Some of our advanced students worked with Sir Richard Livingstone, the noted classical scholar from Oxford University, when he was visiting professor at Emory. Others have recently had the opportunity of a course with Herbert S. Deighton, the British his- torian. Professors as well as students commute. Mr. Neely's service at Agnes Scott has already been mentioned. Under Dr. Sam P. Wiggins of Agnes Scott and Dr. John Goodlad of Emory there is a combined program in teacher education, both men teaching at both insti- tutions and working together on the sequence of pro- fessional courses. Dr. Wiggins explains that the cul- minating "seminar in teaching which is concurrent with student teaching, combines Agnes Scott and Emory into one." A committee on teacher education, known as the Agnes Scott-Emory Committee which in- cludes members from Agnes Scott and Emory in the fields of science, social science, and the humanities is w r orking for continuing improvement in both the pro- fessional and general education of prospective teach- ers. Since these students must do their practice teaching in public schools of the Atlanta area, some forty- selected public school teachers of the area were pre- pared as supervisors in a special six weeks' workshop at Emorv. They received tuition scholarships for the course which were granted by Agnes Scott and Emory jointly. Because of the wide recognition of the Agnes Scott-Emory program of teacher education we have been invited to join six other institutions in advance research in this field four teachers' colleges and two liberal arts colleges. These are Ball State Teachers College. Danbury State Teachers College, Northern Illinois State Teachers College. Teachers College of Columbia University, Queens College (New York). and Pennsylvania State College. During 1952-53 Mr. Goodlad has been granted leave of absence by Emorv to do research. He has a Ford Foundation fellowship which will enable him to investigate teacher education in other liberal arts colleges in this area, and his findings will benefit both Emorv and Agnes Scott. Agnes Scott is beginning to attract men as stu- dents. During the war years when certain courses were crowded some Emory men obtained needed work on our campus. Now they appear for courses not offered at Emory; astronomy, fine arts, play writing, music theory, education. As in the case of our own students, the number from Emory seemed negligible in terms of the under- graduate student body, but this was not surprising in view of the difficulties in space and time. Also, the schedules of the two institutions were not geared to fit one another. Thus the 1939 agreement by which Dr. McCain succeeded in wisely bringing the two institutions closer together left unsolved some impor- tant problems. Changing conditions too. made some aspects of it no longer applicable. In the spring of 1952 a permanent Liaison Com- mittee was formed consisting of President Alston. Dean Stukes. and Dr. Ellen Douglass Leyburn 1 representing Agnes Scott, and from Emory Dean Colwell, Dean Ward of the College of Arts and Sciences, and Dr. Samuel M. Shiver, Jr.. representing the faculty. Their recommendations have been ratified by the administra- tion and trustees of both institutions, and as a result an improved plan of cooperation is already partially in effect. The new plan will simplify bookkeeping, since the institutions will collect no more tuition fees from one another's students, except that our girls will pay the usual fee when they attend the Emory summer school. Even then thev will be exempt from the matriculation fee Emory collects from new students. By winter, groups representing both institutions will have met to work out together the knotty problems of class sche- dules, annual calendar, and transportation (which is recognized as a joint responsibility). The Liaison Committee has made certain recom- mendations for allocating course offerings so that each institution will be able to provide its students with all the essential courses and each will also develop in certain specified directions so that by avoiding duplication a greater number of fields and a more complete program can be offered by the two institutions together than would be possible for either alone. We already have the beginnings of such a program. At present our girls can obtain geology or library science if they go to Emory, and Emory students have access to astronomy if they come here. Agnes Scott plans to initiate and develop courses in cultural anthropologv which will be of value to both institutions. A second type of allocation will occur when both institutions offer beginning courses in a field, but one will offer more of the advanced courses than the other; Emorv does so now in economics and political science, and we are rapidly developing in music and art. A third kind of allocation affects departments which each institution feels are necessary in meeting certain graduation requirements: education, modern Ian guages, classics. Bible and religion, and philosophy Close cooperation between the faculty members teach-' ing in these fields and actual sharing of professors, as Dr. Goodlad and Dr. Wiggins have demonstrated, could benefit both Emory and Agnes Scott. For all practical purposes there is now one education depart- ment serving both institutions better than two separate departments in that particular field could do. In addition to such departmental plans, there is the plan to include qualified Agnes Scott faculty members in the teaching staff of the graduate institutes in the humanities and in other fields now being planned by Emory. Extracurricular cooperation in such activities as music and drama is to be extended, and both fac- ulties will be brought pleasantly together for an annual dinner. It is good to record that Dr. Edith Harn. Dr. Katharine Omwake. and Mr. C. Benton Kline taught in the 1952 summer school at Emory, and Dr. Walter Posey has taught on the Emory campus for several years. In the winter quarter Dr. Lorin Roberts of our biology department will teach at Emorv. exchanging with an Emorv professor who is to teach bacteriology on our campus. These are not examples of full-fledged interdepartmental planning, but they are evidences of fertile ground in which a coordinated program might flower. The new cooperation does not alter either institution basically. The two are not merging, only planning to work together more fruitfully. Emory is free, if she wishes, to extend her coeducation and grant B.A. degrees to women. Agnes Scott is free to devote herself primarily to the needs of women as Emory has been devoted primarily to those of men. Emory will con- tinue as the institution granting graduate degrees. As at present, the two libraries will serve both student groups. Yet an important step has been taken. Among the rewards will be economy, increased breadth of intel- lectual opportunity, and. for faculty members and stu- dents alike, the stimulating sense of belonging to a larger community. Margret G. Trotter 1 I am greatly indebted to Dr. Leyburn's report of the work of this committee in her article, "Cooperation with Emory," Summer. 1952, Quarterly, and to Dr. Alston and Dean Stukes for their generous information and help. 10 THERE IS A NEW EMPHASIS ON THE FINE ARTS ART, MUSIC. DRAMA and writing: all of these sub- jects have been considered essential to the liberal curriculum at Agnes Scott since the founding of the College; but today the programs in these subjects are more attractive than ever. There is evidence of fresh strength, greater awareness, and wider achievement that alumnae returning to the College will not miss. The Art Department has been the source of ideas that give a new look to the campus and a more de- finite style to related details. Original paintings or fine reproductions add a pleasanter aspect to parlors and offices. Bulletin boards demand attention with gay color and clever arrangement. Rooms in dormitories are decorated with taste and imagination, often around a picture drawn from the Louise Lewis Collection of some thirty-five important prints. Programs, posters, decorations for social affairs are all showing student consciousness of color, line, and composition. Art students are frequently called upon to contribute to other campus projects. Costumes for the 1952 May Day were designed by an art major; authentic Spanish grill work painted by an art student gave atmosphere to a setting for a Blackfriars play by the Sierras. Three seniors were asked to exhibit their paintings in the gallery of the Tower Restaurant last summer, and thus took the new look beyond the campus! The Art Department has been bringing an increas- ing number of exhibitions of original works of art to the campus. A showing of the works of Mr. Warren and Miss Huper, a child art show, a "design for living" exhibition have all brought hundreds of visitors to fourth floor Buttrick. Of great interest was the latest exhibition of the work of seventeen active alumnae artists. Leone Bowers Hamilton of the Class of '26 helped to collect and arrange the exciting painting, sculpture, and crafts displayed, and her own compe- tence and versatility were apparent in her entries. Anna Hunter (1914) entered an oil. Go Doicn Moses; Neel Kendrick Whitmire 11925). framed tiles of Charleston; Mariema Miller (1933), pieces of jewelry. Most of the exhibitors were from quite recent years, witnessing in vigorous terms to the burst of life ex- pressing itself so strongly in the world of art todav with experimental, unconventional, non-objective canvases. The north corridor of third floor Buttrick is often, as now, the setting for an exhibition for which there is not room in the art studios. What was once a dusty garret on fourth floor now holds open wide red doors to a gallery of real charm, decorated, lighted, and arranged to show paintings, sculpture, and mobiles. Oversize black coffee tables and bright upholstered couches and chairs invite visitors to linger and enjoy art publications, metal or ceramic objects, and always plants, a jar of grasses and branches, a vase of flowers, or a twisting root illustrating in natural beauty those principles of composition and design found also in the works of art about the room. The gallery has been the setting for talk-filled teas and coffees; and the lights burn late at night while the Art faculty conduct classes in painting and drawing, sculpture and crafts to mem- bers of the faculty and others in the community interested in furthering their art. "* '' These members of the Art faculty are busv with community affairs and with their own worK. Mr. Warren, whose paintings hang permanently in various museums including the Metropolitan, is frequently in demand to serve on juries to select paintings for reg- ional and national exhibitions. Miss Huper, who has won prizes in watercolor. gouache, and sculpture, is regularly conducting classes with the Decatur Woman's Club. Both will show their work in exhibitions through- out the country in 1953. Any Agnes Scott Bulletin will show that the College has always felt a responsibility to the Fine Arts; but recently the program of the Art Department, with new opportunities for creative expression and understand- ing in modern painting, architecture, sculpture, and interior design has emphasized appreciation for con- temporary furniture, ceramics, silver, and industrial arts. Music at Agnes Scott is also in quite a healthy state. Always stressed as a cultural essential, the program has increasingly developed scholarly opportunities for serious students. In 1951 a music major carried out an honors program of research in the classical symphony ; she is at present doing graduate work at Juilliard. A music major of 1952 is continuing study at West- minster Choir School. A 1953 major is another honors student, carrying on research on J. S. Bach and the Lutheran liturgy. This year there are seventeen junior and senior majors among the ninety or so students enrolled in voice, organ, piano, and violin. From Presser floats an agreeable bedlam of practice that conquers even the "soundproof" studios. At the end of every quarter, all students who are taking applied U 68537 music for credit are given a ten-minute audition for criticism and comment by at least three faculty mem- bers. All students with music majors are encouraged to give solo or joint recitals before graduation. The large music faculty are active in the music life of the community. Mr. McDowell is minister of music at St. Mark's Methodist Church, lecturer for the Symphony Guild, and a member of the Board of Directors of the Atlanta Opera Company. Mr. Martin is organist and choir director at Peachtree Road Pres- byterian Church and staff organist for the Protestant Radio Center. He serves as vice-president of the Geor- gia chapter of the American Guild of Organists, of which Mrs. Bryan is secretary. All members of the staff teach privately, give concerts, accompany or direct ensembles, thus maintaining strong ties between the/inusica' life on the campus and the many musical activities in' the Atlanta area. ' Students too are active off campus. A Guild Student Group of the American Guild of Organists served as host and provided the program for the Januarv meet- ing of the Georgia chapter of that body on the campus. A student music club is to be affiliated with the Georgia chapter of the National Federated Music Clubs. Mam- students are active in local church choirs. One is organist at Oakhurst Baptist Church, another at Avon- dale Baptist Church; a third is soloist at the Church of the Incarnation in Atlanta. Choral groups are larger and more active than ever, and their programs are outstanding in qualitv and performance. A Brahms anthem for Commencement, a selection from Pergolesi's Stabat Mater, the Rex Gloriae by Gaines, with Dr. Alston narrating: these have all proved thrilling to audiences in Gaines Chapel. Benjamin Britten's Ceremony of Carols was the choice for the Christmas concert this year; and the Spring concert will offer a one-act Mozart opera and a com- panion piece. Alumnae would be tempted by the courses offered in music. They include church music classes in conduct- ing, literature for the church, and the various liturgies. Good music at Agnes Scott is not new; its impor- tance has always been emphasized; nowadays offerings and activities are more comprehensive, more full of zest than ever. Drama too is a phase of the Fine Arts not over- looked at Agnes Scott. Courses in speech and play production and activities in Blackfriars bring examples of dramatic literature to actual theatrical expression. At a Drama Appreciation Hour in November were 12 heard excerpts from Sophocles. Shakespeare, Chekhov, and Synge; at a speech chapel program last spring were seen short plays by Molnar, Bottomley. and Conkle. Blackfriars, still an extracurricular activity, this fall presented the frothy Spanish farce Take Two From One, bringing back local alumnae to give delightful interpretations of character bits to support the student cast; this will be balanced in April with a Greek drama, i presented for the convention of Eta Sigma Phi, national i classical society. Although men are borrowed fromi neighboring dramatic groups for all productions, the club looks for plays that give acting opportunities to women rather than to men. Productions have beeni given fresh sparkle this year by the technical work ofi Janet Loring. instructor in speech and drama, who is designing and executing the sets. A quick shiftf from a scene on board a luxury cruiser to the drawingi room of an apartment in Madrid was met with applause > that was well deserved. This new staff member, com-) petent in stagecraft and experienced in radio, should greatly increase the scope of the speech and drama offerings. Though a class in plavwriting does not materialize every year, the course is offered, and original scripts thought ready for tryout are produced by Blackfriars. One such script was chosen for production bv the Arts Forum of University of North Carolina Woman's College last year. While the emphasis continues to be on qualitv rather than on number of offerings, the speech and drama program is in a state of readiness to develop along several lines and to offer finally a major appro- priate to a liberal program. Dance is an area of Fine Arts brought into focus at least once each year in a program of ballet or modern numbers. Agnes Scott has long recognized the value of dance; today increasing opportunities on the campus prepare serious students to continue with professional or graduate study after college. One term of dance isi required of all students. New students are given a placement test to determine whether their former training has prepared them for Dance Group. This group has grown from eleven members to) include some fifty students and even a few alumnae. The weekly meetings are used to study, plan, audi practice the annual program under the direction ofi Eugenie Dozier, student of Fokine, Nijinska, St. Denis, Weidman, and others. In past years she has directed Les Sylphides, Giselle, and Swan Lake; Rape of the Lock was an original composition; this year's program will feature Rodeo. In all these productions, Dance Group studies or prepares the book, the score, the choreography, the pantomime, and the decor. Advice in research from the English Department, consulta- tions with the Music Department, assistance from the speech faculty and the Art Department all contribute to the final program. As accompaniment to The Sleep- ing Beauty, Glee Club sang the entire score last year. The Group had been the only one in America to dance all four acts of Swan Lake until Sadler's Wells brought this ballet to the U. S. in 1950. Members of Dance Group have danced with the Atlanta Civic Ballet and are now appearing with the Atlanta Ballet Theatre; and male dancers from these or similar groups take the men's roles in the Group's productions. This discussion would seem incomplete without re- ference to creative writing. The English department offers work in both fiction and poetry; two significant developments of recent years are the Directed Writing course in which the student chooses the type of writing she wishes to follow, and the opportunity to carry out an honors program in creative writing. Folio, the department's writing club for freshmen, attracts, holds, and encourages those students who really want to work at this art. A mimeographed anthology each year collects the best samples from the writing of the fifteen to twenty members. BOZ is the lively student writing club into which freshmen grad- uate. Although the number of students engaging in writing is small, the work has not been insignficant. Three Agnes Scott students in the' last six years have been summer guest editors of Mademoiselle, where an alumna (who published her second volume of verse while she was a senior) is now College Board Editor. From the Directed Writing class came a novel submitted in the Dodd Mead contest in 1952. Two students have followed an honors program in writing: one producing a group of short stories with a mill town as locale; the other writing a novel based on experiences during a summer as a student living in England under the Putney plan. The North Carolina Arts Forum has accepted for discussion by famous writers not only the play prev- iously mentioned but also a poem and stories on two occasions. An Agnes Scott story received merit rating in the Atlantic College Contest in 1951 and won a first prize of fifty dollars in the Georgia Writers Association the same year. Summer issues of the Georgia Review have carried short stories by an Agnes Scott faculty member as well as by a student. Creative writing instructors Janef Preston and Mar- gret Trotter both like to write as time allows and have published poetry and fiction. The emphasis in this field is not so much new as sustained and varied. Alumnae can be assured that Agnes Scott students today are offered in a liberal curriculum those oppor- tunities which will develop appreciation and ability in art, music, drama, dance, and writing. Roberta Winter '27 13 SCIENCE MOVES TO THE FORE AGNES SCOTT, like the nation as a whole, is ever increasing its emphasis on science. In Atlanta the College is an impetus to the advancement of science, not only among students but the public as well. The Bradley Observatory, erected on the campus in 1949, houses the 30-inch Beck telescope, one of the most powerful in the United States. Also impressive is another campus monument to science, the John Bulow Campbell Science Hall, named in honor of a former trustee of the College. Extended programs of the college's departments of chemistry, biology, physics and mathematics are great- ly stimulating interest in science. The departments of biology, chemistry and physics are located in the science hall, completed in 1951. It is one of the most modern and efficient buildings in the country for the teaching of science. There are 77 rooms, including a large assembly room with facilities for visual aid, laboratories, lecture rooms, a museum, reading rooms and offices. Astronomers, students from other institutions, civic groups, and sightseers flock to the observatory. Tours of the building, conducted by Dr. W. A. Calder, pro- fessor of physics and astronomy, are frequent. They are doing much to spread the good name of Agnes Scott and its manifest interest in science. In addition to the telescope the observatory con- tains a planetarium, lecture rooms, photographic dark room, optical shop for making telescopes, laboratory space and a library. The modern astronomer has all the equipment necessary for study. Under Dr. Calder' s leadership the Atlanta Astron- omy Club was organized. It is composed of about 50 amateur astronomers and professional scientists. They meet at the observatory once a month. Many members bring their own telescopes, some of which they made themselves, and set them up on the observation tower atop the building. Dr. Calder, who now serves as adviser to the club, helps guide thej: work. An indication of the club's growing influence is the formation of a Junior Astronomy Club and special study groups. Youngsters in the Atlanta area make up the junior club. They meet at the homes of various members and often visit the observatory. The study groups one for advanced astronomers, the other for beginners are being sponsored by the adult club. These groups also meet at the observatory. Agnes Scott's advances in the field of astronomy have become so outstanding that astronomy teachers in other institutions are taking sharp notice. For in- stance an astronomy teacher at Randolph-Macon will visit the College next spring as part of her study in connection with a Ford Foundation Faculty Fellow- ship. The teacher, Miss A. Margaret Risley, was given the award to study views of astronomers and how as- tronomy is taught in the liberal arts college. Her cor- relative work will be done at Harvard University. Honors students in the Chemistry Department have the opportunity to participate in a project of interest to atomic scientists at Oak Ridge, Tenn. Dr. William Joe Frierson, professor of chemistry at Agnes Scott, started the study at the College in 1948. For three summers, those of '50, '51 and '52, he took part in the program at Oak Ridge. The work involves a study of paper chromatography, a new and better method of analysis for the qualitative and quantitative separation of elements. He is carrying on the research at Agnes Scott while other scientists work on the project in England. Four honors students have helped him with his re- search. Dr. Frierson and a former student were co- authors in the school year 1948-1949 of a paper on the subject. It was published in a national chemistry jour- nal. Students find working on so important and practi- cal a research endeavor most stimulating. Another phase of Agnes Scott's science program is a cooperative arrangement with Atlanta city schools, the U. S. Public Health Service, Georgia Institute of Technology, Emory University, and several industries in Atlanta. Under the plan Atlanta high school stu- dents are working on projects at the College. In the chemistry department one student is helping Dr. Frier- son with his paper chromatography research and will enter her work in the annual Science Talent Search, sponsored by Westinghouse. In addition the program provides for Agnes Scott science teachers to address high school groups and to serve as consultants to high school students and teach- ers. Because of this work Agnes Scott has a hand in the city's annual science fair, held under the auspices of local public schools. Students who have worked on science projects at Agnes Scott proudly display their accomplishments at the fair. Concerning honors work in other fields, one student's project in mathematics was so outstanding that she was asked to address a group of leading mathemati- cians. Dr. Henry A. Robinson, professor of mathematics, and Dr. Anna Josephine Bridgman, associate profes- sor of Biology, both in charge of their respective departments, are contributing effectively to the overall program along with Dr. Frierson and Dr. Calder. Under the guidance of these able and well qualified professors and their staffs, and with the excellent faci- lities available for scientific work, Agnes Scott is exhibiting increasing leadership in the scientific field. The College today holds a place with larger and per- haps more widely known institutions which offer notable scientific advantages, and her graduates who majored in science are making sound contributions in the scientific realm. Edxvina Davis Christian '46 14 ATLANTA IS A GROWING CLASSROOM AGNES SCOTT TODAY looks outward and moves about in the world. Not a little responsible for this is the exceptionally favored community in which the College is located. Busy, modern, alert Atlanta is a growing classroom relating the work of the classroom with practical experience and a city richly progressing in cultural resources. What an awareness in Atlanta have Agnes Scott students for direct study of some of the most signifi- cant problems of American society today race re- lations, industrial relations, political and economic growth of the South! Atlanta is representative of big changes occurring throughout the South. Industrial and economic changes are phenomenal. It is a land where the "war" now means the late global conflict and not the Civil War and that is change indeed. Nearly any college professor can tell you that the students of today are not so much interested in where the South has been as where it is going. There is a ferment in the South today. Thousands have been displaced from the land to crowd into the cities. There is an ever rising level of income for all the Souths people and a consequent pressure for im- provement. Into the region with its vast mineral, human and agricultural resources have poured millions of industrial dollars for new plants and payrolls. This industrialization is linked with the Souths predomin- antly agricultural-rural economy. And Atlanta is the pulse of this new industrial South progressing South, if you like and offers a laboratory for its study. There is study too, in the role of the Negro whose economic status has increased greatly in the past de- cade. Today Atlanta has one of the largest Negro university systems in the w r orld. The Atlanta University Center has seven colleges all privately endowed and the prestige of the Center is incalculable. The League of Women Voters with headquarters in Atlanta functions on campus as a link with govern- ment and political trends in a rapidly changing world. The student may feel closer to her campus elections than to those of her nation, and ignorant of the under- currents of the campaign. Yet, new at the voting game. she can bring to it the curiosity, impartiality, and in- terest of a young voter, unhampered by former allian- ces and beliefs. Whether she can vote or not, she can read campaign speeches, compare parties and person- alities and study major issues. Atlanta, a capital city deeply interested in her state and national politics, offers needed and rightful preparation for the student who is to become a citizen of the nation and the world. Agnes Scott has distinct advantage in its proximity to Atlanta whose cultural offerings center the very best the South offers. Atlanta knows Agnes Scott as a neighbor in cultural sharing and both profit by close ties. As the college is aware of its responsibility to the community and Agnes Scott's lectures and concerts are open to the public, so are Atlanta s offerings in music and all the arts a widened horizon in the cul- tural life of the College. Agnes Scott students have wide choice in the fine music abundant in Atlanta and participate in the full, rounded season presented by the Atlanta Music Club. The Club presents two series of concerts each season, and a large bloc of tickets for the All-Star Concert Series are annually reserved for Agnes Scott students. These series cover the whole range of concert music and give to Atlanta that preeminence in the musical world which cities of larger population envy. The Club directs a comprehensive educational program whose influence has widened until it now serves, one way or another, all the people of Atlanta and bears a creative part in culture of Atlanta and the South. Agnes Scott looks forward to the season's unofficial holidavs. the blooming of the dogwood trees and the appearance of the Metropolitan Opera, two great springtime events that usually coincide. The Atlanta Symphony Orchestra, conducted by Henry Sopkin. brings blessings of greater musical understanding and appreciation to students in its symphonic music. The Atlanta Civic Opera Company presents an annual series of light operas and the Decatur Piano Ensemble composed of twenty women pianists from all parts of greater Atlanta present polished renditions of all- classical arrangements. During the study year, the concerts and operas offered by the Glee Clubs of Emory University, Agnes Scott and Georgia Tech are cordially shared with each other. The celebrated Emory singers are noted for their Christmas carol singing and presentation of Negro spirituals. For those interested in Negro music, there is the Christmas Carol Service by the Atlanta University Glee Clubs and the nationally famous "Big Bethel" choir whose colorful annual production of "Heaven Bound" utilizes many of the old spirituals in the form of the miracle play. An increasingly important influence in Agnes Scott's 15 cultural life are Atlanta's churches which present special music at Christmas, Easter Choral celebrations and seasonal cantatas. Agnes Scott students enjoy current offerings of the legitimate theatre and the Atlanta Theatre Guild cur- rently presents four productions each year, choosing principally Broadway hit plays. The Atlanta Civic Theatre offers entertainment in a well-trained troupe of Atlanta thespians. In the Peachtree Arts Theatre's presentation of art and foreign pictures students find correlation of academic study with non-academic activity. In the dance, too, are valid education experiences which Atlanta offers to Agnes Scott students. The At- lanta Civic Ballet maintains professional standards and the Southern Ballet is a company under the talented team of professional dancers. Pittman Corry and Karen Conrad, who direct the choreography for all ballets and perform as featured members of the cast. Atlanta's art is like a growing plant, strong, vital and branching off in many directions. Agnes Scott finds in Atlanta broad avenues of art endeavor as in the High Museum of Art with its twofold purpose, the collection of works of art both past and present and the education of the public in the formation of good taste in art. The Museum's collection of original paint- ings represent schools of Italian Primitives, Italian. Flemish, French. English and American. The students" annual Southeastern Art Exhibit brings a bit of Green- wich Village to Atlanta for two weeks with their Spring Sidewalk show. Atlanta has much that is profitable to students parti- cularlv interested in art. Georgia Tech. Oglethorpe University and the Atlanta Division of the University of Georgia offer art lectures and exhibitions through- out the year. The painting of the Cyclorama is a graphic portrayal of July 22, 1864, day of reckoning during the War Between the States. Students find, too, enjoyable art experience in the many Atlanta churches whose stained glass medieval windows were done by Henry Lee Willet in the ancient manner of hand-blown pot metal glass. To those interested in Southern history, Atlanta has a Historical Society whose sole purpose is the preser- vation and dissemination of the history of the Atlanta area. All foreign editions of Gone With the Wind are a feature of the book collection. A Romanesque stone castle houses the Georgia Department of Archives and Historv and the Georgia State Capital Museum is recognized as the best state museum in the United States. Two museums of import, the Wesley and Emory- University Museums are located near Agnes Scott on the Campus of Emory Lniversity. Atlanta is a well-directed meeting place as well as nucleus for many fine writers. Both main newspapers, The Constitution and The Journal, carry regular book review sections and a full page on music and arts in Sunday editions. Aside from Atlanta's excellent new Atlanta Public Librarv. Agnes Scott students have extensive use of inter-library services among the institutions com- prising the University Center in Georgia, under the Union Catalogue of the holdings of 16 libraries in the Atlanta-Athens area. Atlanta's two large department stores afford students graphic presentations of recent literary works of all types by talented reviewers. No college lives in a vacuum and the trends of the wider society of which it is a part are alwavs reflected in a live institution of higher learning. Agnes Scott keenlv aware of the modern world that swirls about it, shares in the broadening culture Atlanta offers. Kathryn Johnson '47 16 NO, IT'S NOT ALL STUDY TALK ABOUT COLLEGE begins about the time of graduation from high school, when the proud senior is attending parties and dances, and rehearsing, to the tune of "Pomp and Circumstance," that last trip down the old auditorium aisle. It seems that all of a sudden the talk over telephones, at "spend-the-night" parties, and in advisers' offices is mostly about the big and somewhat frightening question of College. From older friends, from brothers and sisters, from every avail- able source as well as from harried registrar's offices the prospective freshman is gleaning, squirrel-like, information about the colleges of the nation. After what is offered in the curriculum has been settled, if the freshman-to-be is a boy, the next questions he asks are, "What's the athletic program? What kind of a job can 1 get when I graduate?" If she's a girl, and that's who we are interested in, the questions generally are, "Who will I meet? What are the girls like? Will I know boys, too? Are the rules very strict?" Now, if, in the course of her information hunt, our prospective college girl should ask her mother, or Great-aunt Dora, or Mrs. Jones across the street about Agnes Scott she may be in for the misconception of her young life. Time was when Agnes Scott girls wore long black bloomers on the hockey field, and were severely repri- manded for such serious offenses as sitting on the ground. Once upon a time a young lady was literally wept over in the dread sanctum of the Dean's office when she had her hair cut and permanently waved! Stories like that make great telling, they make a big impression as well as a big laugh, and they will probably make our teen-ager wonder how her mother or Great- aunt Dora or Mrs. Jones across the street, ever survived the ordeal. In order that she may not be misled, and that mama's memories may be jolted a little, and that Agnes Scott may be proved non-static, there are certain points that can be put forth. Social advantages and privileges at Agnes Scott today will be considered pleasingly liberal to most alumnae, and pleasingly far from Grandmas day. It all amounts to this: at Agnes Scott it is considered entirely logical to have fun while getting an education, and in fact the administration sees to it that you do have fun. To answer our teen-ager's questions about her social life at Agnes Scott, she needs to be told the two things that mold that social life first, Agnes Scott's standing as a college, and secondly, its location. She may not at first see the relationship of these things to her friendships and dates, but the social life of all colleges naturally develops out of these factors. Agnes Scott is first and last a top-ranking academic institution. We close shop at noon Saturday but during the week we work. Quiet hours are observed, busy signs are observed, "Sorry, I've got to study" is a good and unquestioned excuse. But the days don't drag. For most of us, they aren't long enough. However, there is time for social life along with study. A necessary number of hours a day with books or in the lab usually mean that recreation time is doubly delightful. All of us take a whole afternoon off or spend a whole night "playing". And there is time during the day to let off steam or just flop. Most girls find the general feeling to be that if a girl goes to Agnes Scott she's a friend of yours, there are no crowds and cliques. One criticism brings out ten defenders, but really confidence-and-share-the- birthday-cake-friends-for-life narrow down to six or ten. \ou go home with them for the week-end, are bridesmaid in their weddings, and swap pictures of your grand-children. You have in common with them four years of daily living, and more than that, the knowledge that the years in college have changed you from a teen-ager to a person. They have seen you grow into a person, after four years, and you have seen them. They can usually explain you better than you can ex- plain yourself. Your backgrounds, your home towns, your tastes in everything may be different but together you find the real basis of friendship intimately shared experience and spiritual and intellectual growth. This same principle applies to friends among the faculty. The student knows all of her instructors, her freshman adviser, and can see members of the adminis- tration who leave their doors and certain hours open for the students. The result is usually one or more true friends who can fit you in between conferences and classes and spend an hour hearing your troubles with math or just talking about most anything from photography to religion. These contacts with fine minds and more important, keen interest in the student cou- pled with friendship and maturity, are valued by the students more than the courses these faculty members teach. If you wish you can make your leisure hours count toward something in which you are really interested. If you're nuts about politics, you give The New York Times a once-over, or you get involved in an im- promptu debate over coffee after supper. If you're a goner at the smell of grease-paint or printer's ink, if you want to help a church, if you like to sing, or dance, play basketball, swim, or what have you, you head for the campus organization that has what you want. As a consequence, you make friends who share your interests. The girls are friendly, but they don't trample on each others' privacy. If you want to shut your door and be by yourself to think things over you can go to the little devotional room on campus, or just hang up your busy sign while your roommate goes to the library or to a meeting. You're entitled to your own religion, your own vote in student government, and your own way of doing your hair, and nobody tries to make you conform. After classes or when your eyes get tired, you can wander down the hall and find a crowd in someone's room knitting, playing records, or just talking, and you're welcome to pull up a cushion 17 and join in. In the smoker you're invited to be a fourth in the bridge game or in the discussion on "what makes boys act that way?" Agnes Scott's location is chiefly responsible for molding its social life during the week-end. The ad- vantages of Atlanta its symphony programs, the concert series, the opera season, stores and shops, restaurants and first-run movie theatres draw Agnes Scott girls away from campus. The boys' campuses that surround Agnes Scott are a great factor. Emory with its liberal arts college, its medical, law, and dental graduate schools is about a mile away. Columbia Seminary for theolog students is nearer. Tech is farther away, but there are plenty of cars with engineer stickers on campus every weekend. Boys frequently come from colleges nearby like Georgia, Auburn. Sewanee, Davidson and Alabama. Home-town boys get stationed at Fort McPherson or Benning, and call for dates for themselves or for friends. There are plenty of men. The largest number of them come from the schools right at our doorstep, Tech. Emory, and Columbia. And there's much to be said for these young men who drone away on the campuses near Agnes Scott; they have their points. They have to meet high standards to get in these all-male schools. They have to be conscientious and ambitious to stick it out, and most of them have promising futures. Not seeing girls all the time makes them appreciative. They're pretty nice guys, and, it's said, make dandy husbands. Now, before our teen-ager packs her bag and takes the fastest transportation hitherward. she should be told that in spite of the apparently inexhaustible re- servoir of men, it must be said that there are girls at Agnes Scott who don't date. Usually they didn't date in high school. Often they are young for their age, and haven't caught on to the arts of grooming, posture, and other lore that make girls attractive and make boys ask, "Who's that?" Some are genuine book- worms and don't have time for boys. More often, they are girls who haven't made a real effort to pretty them- selves up and ask the roommate to stir around and find a date. However, they don't feel that their more popular friends classify them as "dateless," and with- draw into a shell or a little group of similar shut-ins. The administration sees to it that they meet boys. Their friends on the hall are ready with the bobby pins and a dress to wear if they will make the first efforts. Many do make those efforts, start reading fashion magazines, take to giving their hair a good brushing every night, stop eating four rolls at dinner, and start dating. Some don't, but a one-woman opinion poll confirmed my own belief that if you want to date, and are willing to work on yourself and aren't afraid of blind dates, you can start signing those pink slips in the dean's office on Saturday night. Which brings us around to our teen-ager's last question, which might have been her first, "Are the rules strict?" Some alumnae may remember that not so many years ago young women were more closely supervised, not only in schools, but in their own homes than they are today. Then, as now, the rules of Agnes Scott generally were in line with what was 18 considered the best tradition of the times. Mothers now think that young men can be trusted with their daughters, so does Agnes Scott. The College in many respects resembles a home in its social life. The activities on campus are comparable to recreation at home. Agnes Scott girls give dances and parties on campus, and the social regulations are like those of a home. The older daughters are given more privileges than the younger. The freshman is often a misinformation bureau about college rules. During her first two quarters at school, the freshman is fairly well restricted. She must have someone with her, a senior or her junior sponsor, who knows the city and who knows the ways of college boys. She can not date as much as upperclassmen, be- cause she has not yet learned to regulate her time. The regulations at first seem terribly confusing. Sign- ing in and signing out have not yet become mechanical for her, and she does not yet realize that the rules are made for her, not against her. Consequently, the sub- ject of much of her conversation is the intricacies that she has to go through. By the time she has spread the word that college is terribly strict, she is enjoying upperclassmen privileges. On the other hand, sopho- mores, juniors, and seniors, who admittedly have more privileges than they can possibly use, take them so much for granted that they seldom mention them. After two quarters of being shown the ropes, the students are given date privileges according to classes. By observing the regulations, they keep these privileges for themselves. A class which has a good record is usually given the privilege of the next class before the year is over. In general, sophomores may date three times a week, and juniors and seniors at their dis- cretion. Time limits must be observed, but for some- thing special, late permission is given, sometimes into the wee hours. The honor system, administered by the students, and the paper work handled in the dean's office, form the basis. A student takes upon herself the responsibility of keeping up with herself, and with remarkably few exceptions, it works satisfactorily. The regulations are made by the students, they are flexible, and they are based on good judgment. There is no need for a prospective freshman to worry about getting lost and staying that way when she first comes. She should calm herself on that score if she decides to come to Agnes Scott. Tech gives a dance for her, and so does Emory. Her Junior Sponsor is ready to stand by with information and introductions. Several parties are given for her on campus, and her date will be provided on request. The fraternities at Tech and Emory rush, and before she has gotten her name in the registrar's book she will be signed up to wear a name tag and smile pretty and tell the boys to pledge. As a matter of fact, upperclassmen sometimes get jealous of the freshmen because they get all the attention. So if any teen-ager should ask you, tell her from me that "No, it's not all study ! " In fact, I think she'll have a good time. Marion Merritt '53 ABUNDANT IS THE WORD FOR THIS LIFE THE PICTURES on pages 3-6 are thoroughly typical glimpses of Agnes Scott today, but even they do not encompass its true color and variety. For one thing, they do not present the vigorous extra- curricular organizations that give student life much of its drive and excitement and prepare for future leadership. They do not convey the friendships between student and student, student and pro- fessor. They leave out of account the outdoor athletics, the shopping trips to Atlanta, the community ties that churchgoing develops, the year's high points of excitement such as the coming of Robert I Frost, the Faculty Revue, Junior Joint, Investiture, May Day, the last day in Inman before Christ- i mas holidays and the first day after. But in their kaleidoscopic way they bring you much that is new I at Agnes Scott and much that you will remember. They do not really require captions, but if you'd I like to confirm your guesses here are some explanations, beginning with page 3 and taking the I pictures from left to right, starting at top. emerging from the elevator in Main signing out in the D. O. the fall dance with Emory freshmen Atlanta's own symphony orchestra Municipal Auditorium, scene of many concerts physics lab: the coelostat telescope art lab on third Buttrick she practices at the console where great organists give concerts a carrel of her own in the Library stacks: the honors student's reward Dance Group: practice for the annual ballet speech class: she'll hear her own errors on the tape in a moment the college switchboard is student-operated the bookstore in Buttrick dance group again the Alumnae Office couldn't run without student aid (the two at right) the alumnae art exhibit: they're talking of another one for next year dormitory scene, posed: look at that table! mail still comes twice a day here the day students' lounge in Buttrick Hall 19 ALUMNAE ACHIEVEMENT Editor's note: Our presentation of Agnes Scott today with its stress upon current advantages has brought into sharp focus the continuity and effectiveness of Agnes Scott's offerings throughout the years. Evidence of this is found in the broad and varied achievements of her alumnae. Digging into files has opened up a fascinating and pride- ful field of research. Embarrassed by lack of space in which to record our findings we can only make a begin- ning, but we are happy to announce that the department of Alumnae Achievement which we are inaugurating in this issue will be continued in future Quarterlies. Atlanta's Woman of the Year in Education for 1952 is associate professor of biochemistry at Emory University and has been teaching in its medical school since before women were admitted as students. EVAGELINE PAPAGEORGE '28 She holds the Ph - D - from the University of Michigan and is known professionally for her research and publications in the field of nutrition. Florence is an English literature scholar, an educational administrator, and one of the Agnes Scott grad- uates listed in Who's Who. Dean of the Woman's College of Duke University, professor of English, and ROBERTA FLORENCE BRINKLEY '14 S^^^^^SSoS^I and the vice-president of the Southern Association of Colleges for Women. Among her books are I Arthurian Legend in the 17th Century, English Poetry of the 17th Century, English Prose of the 17th Century, and Nathan Field, the Actor Playwright. Another Who's Who, Marian is Agnes Scott's most successful fiction writer. She is the author of seven novels MARIAN McCAMY SIMS '20 an t d , of many sh Tt si f es f in J p f ai m ines -P lus articles generously written for The Agnes Scott Alumnae Quarterly. Her stories appear frequently in the leading magazines, as they have for years. Her first novel appeared in 1934. An agricultural economist, Margaret ten years ago became principal social scientist and principal statistician in the Division of Population and Rural Life, Bureau of Agricultural Economics, U. S. Department MARGARET J ARMAN HAGOOD x '29 of Agri i c ^ ltu i re - S1 \ e f f^ and co-author of several books and has held national office in her professional associations. Her Ph. D. is from the University of North Carolina. Lorine is listed in Who's Who for her achievements as a psychologist. Holder of a doctor's degree, she \ has written seven books, some of them on psychological and socio- I HP I Kl P DP I I CTTP ' 1 logical problems and others including biographies and a survey LUKINt rKUbl lb X lo of opportunities for young writers. TOM Ml E DORA BARKER X ' 1 As author of books and articles on librarianship and as director of Emory University's Division of Librarianship, this Who's Who alumna is a national figure in her profession. 20 A. recent issue of Time magazine said that A Man Called Peter, Catherine's "warm, clear-eyed" biography rATurnikic \*/r\r\r\ nAnruAl i 'oz of her husband, had been second only to the CATHER NE WOOD MARSHALL 36 R .,, , . 1Q[;o c , , , Bible as a best seller m 1952. She had pre- viously edited a collection of his sermons and prayers, Mr. Jones, Meet the Master. LEILA ANDERSON Zo "Jack" Anderson went from church work into a YWCA career and in 1948 became executive of the YWCA's national college and university division. Her work has taken her to countries over the world. Lieutenant Commander Sybil Grant, one of relatively few women in the U. S. to hold that rank, has had 3 Navy career of national importance. Among her assignments have been one as administrator of the Naval Academy Preparatory School and another as head of the Women Officers' Indoctrination Unit. SYBIL GRANT '34 National prizes and other recognition for her work in advertising have dotted the career of Rosalind Williams, advertising manager of Davison-Paxon Co. Except for a time as an executive staffer with _ _ . . _ IAKICC \A/II I | a uc /or an advertising firm in Atlanta, she has been with ROSALIND JANES WILLIAMS Zb Davison's about 23 years. Her work, however, has oeen used by advertisers over the nation. A.uthor of two religious books and numerous leaflets and articles, Janie McGaughey is one of the top ^eligious workers in the U. S. She is head of woman's work for he Presbyterian Church U. S. and holds an honorary doctorate rom Southwestern at Memphis. A chair of Bible at Stillman College is named for her. JANIE McGAUGHEY '13 JULIA BLUNDELL ADLER OO Judy is a director of the Whitman school of interior design n New York City. She is a designer of textile and wall paper. The scholarship in art for 1931-1932 was awarded to her at Agnes Scott. She attended Parsons School of Design in 1934 and studied at Cooper Jnion. Judy is a member of Committee on art education for the Museum of Modern Art, N. Y. C. FRANCES FREEBORN PAULEY Z/ A long career in volunteer service led Frances to he current presidency of the Georgia League of Women Voters, a large and vigorous League which has endered incalculable service to the electorate of the state. One of a distinguished list of physicians among Agnes Scott alumnae, India Hunt Balch was the first IKiniA I II IMT RAI f""l-l '17 woman member of the University of Virginia medical faculty and is now in pediatrics at Massachusetts General Hospital. Another Agnes Scott alumna in Who's Who, Jessica Daves Parker is editor-in-chief of Vogue magazine hus holding one of the highest positions in her field. JESSICA DAVES PARKER X '14 admitted in 1939 to practice before the U. S. Supreme Court, Pat later became legal assistant to the PATRICIA COLLINS ANDRETTA '28 At,omeY General ^ in ] \ppeals, Department of Justice, with the title of judge. first woman member of the Board of Immigration 21 CAMPUS PATCHWORK This is a highly experimental way of presenting the whole campus while avoiding the disadvantages of the aerial view as photographed from an airplane. Direct sunlight strikes the front of Main and its neighbors for only a short time out of the year a few days in summer, when foliage is so thick that most other buildings are obscured. The distance of the Bradley Observatory from the front of the campus excludes it from a picture made at an altitude low enough to show the campus clearly; and the oblong shape of the campus, with most of the major buildings facing the short northern side, renders it a difficult subject for aerial photography. The Committee in charge of this issue of The Quarterly pondered these facts and decided to try photo- graphing the buildings separately and in small groups and fitting the pictures together to make a composite campus whole. The disadvantages of this system will be apparent to you as you examine the result on the two inside covers, but it does bring you, if you have not been back to Agnes Scott recently, the relative po- sitions of the buildings today. The photographs were made by Franklin Jacks, the montage by Leone Bowers Hamilton '26. The Library Agnes Scott College RETURN POSTAGE GUARANTEED BY ALUMNAE QUARTERLY, AGNES SCOTT COLLEGE, DECATUR, GEORGIA THE AGUES SCITT UIHIAI Q L A !! >' :3 y SPRING THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS Jean Bailey Owen '39 President Dorothy Holloran Addison '43 Vice-President Florence Brinkxey '14 Vice-President Mary Warren Read '29 Vice-President Betty Jeanne Ellison Candler '49 Secretary Betty Medlock. '42 Treasurer TRUSTEES Catherine Baker Matthews '32 Frances Winshd? Walters Inst. CHAIRMEN Fannie G. Mayson Donaldson '12 Nominations Dorothy Cremin Read '42 Special Events Edwina Davis Christian '46 Vocational Guidance Mary Wallace Kirk. '11 Education Elaine Stubbs Mitchell '41 Publications Betty Jean Radford Moeller '47 Class Officers Hallie Smith Walker ex '16 House Laurie Belle Stubbs Johns '22 Grounds Clara Allen Reinero '23 Entertainment STAFF Eleanor N. Hutchens '40 Director of Alumnae Affairs Eloise Hardeman Ketchin House Manager Martha Weakley '51 Office Manager MEMBER AMERICAN ALUMNI COUNCIL The AGNES SCOTT Alumnae Quarterly Agnes Scott College, Decatur, Georgia Volume 31 Spring 1953 Number 3 EXPERIMENT IN RELIGIOUS DRAMA 1 Neva Jackson Webb COLLEGE PUBLICITY 3 Eleanor Hutchens CLUB NEWS 7 ALUMNAE ACHIEVEMENT 10 Ruth Slack Smith CAMPUS NEWS 12 CLASS NEWS 14 Eloise Hardeman Ketchin COVER The Quarterly is indebted to Miss Marie Huper, assistant professor of art, for her skillful linoleum block impression of the McCain Library. A magna cum laude graduate of the University of Iowa, from which she holds the B.F.A. and MA. degrees, Miss Huper has taught there, in Canada and at the University of Tennessee, and has held other connections as an illustrator and designer. Her work in several art media, including sculpture, has been widely exhibited and has won numerous prizes. Eleanor N. Hutchens '40, Editor Leone Bowers Hamilton '26, Art Editor The Agnes Scott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. Yearly subscription, $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24, 1912. NEVA JACKSON WEBB '42 An outstanding Blackfriars performer in college, Neva Webb has continued to develop her interest in dramatics since graduation. She taught school before her marriage, then returned to Atlanta when her husband joined the Emory faculty. A year of teaching speech at Agnes Scott and prominence in a lively Emory - Agnes Scott faculty drama group, in addition to the undertaking described in this article, have highlighted her recent activities in the field. EXPERIMENT IN RELIGIOUS DRAMA THE PAST YEAR I've been busy with dramatics and with learning modem dance, as a part of drama. After reading articles by Fred Eastman I became enthusi- astic about religious drama. Eastman reviewed the barren, hastih -thrown-together church drama in Amer- ica and cited religious drama in ancient Greece, where writing, acting, and dance were a source of spiritual strength and vision. I thought it would be exciting to try to develop some good drama in our church. With the help of interested friends I directed several plays. Chief among these were "The Prodigal Son,'" an original play for children, and an old English mir- acle play. My latest project was presented July fifth at Mon- treat, N. C, for the Woman's Conference of the Pres- byterian Church. U. S. The occasion was the unveil- ing of a portrait of Mrs. W. C. Winsborough, founder of the Women of the Church. I was intrigued with the play, "He Came Seeing," by Mary P. Hamlin, and decided to present it; also to write a prologue which would unveil the portrait and connect the play to the Women of the Church. The play depicts the story of the blind boy whom Jesus healed by having him wash in the pool of Siloam. The boy becomes an independent thinker, rhe play portrays the personality change which con- tact with Jesus worked in him and brings out the nisunderstanding and blind fear which he then finds n society and organized religion. Having chosen the play, I next sought an artist Ivho would be original in plotting colors, scenery, ostumes. The very artist was found, Leone Bowers Jamilton '26, in Decatur. She was imaginative and jractical, intense and patient. In May we went to vlontreat for a day. which we spent in the auditorium isualizing what we wanted. She made sketches, notes, neasurements. began to plan the Palestinian street scene. Later she dyed huge piles of old curtains purple, yellow, gray and brown. 1 he day of the play these were stretched and tacked over the stage screens we found there. Outside stairs to a house were con- structed from cardboard and scrap lumber and painted yellow to match the house. On one drapery, she cut out and sewed materials of different textures to form a unique "'Tree of Life" design. Finding the cast for the play was more difficult than finding the artist. The first group I asked included several preachers and wives, who read the play aloud, made helpful comments, but didn't have time to act in it. One Sunday the young people in our church ( seniors and college freshmen ) read the play as their program. They were enthusiastic about working on it. so we began. The biggest thrill of the play was seeing the change which took place in the young people. We started with improvisations. For example, the group or groups pretend they are on a street in Jerusalem. Suddenly a young man. formerlv blind, comes by, dripping wet but with a radiant face. The onlookers make up excited words and actions as they follow the boy to his home. Improvisations made the situation more real. The young people agreed they had never before thought of how a blind beggar feels, or of how honest, upright people might hate and fear Jesus. I worked v/ith the main characters individually. Although the scene where the blind boy plunges in the pool of Siloam. rubs his eyes and sees for the first time does not occur in the play, we improvised it several times, as the emotion built up in the actor. I gave the main characters speech lessons for tone, vowels, consonants to try to overcome southern ac- cents. Frequently we began practices with physical exercises, arm movements, walks, to help them become less stiff, more controlled in movement. Learning lines was left until feeling for the play had come through and the action worked out. One weekend we all journeyed up to Montreat to acclimate the cast to the auditorium, while I wrote out the stage action. So the play got under way. In the meantime, I was agonizing * over the prologue and how to unveil the portrait in a dramatic way. After discarding several plans the idea emerged of connecting the women of this church with women in all the ages, fighting for freedom of body and mind. In a small Oriental land came the challenging person of Jesus, Who gave impetus to the struggle for abundant life. The Women of the Church organization was a part of the struggle, coming as it did from the Women's Rights Movement of the nineteenth century. Sometimes this vision is lost: "Who is to help our darkness, And who our apathy In dullness, in darkness, what can renew The vision of power within?" Its purpose was to help women everywhere live fuller, better lives, "To let the Spirit of Jesus grow- In us, in joy, in love." As I thought and felt about this I wrote sections of blank verse. Somehow I wanted my dream of religious dance to be included, for religious dance contributes to the fullness of life. After looking at the material Frank Drew, an actor and poet, agreed to direct it. Our plan was to use a speaking choir and to incorporate appropriate move- ment. I was to act as leader for the chorus. Getting the cast for this was discouraging. After asking a number of people I at last got together a group of eight women from our church and the De- catur church. Four had excellent voices; none had dance training. The speaking choir's lines took only fifteen minutes to give, but we practised two hours three times a week for about a month. Frank at first worked only on our getting feeling for it and the fullest meaning from the lines. We sat in a row, facing him. and read it aloud. He selected high and low voices, divided up the parts, using sometimes one voice, sometimes one group, then again every voice. Sometimes we spoke in fullest tones, sometimes we chanted so as to nearly sing. He did fearless things with our voices. For instance the word * Note on agonizing: Sam says this means "crying, moaning and groaning, writing and rewriting, beating on the bed, getting up at five o'clock in the morning, fussing at hus- band." '"fear" was drawn out to last several seconds. In the word "power" the "p" was exploded and the voice pitched low. The next week at the end of a rehearsal he had usi stand on the stage for the first time. That was all we had to do just read it from the stage. It was a hard enough step for some who had never been on a stage before. The next time, he began to group us. Then we began to do limbering-up exercises. I showed some of the slow, sustained movements we had worked out, such as kneeling, turning, lifting arms, extending handsl in prayer. We began practicing those. Then he askedl the group to improvise movements while he read the words. Leone Hamilton sketched during one practice andi showed us where movements were monotonous on grouping unbalanced. The last week Roberta Win-i ter '27. drama director at Agnes Scott, stepped in and helped with grouping. Leone bought tobacco-cloth, dyed it in deepening shades from pale yellow to deep brown, made each costume. Oriental in line. We were to represent Woman in all ages, yet lead up to the* play. During our lines a light was thrown on the portrait which was placed on an easel on the stage, in darkness. The lights on us dimmed when we slowly left the stage, knelt towards the audience, chanting the words. "In a small' Orien' - - tal land', Came God (long drawn out) Came God (getting softer) Came God (very soft and sustained) There was a second of darkness, then for the first time'i the lights shone full on the rich-colored scenery. Lighting" was planned by Mr. Hoyt King, who, with) true artistic feeling, devotes hours to wiring, cutting gelatins, building stands, to get an exact effect. Hel joined the group of thirty which drove to Montreat i one weekend, worked all day Saturday, gave the play Saturday night and drove back to Atlanta on Sunday, j My husband. Leone and her husband and two children completed the efficient stage crew. Before the performance all the cast prayed that wei could do our best, ''share what we have with thei audience." The actors were primed that night. We sensed the audience thrill at the dramatic speaking choir, felt their interest during the play and their emo- ( tion at its end. It was a spiritual experience. We felt a growth mi thinking, a release of personalitv and a binding-to- gether in the effort. COLLEGE PUBLICITY PROGRAM by ELEANOR N. HUTCHENS '40 Director of Publicity NOW AND THEN one of you suggests to me that you would be interested in the details of Agnes Scott"s publicity program. I should like to outline that pro- gram to you and explain the purposes which guide it. Please bear in mind that this article deals with pub- licity in its strictest sense that is, as the dissemi- nation of facts to the public through various news media. Public relations is a much larger field. First the mechanics of our program: how it works. [ts operation may be divided into several parts: home- town releases, local releases, special releases, and as- sistance to press and radio representatives seeking lews on their own initiative. At the beginning of the year each student fills out i card which asks for, among other things, the names jf her hometown newspapers and a list of her student activities. This card is on file in the publicity office ind provides us with background information for stories to be sent to her local newspapers. When she s elected to an office, or is accepted by a club or an lonor society, or wins a sports competition, or is iwarded an honor scholarship, or makes honor roll. )r graduates, a short news story reporting the fact ;oes to her home town paper or papers. This story irst states the item of news and then gives her other \gnes Scott activities and her home address. Its style s simple and short, with no embellishments to make ler fellow townsmen suspect that a close relative is "esponsible for its appearance in the paper and in :act it bears a Decatur dateline to show that it came rom the College. Like other colleges, we send out hundreds of these stories each year. Their uses are, first, to indicate in i small way the nature of life at Agnes Scott and a ist of one student's activities and honors can be a $ood reflection of that and, second, to serve the stu- lent by letting her friends know where she is and what she is doing so that when she goes home they won't ask her how things are at Flora MacDonald. rhe student can control these releases about herself. :ither by asking us to send one we may have over- ooked or by asking us not to send one. THE SECOND MAIN DIVISION of our publicity work is the sending of releases to news outlets in the Atlanta area. This metropolitan area has two large daily newspapers, five weeklies, nine radio stations and three television stations. Our local releases go to all of them. These releases cover everything of public interest that goes on at Agnes Scott: lectures, plays, concerts, art exhibits, the ballet, special aca- demic occasions, student elections, faculty achieve- ments, conventions, outstanding athletic events, and so on through a long list. Some of these releases are not used; some are cut to fit the space available in the newspaper: some are rewritten under a fixed policy of the paper, and it is in the rewriting that most errors of fact are made. For the most part although there are occasional no- table exceptions newspapers do their best to check factual detail in their stories. However, in rewriting a release they sometimes unconsciously misinterpret something in it and come out with what looks like a careless or deliberate misstatement. Newspaper publi- cation is a high-speed operation, and some slips of this kind are inevitable. As for the cutting or total omission of stories, it is entirely up to the editors to decide how thev will use their space. I have never felt that a self-respecting institution of higher learn- ing should try to push its way into the newspapers by importunity, special pressure, or the manufacture of news. That my view in this matter is conservative. I know; last fall when I called an Atlanta paper to say that Agnes Scott students were to hold a campus political rally and vote on the presidential candidates, the reporter took it for granted that I had thought up the project myself, purely as a publicity device, and he congratulated me on my cunning in having scheduled it earlier than the Emory one so as to get the better space accorded a fresh story. I do not know whether he ever believed my assurances that the students were entirely responsible for the under- taking, that a student organization was sponsoring it as a means of stimulating informed interest in the national election, and that I had not even known that 3 Emory was making similar plans. In addition to these routine stories there are oc- casional "features", usually released to one outlet only, about campus personalities who for some reason are newsworthy, or about the background of some cam- pus event, or perhaps based on a poll or a survey. Sometimes the papers decide that a story is worth a picture, and they send a photographer to the cam- pus. In the preliminary telephone call, when I have outlined the story and its picture possibilities, the city editor or the picture editor determines exactly what kind of picture he wants. His instructions are written on the photographer's job card, and the photographer has no authority to deviate from them. Nor may I dictate anything about the picture except on grounds of taste or accuracy. If five students are participating in an activity and the newspaper wants only three in the picture, my choice lies between having three or having no picture. I make the choice according to accuracy; if showing only three students means a misrepresentation of the activity, there is no picture. Otherwise there is. Now and then someone protests that this is unjust to the other two girls, but such a protest can be founded only on the assumption that it is an honor to have one's picture in the paper, and I do not feel that that assumption is sound. Another charge of injustice that is made from time to time is that the Atlanta papers show partiality to Atlanta stu- dents. There is nothing sinister in this. The simple reason is that Atlanta papers are read by Atlanta people, that they strive to interest their readers, and that Atlanta people are interested in Atlanta people. The principle is the same as that which impels a stu- dent s hometown editor to use a story to the effect that she has made Cotillion Club but not be faintly interested in her roommate's election to the most im- portant offices on campus. OCCASIONALLY SOMETHING happens on the cam- pus which justifies wider distribution than the two kinds of release I have discussed. When we inaugu- rate a president, for instance, news stories are sent in advance to national wire services, news magazines, radio networks, and the education editors of large city dailies, as well as to countless education journals and other special publications. Or when we have news that is of national interest to a special group, such as scientists or church people, we assemble a list of appropriate outlets and send releases to them. There is still another sort of publicity that is done by direct mail to interested individuals; we have a music mail- ing list, an art mailing list, and of course a mailing list of all Agnes Scott alumnae. To the various small publications in Atlanta which list cultural events, we send a calendar of campus offerings each quarter. Then of course there are many minor details of pub- licity such as trying to see that Agnes Scott is in- cluded among points of interest listed in Atlanta and Georgia guidebooks and maps or rounding up par- ticipants for a television program. Sometimes the newspapers send their own reporter to the campus, and the duty of the publicity office is to help them see the people they want to see and to get the facts they need. We are always glad to have the press with us, for there is nothing we wish to conceal about the College or the campus. However, in the interests of taste and accuracy, we do insist that reporters work with the publicity office. This is a private, not a public, institution; and for the pro- tection of the students and the good name of th College we take advantage of that fact to avoid, inso- far as is possible, the dangers of irresponsible report ing. We do not withhold from the press any news of public concern, no matter what disasters befall us As a matter of fact, some of the most realistic report ing of campus life springs from misfortune: a year or two ago when Main Building was damaged in a storm the story was covered by a reporter who was an Agnes Scott graduate, and her description of what people were doing when the blow descended gave a better picture of the campus than could ever be ap>| pended to an ordinary news release: the dean of stu-i dents attending a concert in Presser, girls studying in the dormitory, others returning from dates. A re porter less at home here (or less well educated!), if] unaccompanied by a guide from the publicity office, might have written not what he did see but what he expected to see hysterical girls fainting, screaming rushing out into the stormy night and so on. There is another reason we prefer to be on hand when re porters visit us, and that is the fact that interviews with inexperienced people can have treacherous possi-i bilities. Things they say jokingly may be taken dow as serious statements, one sentence may be lifted from its context to make a meaning that was never meant,i or the opinion of an individual student may be repre sented as the general student view. In the last casej our precaution is to try to require that the opinion not be printed without the name and address of the student, so that if it is printed the public may visual ize her as one person rather than as the composite ofj all Agnes Scott girls. NOW THE PURPOSE of all this policy and planning ind work is simply to interpret the College as truly js possible to the public. As everyone knows, public aith is essential to the work of a private college. \gnes Scott is doing an outstanding job, and it is the luty of the publicity office to try to tell the public hat that job is and how we are doing it. It is not easy to publicize a good sound liberal arts program. \. curriculum full of gadgets and catchpenny courses s much easier to get into the papers because of its lovelty. Furthermore it is not easy to maintain a oroper balance in publicity concerning a woman's col- lege which is doing serious academic work. There s still a large segment of press and public which is anwilling to believe for a moment that young women vish to acquire learning. Uur program of publicity, although developed inde- pendently, follows the same lines as those of other lead- ng women's colleges. There are three approaches to publicity, which may be identified as "name in print egardless," "name in print only after censorship," Hid "name in print with facts which help the public o understand the College or one phase of its life." This last means patient interpretation over many years o build up a total impression. All good colleges have his policy, and all despair from time to time when ome totally uncharacertistic event eclipses a year's vorK. The president of Wellesley said once that at ;he end of a year of great academic progress tor Wellesley. in which many significant things had hap- )ened, the only event that had made the national oress was the annual hoop-rolling contest, which was von by a Harvard student disguised as a Wellesley enior. I know by reading Vassar's alumnae maga- ine that last year saw notable achievement there, but he national wire services only told me two unintelli- gible tales of quarrels among the faculty, both of which proved later to have been largely fiction. Other colleges which have graduated thousands of fine citi- zens have received sudden countrywide recognition for having one Communist alumna. One of the best sum- maries of our problem I have seen recently is in a report of the Mount Holyoke publicity department to the faculty, made in question and answer style. To the question "Why isn't Mount Holyoke in LIFE magazine?" a query of rather more moment to stu- dents than to faculty, I should think the Mount Holyoke publicity director answers, "Partly because Mount Holyoke activities don't look quite the same to us and to Mr. Luce." Nevertheless, when we can find opportunities to bring the name of Agnes Scott before a national audience in a meaningful or even merely innocuous way we try to take full advantage of them. THE BEST PUBLICITY is earned by the College in the performance of its ordinary task. You know that recently Agnes Scott was listed among the top ten women's colleges in the country for the production of scholars. Our office tried to see to it that that listing reached as many publications as might use it. But no publicity director on earth could earn that story or one to equal it in effectiveness. It was earned over many years by the faculty of this College and by the administration which assembled that faculty and chose the students who would study here. Some of you are annoyed sometimes when you travel to other parts of the country and are asked by unin- formed persons just where Agnes Scott is. Well, how many of you know for sure the state and the city where Vassar is located? The important question is, "What is Agnes Scott?" You can help answer that, and make Agnes Scott favorably known wherever you go. ECTSOFFLCERS^r***" H Social r vt* n t c iw h To Hear *Jfgn5 Sc6ff Mimiiae Entertain a! Tea """Of Agj Dr. Gror^e I - i mi i earnse Are R< ociation Elects Sew Officers Wkscxjtft NEws L lVf$ BAKTOV . AB Scat" *:n*ais* sr* < Tw-i ifiMi*w*MAW wr^rs AGNES SCOTT CLUB. SENIORS HONORED Sift, George Biackwel 1 Smitl li Hostess Or. J araes ft, MoCam G;es "a* i CM wh n. I t| **. nw ism T 4 *! Vrfii* S&* -i. j H* L *ta& Jr drrvw a . fStn. -: a <^ ..:: tor W* MniA^T D*T Founders Dav Dinner U U<*1 B\ |j-al Ames SroU Alumi it Hsmmi hiia * Sims is Hi Sim&i , IT' ill Con rene iNorember 13* w $ .>_!=-:: 43, "rati W WVifcel*. a pa?ogF&i a -v|hiUty Mrs. &* H^apg : ' w ' Mis* , f ^b c^-p. kUCntar to* // NT A ^ news j or WOMEN j. Have Fashsorfr Shov Tlmr*!**. *Sarrh 2&, 1953 TSw Bs U8t Scott Alumnae Plan Style Show, Branch Friday * J -Style Show ijsk n** ^ft astijiltTiF;- ! tto-i*< A&W3E .. . Miss Sybil Corbett To Talfe At Agnes Scott Atumnae Tea - - - . : i5ewftsr, ? CLUB NEWS FOUNDER'S DAY 1953 drew Agnes Scott alumnae together in more than a score of cities, and all the returns weren't in when this report went to press. Congratulations were due to all the club presidents who obtained radio time for the Agnes Scott broad- cast on 19 stations in ten states and the District of Columbia! The program, like last year's, was a panel discussion on a question of general interest pertaining to edu- cation: Should a college concern itself with the moral development of its students, or should it confine itself to intellectual equipment? Two professors, an alumna and a student agreed that attention to moral problems lis a part of the duty of the college. It was a good Founder's Day, on the whole, with more clubs meeting and more deciding to undertake projects for the College or the Association. The Anderson. S. C group, a vigorous club built from only 16 alumnae living there, met for supper at the country club, elected officers, and planned a tea for prospective students next fall. Anderson has a good record: the radio broadcast all three years, an annual prospective students' tea. a club gift to the McCain Library Fund. The Atlanta. Atlanta Junior, and Decatur clubs held a joint meeting in the new Agnes Scott science hall, where the chemistry department entertained the mem- bers and their husbands with startling demonstrations of molecular action. The three clubs united in sup- port of an Atlanta fashion show, which last year made $330 for the Alumnae House and Garden. Both At- lanta and Decatur have given parties for prospective students this vear. and all three clubs have held monthly meetings. The Junior Club is also sponsoring the sale of Secrets of Southern Cooking, by alumna Ethel Farmer Hunter, while the Decatur Club has pre- sented 26 needed teacups to the Alumnae House and has as its secondary money-raising project the saving of soap coupons for cash premiums. Decatur pro- duced a purple-covered member directory; Atlanta mailed the coming year's program to all potential members in the fall. The flourishing Baltimore Club held three meetings last year and sent $41.00, the proceeds of a benefit bridge party, to the Alumnae Fund. Four meetings were planned for this year, with a fall program an- nouncing them to be sent to all local alumnae. The first, a social gathering, brought seven members to- gether; the second, a meeting at which color slides of the campus were shown by Sybil Corbett. alumnae field representative, drew eleven. Both were accom- panied by publicity in the Baltimore press. The Foun- der's Day meeting was next on the schedule, to be followed by another bridge benefit in April. Baton Rouge held its annual Founder's Day meet- ing, listened to the radio broadcast, and read the letters from the College sent for the occasion. Ten alumnae were present. Birmingham met Feb. 25 and had as its speaker Dr. Catherine Sims, associate professor of history and political science at Agnes Scott, who spoke on recent developments in the Far East. The club planned a party for prospective students in March, with Sybil Corbett, alumnae representative, as speaker. Publicity for the February meeting was good, and about 30 alumnae attended. Bristol alumnae sponsored a rousing Founder's Day meeting with President Wallace Alston, who was in town for a church program, as speaker. About 20 alumnae and guests from Bristol. Johnson City and Kingsport were on hand. Chapel Hill had an evening meeting with 16 present and listened to the radio broadcast. The College let- ters were read. The ever-vigorous Charlotte Club, having wound up last vear with a tea for prospective students and a family picnic in May. started the current season off with a purple-backed program listing alumnae in Char- lotte. Charlotte alumnae living elsewhere. Charlotte students and faculty members now at Agnes Scott, former Agnes Scott faculty members now in Char- lotte, and alumnae living in the vicinity of Charlotte. At the October meeting, three new graduates presented skits illustrating recent changes at the College and showed a set of campus color slides to the 30 present. The club decided that its project for the year would be the raising of a gift for the Alumnae House. In November about 60 alumnae turned out for a tea in honor of Emeritus President J. R. McCain. The Founder's Day meeting brought a reading by Roberta Winter "27. drama director at Agnes Scott. In Alarch, Agnes Scott girls home for spring holidays were en- tertained with prospective students. Publicity for all events was excellent. The Chattanooga Club, whose continuing project is a student aid fund, held a well-publicized and well- attended tea for prospective students in October, with Emeritus President J. R. McCain as speaker. Present were 23 alumnae, five guests, and 31 high school girls. The Founder's Day meeting featured an an- nouncement that the $300 goal for the student aid fund had been reached. Columbus gave a successful tea for high school students in November, with the alumnae field repre sentative present. Publicity was well organized and effective. Decatur: for the outstanding achievements of this club, see Atlanta. The three local clubs cooperate so well that a joint report seems more informative than separate ones. Greensboro held a prospective students' tea lastl spring and plans another this year. The Founder's Dr. William Calder, professor of astronomy, submitted these pictures in reply to the frequent assertion that we live in a century of despair, bowed down under the| materialistic heritage forced upon us by science. "Com- pare," says Dr. Calder, "the faces of Agnes Scott students' with those of the philosophical young ladies of 1500! Our students look out upon a world incomparably richer, ini opportunities for really satisfying living." The professor; himself is giving the victory sign at the extreme right. Observatory photograph by Reid Crow . Dav gathering heard the College letters and resulted in a good newspaper account which included mention of the Mademoiselle "top ten" story and President Alston's election to the presidency of the Southern Association of Colleges for Women. If there were a competition in club publicity, Green- ville, S. C, would take the prize for coverage of a single meeting. The Greenville Piedmont ran pictures separate of the three officers and gave a detailed account of subjects discussed at the Founder's Day meeting, which included Agnes Scott history, current honors won by the College and by its alumnae, faculty publications and the building of Hopkins Hall. Any reader of this well-written and accurate story would emerge with a good basic knowledge of the College and its work. Earlier in the year the Greenville Club held a prospective students' meeting with the alumnae representative also with good newspaper coverage. Hampton-Newport News- Warwick. Va.. enjoyed an alumna's talk on Institute days at its Founder's Day event, and concluded the meeting with a speech on the Alumnae Fund. The club's goal is 100'c contri- bution to the Fund by its members. Houston held a November get-acquainted meeting, and the nine present looked at current Agnes Scott literature and passed around a mimeographed list of all known alumnae in the vicinity. The Founder's Day meeting was scheduled for Feb. 23. Jackson. Miss., met for Founders Day and planned an April meeting for the alumnae representative and prospective students. Jacksonville organized last spring and elected a full slate of officers, including one in charge of work with prospective students. Ten alumnae attended the Lexington, Ky., Foun- der's Dav luncheon. The College letters made up the program. Los Angeles took advantage of President Alston's presence at the meeting of the Association of American Colleges there to hold a gathering in his honor. A dozen alumnae and several husbands and other guests were present. Louisville had a good Founder's Day meeting with about 15 present and adopted as its project 100% local contribution to the Alumnae Fund. Macon had a well-organized and nicely publicized meeting in January for the alumnae representative and prospective students. Memphis had a good meeting in October in honor of Dr. Paul Garber, head of the Bible department, who was there for a series of lectures. Nashville, which last spring held an excellent pros- pective students' meeting, with good publicity, had a Founder's Day luncheon with nine present. They lis- tened to the broadcast and read the College letters. New Orleans held its opening meeting in November, with 14 present, and discussed ways and means for the club project raising a scholarship fund. The Foun- der's Day meeting was a morning coffee for Eleanor Hutchens. director of alumnae affairs. New York has launched an experiment with small units, to meet separately through the year and com- bine for one annual all-city gathering. The West- chester-Fairfield group got under way in February with a meeting full of exciting discussion, elected officers, and planned its next event for mid-March. Richmond held a meeting in the fall with Svbil Corbett, alumnae representative, as speaker. Five of San Antonio's ten alumnae met for Foun- der s Dav and enjoyed talking about recent campus news. Shreveport had a well-planned meeting for pros- pective students in October, showing color slides bor- rowed from the Alumnae Office to 13 prospective stu- dents. A quiz on the Alumnae Fund was read, and the club decided to sell Secrets of Southern Cooking as its project. The Founder's Day luncheon meeting, later fully reported in the press, featured a letter from Catherine Marshall '36, author of A Man Called Peter, Washington, like New \ ork. is thinking of dividing itself into sections. The October meeting featured color slides of the campus, with 18 present. The Northern Virginia section has reported two meetings resulting in a decision to tackle the local prospective student job. with the aid of Agnes Scott materials sent by the College. Plans for the all-citv Founder's Dav meeting included as speakers two young alumnae holding in- teresting jobs in and near the Capital. ALUMNAE ACHIEVEMENT The Education Committee, in charge of the last issue of The Quarterly, inaugurated this department and provided a volunteer editor to continue it as a "prideful field of research." The information for her selections is drawn from Alumnae Association files and certain records in the McCain Library. Suggestions for future entries will be welcomed by Ruth Slack Smith '12. A lifetime ambition was realized when Jean gave up teaching in high school, entered medical school, I FAN Mr A I ISTFR '91 an< ^ receive d her M.D. She is practicing in her hometown of Greens- boro, N. C, which recently chose her its Woman of the Year. She has served as president of the Guilford County Medical Society and is now president of the staff of Central Carolina Convalescent Hospital. ANNIE LOUISE HARRISON WATERMAN Inst. is another "First Lady," having been voted that honor in 1951 because of her outstanding work in the civic, religious and cultural life of Mobile. Among her early achievements was the establishment of the Mobile Boys' Club and the first Juvenile Court in the South. Another honor conferred upon her was election as a Trustee of Agnes Scott College. Upon her graduation from Agnes Scott, Frances received a fellowship for graduate study at Yale. On the basis of her excellent work there she was awarded a Fulbright fellow- ship and this year is studying at the University of Paris. rKAINLbo (wLAKK. D I Dr. Ware has received recognition for her achievements as a social worker, an author and a teacher. She LOU ISE \A/ARE '17 * s *' le aut h r of Jacob Riis, Police Reporter, Reformer and Useful Citizen, and George Foster Peabcdy, Banker, Philanthropist, Publicist. At present she is professor of sociology and chairman of that department at Adelphi College, and also consultant in mental hygiene for the Association for the Aid of Crippled Children in New York City. BETTINA BUSH JACKSON X 29 spent four years in research m the West Penn Hospital, Pittsburgh, developing "Hapten", an extract which "may save the lives of countless babies born of mothers with Rh negative blood". She received her Ph.D. degree in immunology at the University of Pittsburgh and is head of the department of Serology of the Institute of Pathology of the West Penn Hospital. No matter where she works, Jerry seems to find something exciting and interesting. -One of her first assign- ments after graduating from the Emory Library School was with a county book-truck. Then she was com- munity librarian in Norris, Tenn. and out of her experiences there came the inspiration to write a book, The Story of a Dam. She has just returned from Melbourne, Australia, after serving three years as director of the U. S. Information Library, and is now librarian of the Savannah GERALD I NF I FMAY '99 Public Library. MAKY KN loH 22 As a world traveler and foreign correspondent extraordinary for UP, Mary had many exciting experiences. Add to that working as a Hollywood extra and as a hostess for an airliner and you have much interesting material for the articles, stories and books which she has had published. The list of books includes On My Own and Red Blight, and recent articles have appeared in the Atlanta papers and the Reader's Digest. At present Mary is editing Facts and lecturing in various parts of the country. 10 ALUMNAE ACHIEVEMENT Even in college days there was a foreshadowing of Marybeth's future career, for some of her poetry was MARY BETH LITTLE WE IN STEIN '48 P ublished then and she was invited to be a guest college editor of Mademoiselle. After grad- uation she spent a year in Europe pursuing some of her varied interests. She returned to work with Made- moiselle and is now college board editor of that magazine. Sally's interests and activities are many travel, gardening, ASC Alumnae Club, civic and business af- fairs. Her work with the Y.W.C.A. has been out- standing: she has served on the National Board, SARAH BROADNAX HANSELL '23 as president of the Atlanta branch, and as chairman of the building funds campaign which was successful in raising over $500,000 for a new Y.W.C.A. building. She was chosen Atlanta's Woman of the Yecrr in Social Welfare in 1944, and more recently was elected a bank director. MARTHA STACK HOUSE GRAFTON '30 is now dean of Mary Baldwin College, where she has served as assistant dean, teacher of history, dean of instruction and acting president. Her leader- ship in the field of education has been recognized by the fact that she has been elected president of the Southern Association of Academic Deans and more recently president of the Southern Association of Col- leges for Women, one of the few women to be so honored. Her twin daughters are in their sophomore year at Agnes Scott. In March 1953 the Alumni Association of the New York School of Social Work bestowed a distinct honor on Ceevah in selecting her to receive the Norma and Murray Hearn Social Action Award. She was cited for "distinguished performance in the field of social action", LbtVAH KUbtN I M/\L 4j specifically for her work in rehabilitating victims of epilepsy. She was employed at the Neurological Institute of Columbia in 1949 as a social worker and soon began promoting the idea that epileptics should have a place in business and industry, basing her campaign on an intensive independent research into the problems of epilepsy. She secured the interest of social agencies and grants were negotiated through the New York State Mental Hygiene Commission to help finance the program. For many years SOPHIE HAAS GIMBEL AcQQ. has appeared in feature articles in such magazines as Time and Look as well as in those in the fashion field. She ranks as one of the country's top designers of custom and ready-to-wear clothes. As head of Saks Fifth Avenue's Salon Moderne she is an artist, a super-saleswoman and a successful business woman. DOROTHY SMITH '30 Dorothy's activities include teaching, study abroad, service in the WAVES, and six years with the United Nations Secretariat. Her work with the UN began as a precis-writer after the passing of an exacting examination in French. She is now an editor of the official records, many of which are in French, and writes, "In spite of all the controversies within and about the UN, I still enjoy my work." 11 CAMPUS NEWS ALUMNAE AND OTHER friends of Agnes Scott have been quick to help with the building and furnishing of Hopkins Hall, the new freshman dormitory for which ground was broken last month. All $500 memorial rooms have been spoken for; it is hoped that the remaining $1000 ones will be claimed within the next couple of months. The build- ing is scheduled for completion in late August. A nameplate honoring the donor or anyone the donor designates will mark the rooms for which gifts are made. In addition a number of alumnae and friends have sent smaller contributions to President Alston for the building. Each of these is a welcome and needed aid toward the $40,000 or so which still remains to be raised. No general campaign is afoot among alumnae because it is understood that they gave what they could to Agnes Scott for this year through the current Alumnae Fund, which was well under way several months before the necessity for immediate construc- tion of Hopkins Hall arose. All alumnae have, how- ever, been informed of the individual memorial plans and the need for completion funds so that they may make any gift, large or small, which they would like to invest in Hopkins Hall. The advisability of going ahead with the 50-bed dormitory became apparent in early fall with a sharp rise in applications from qualified students. For some time it has been an aim of the administration to in- crease the proportion of boarding students in the total student body, thereby raising the percentage who could be given the full experience of campus life. With the increase in applications l credit for which is due partly to effective work by alumnae), the oppor- tunity presented itself. The wisdom of the move was confirmed a few months after the Hopkins Hall announcement when Emory University decided to become coeducational throughout. This change is expected to attract some girls who would otherwise have been day students at Agnes Scott, but is not expected to have great effect on the boarding contingent: Emory will be competing for girls with other strong coeducational institutions like Duke and Vanderbilt. it is thought, rather than with the top colleges for women. Hopkins Hall is going up and registrations are piling in. If you know a student who is thinking of entering Agnes Scott, advise her to complete her plans quickly. And if you know anyone who would like to help give 50 freshmen the full life of a resident student at Agnes Scott each year, please encourage him or her to send President Alston something anything from $1 to $40,000 for Hopkins Hall. THE AGNES SCOTT of 1935-6 will be appearing in what is expected to be a major movie of this or next year, if plans for the screening of A Man Called Peter materializes as anticipated. Twentieth Century-Fox has announced that several of the opening scenes will be laid at Agnes Scott, where Catherine Wood '36 was a student when she met her future husband, the Rev. Peter Marshall. Her biography of him, the book from which the motion picture will be made, has been on the bestseller list of The New York Times longer than any other non- fiction work and longer than any volume of fiction except one. Her new book, just published this spring, is God Loves iou, a volume of stories and sermons for chil- dren which has been receiving favorable reviews in major periodicals. THE FEB. 12 speech at Agnes Scott by Sir Gladwyn Jebb, Britain's permanent representative to the United Nations, earned a twelve-inch story in The London Times for Feb. 13 and a rejoinder, also in The Times, the following week. Sir Gladwyn Jebb"s address, "The United Nations in the World Today,'" was a defense of the UN against contradictory charges that it is designed as a "super- state"' capable of interfering with national sovereignty and. on the other hand, that it has become so feeble and insignificant as not to be worth the money spent on it. He also rejected the arguments of those who would expel Russia from the UN. pointing out that (a) this would be illegal under the Charter and (b) the 12 West would not be better off in the loss of the oppor- tunity to debate openly with Russia in the presence of those nations who are not committed to either side. He expressed the opinion that Vishinsky's brusque re- jection of the Indian plan for a Korean armistice had done more to rally the free world and to convince it of the ill will of Soviet Russia than any other action of recent times. Taking up the "belief in some quarters" that the UN is permeated by Soviet agents and disloyal Ameri- cans, he pointed out that both the Senate sub-com- mittee and the grand jury which looked into the ques- tion stated that their investigations bore solely on U. S. internal security, not on UN policy; and that, of some 2000 Americans checked, only 40 or 50 even came under suspicion of disloyalty, still less of being actively- engaged in subversion; and finally that, in any case, the employees of the UN Secretariat do not deal with i any secret or classified material and therefore have I no scope for espionage. "Let us at least acknowledge the fact," he concluded, "that even if the United Nations in New York pro- vides a platform for clever Soviet propagandists (and they are not always so clever), it also provides a plat- form for propagandists of the West and of the Free World. It is here above all that statesmen of the Free World attempt to discover their own policies and coin the phrases wherewith they may hope to wean the peoples away from the insidious and specious slogans of World Communism. Do not let us, therefore, in sheer frustration, abandon a weapon which has so many great potentialities, and above all let us not for- get that, as democracies, it behooves our two countries at any rate so to conduct ourselves in the World As- sembly that the purity of our motives may be discerned and acknowledged, and that those hallowed conceptions of freedom and justice may once again recover their ancient mastery over the minds of men." On Feb. 21 there appeared in The London Times a letter from a member of the House of Lords, com- menting on the address and urging that Britain "stand up clearly and openly in the linked Nations for what is right, and move that China be admitted a member of the organization." Feeling that the Peking gov- ernment was entitled under the Charter to member- ship. Lord Elibank quoted opinion to the effect that General MacArthur's threat to the Yalu power stations and Manchuria had brought China into the Korean war. and he deplored what he called the Washington "guessing competition" on the Korean problem. Photograph by Carolyn Cart & Constitution Magazine Robert Frost paid his cherished annual visit to the campus in January. Here he discusses poetry at President Alston's house with students Sidney Newton of Denver, Colo., Suanne Sauer- Brun of Atlanta, and Margaret Williamson of Monticello, Ark. DR. ELLEN DOUGLASS LEYBURN "27. associate professor of English, has won two major fellowships for further pursuit of her research in allegorical satire. The Huntington Library Fellowship, awarded to a very small number of scholars each year, will enable her to spend the 1953-54 session working in the inter- nationally important collection of 16th-18th Century material at San Marino, Calif. She has already spent two summers at the Huntington. Dr. Leyburn was one of about 250 college teachers to be named winners of this springs Faculty Fellow- ships for the Advancement of Education, awarded under the Ford Foundation program. This substantial grant was made also on the basis of her research in progress. 13 Mrs., Atlanta, Georgia RETURN POSTAGE GUARANTEED BY ALUMNAE QUARTERLY, AGNES SCOTT COLLEGE, DECATUR, GEORGIA THE ACRES SCOTT ALUM HE QUARTERLY SUMMER 1953 THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS JEAN BAILEY OWEN '39 President GRACE FINCHER TRIMBLE '32 Vice-President FLORENCE BRINKLEY '14 Vice-President MARY WARREN READ '29 Vice-President BETTY JEANNE ELLISON CANDLER '49 Secretary SARAH HANCOCK '50 Treasurer TRUSTEES CATHERINE BAKER MATTHEWS '32 FRANCES WINSHIP WALTERS Inst, CHAIRMEN CATHERINE BAKER MATTHEWS '32 Nominations DOROTHY CREMIN READ '42 Special Events EDWINA DAVIS CHRISTIAN '46 Vocational Guidance MARY WALLACE KIRK '1 1 Education ELAINE STUBBS MITCHELL '41 Publications BETTY JEAN RADFORD MOELLER '47 Class Officers SARA SHADBURN HEATH '33 House LOUISE BROWN HASTINGS '23 Grounds CLARA ALLEN REINERO '23 Entertainment STAFF ELEANOR N. HUTCHENS '40 Director of Alumnae Affairs ELOISE HARDEMAN KETCHIN House Manager MEMBER AMERICAN ALUMNI COUNCIL The AGNES SCOTT Alumnae Quarterly Agnes Scott College. Decatur. Georgia Volume 31 Summer Number 4 AN INTERVIEW WITH GENERAL BRADLEY 1 ALUMNAE ACHIEVEMENT ANNUAL REPORT HOUSE GIFTS Dorothy Cremin Read Ruth Slack Smith Jean Bailey Owen Hollie Smith Walker THE MYSTERIOUS REUNION SYSTEM CLASS NEWS Eloise Hardemon Ketchin COVER The 1953 May Court, with a scene from May Day below. The Agnes Scott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. Yearly subscription, $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24, 1912. AN INTERVIEW WITH GENERAL BRADLEY DOROTHY CREMIN READ '42, a feature writer and member of the city news staff of The Atlanta Journal, centers her avocational interests upon military history. Recently she interviewed a man who has held a top position in the military history of our time. This is her story of that interview. IT ISN'T THE LONG HOURS that make a top gen- eral's life difficult. It's the constant pressure. Gen. Omar N. Bradley, scheduled to be replaced by Admiral Arthur Radford as chairman of the Joint Chiefs of Staff, can testify to that. The man who has been officially designated the na- tion's number one soldier for the past four years said he is "looking forward to some rest and a chance to be with my family." The circle of five stars on his shoulders has carried no guarantee of a 40-hour week for the soft-spoken officer from Missouri. "I work 10 to 15 hours a day here," he said with a gesture that took in his Pentagon office. "And I take home work two or three nights a week." But it's the pressure that gets you, not the amount of time you put in, he pointed out. The general beamed as he reached for a book in a glass-fronted case. "Have to be packing up soon." he said happily. General Bradley's books are new. He hasn't had time to read them. "I'm going to read a lot after August 16," he vowed. His retirement is to become effective on that date. "I've been around here (the Pentagon) eight years and in combat two and a half," he explained. That's quite a while to carry such a heavy load, in one general's opinion. Lnder the Army's 30-year retirement provision, General Bradley could have left the service immediately after World War II, but he was called to serve as chief of staff of the army and then in the all-important post of chairman of the joint chiefs. Even his retirement will not be given entirely to reading and the joys of the spirit, however. The gen- eral, who will receive his regular Army pay and honors until he dies, will become chairman of the board of the Bulova research laboratories and will direct proj- ects closely associated with national defense. But he seemed prepared to welcome any change after the official Washington whirl. Phones buzzed constantly, if discreetly, as he talked. A thick report lay on his desk waiting to be read and it was no less formidable because it was printed on paper tinted a delicate shade of green. This officer, who led so many Georgians and other Americans into the battles of the Normandy beaches and beyond, looks a little more weary and with just cause than he did in those hectic days when he became famous as the "GI's General." But he is still the proprietor of the famous, gentle Bradley Smile. Talking to him, you get the impression that the kind hazel eyes and the smile provide a facade for a brain that is shrewd, quick and determined. For some of the new and strange theories pro- pounded by a growing number of armchair strategists, he has the same seemingly boundless tolerance which saw him through some difficult times in World War II. Commenting on three of the most colorful and con- troversial generals of World War II Montgomery, Patton and Rommel, General Bradley refused to single out one as superior to the others. "They were all good." Of Patton, who was once his superior and later served under his command, he said: "George was one of those unique people who had the feel of the battle." This battle field sixth sense in General Bradlev's opinion is not a talent a future general is born with. Rather, it is a faculty he develops after long practice in reading intelligence reports and considering other factors. "It is partly subconscious, too," the five-star general believes. The disputed breakdown in supplies in the fall of 1944, which halted the American advance and. some authorities contend, prolonged the war by up to eight months, was caused largely by a too-thorough destruc- tion of railroad bridges, he stated. "A bridge with all its spans destroyed and completely knocked out looks pretty at the time," he explained, "but when you have to rebuild it. you begin to wish you had destroyed only one span.' A noted military historian in his own right his "A Soldier's Story" is one of the frankest and clearest books to come out of World War II the general offered encouragement to students of the battles of eight years ago. Their job will be made easier by the work of Major General Orlando Ward and his staff who are preparing the military history of the U.S. Army in World War II. This history, which is three-fifths completed, is to comprise 20 volumes. They present a remarkable contrast to the Army records of World War I which take up a whole building and present a mystic maze to the uninitiated. "We are determined not to let things swamp us as they did last time." the general said firmly. Another telephone sounded off in the carpeted office with the deep leather chairs. Finding a designated point in the Pentagon has been the subject of jokes since the five-sided building was constructed. Apparently, however, the higher an offi- cer's rank, the easier his office is to locate. The office of the chairman the boss of Americani defense is close to the Potomac River entrance and only a few paces from the receptionist's desk. And anyway, everyone knows where General Brad- ley abides. The Negro cab driver who supplied the transpor- tation back to Washington said he was a former Pen- tagon guard. "You see those windows up there," he pointed im-. portantly. "That's General Bradley s office. He's thei nicest man in the building. You know, if the general passed you in the hall 50 times a day, he'd always speak. That's the kind of man he is." HOPKINS HALL will be dedicated Wednesday, September 30 at 10:30 A.M. You are invited! ALUMNAE ACHIEVEMENT As this issue of the Quarterly goes to press we are especially interested in the announcements of fellowships and scholarships awarded at the end of the academic year. We do not have a complete list of awards received by Agnes Scott alumnae; but we are listing those of whom we have heard, since such grants are made in recognition of past achievement and the prom- ise of future advancement. Ruth Slack Smith '12. FORD FELLOWSHIPS for advancement of teaching: Emily Spivey Simmons '25 teaches in the Marietta High School. This is not her first award, for ilast year she received a fellowship for six weeks study in the Westinghouse Summer Science Program for Teachers. Ellen DouglaSS Leybum '27 received her M.A. from Radcliffe and her Ph.D. from Yale and is now associate professor of English at Agnes Scott. In addition to her teaching she is actively interested in scholarly research and writing. Berdie FergUSOn Hogan '29 received her M.S. from Emory and has been teaching science in high school. Louise btakely oZ. received her M.S. from Emory, has done laboratory work and is now teaching science in the Henry Grady High School in Atlanta. Miriam Thompson '32 is head of the Language Arts department in the College Park High School. She is planning to study at the University of Pennsylvania in the special field of American literature as it reflects American history. Ann Henry 4 I who has been teaching history and government in the Macon, Ga., high school, plans to study Eighteenth-Century American history, spending half the year in New England and the other half in Virginia. FULBRIGHT AWARDS for study abroad: Caroline Crea OZ spent last year working on her M.A. in English at Radcliffe and plans to use her Fulbright award to study English literature at the University of Southampton. Priscilla Sheppard '53 is a member of Phi Beta Kappa and Mortar Board, was editor of The Agnes Scott News and was a major in history, writing her honors thesis on "The Grand Alliance," a study of the influence of the personal relationship between Roosevelt and Churchill on the diplomatic and military course of World War II. She plans to study Anglo-American relations at the University of London. HUNTINGTON FELLOWSHIP for research: Ellen DouglaSS Leybum '27 received both a Ford and a Huntington award and decided to accept the latter. She will spend the winter seeking further information about satiric allegory in the Hunt- ington Library in San Marino, Calif. GENERAL EDUCATION BOARD scholarship for graduate study: PriSCllla bheppard 53 was also granted this scholarship but chose to accept the Fulbright award for study abroad. ANNUAL REPORT AS VOTING MEMBERS of the Agnes Scott Alumnae Association you have, during 1952-53, employed upon a part-time basis a Director of Alumnae Affairs and an office staff assistant, and a hostess for the Alumnae house on full time. This adds up to 2% persons. You also commanded the services of a group of volunteer officers who compose your Executive Board: A president, three vice-presidents, secretary, treasurer, two alumnae trustees, nine committee chairmen and three local alumnae club presidents. The president has acted as presiding officer at Board meetings and has been called upon from time to time to represent the alumnae at campus events. One of the vice-presidents is responsible for stimu- lating the growth and organization of local clubs wherever there are enough alumnae concentrated to make this feasible. Mary Warren Read (Mrs. Joseph) has held that post this year and found that it entails much letter writing and at times brings discouraging replies. She has met with success, however, in the prospect of some clubs to be formed this coming fall. Our out-of-town vice-president is Dr. Florence Brink- ley of Duke University, Durham, N. C. She is respon- sible for constitutional changes and has this year made a detailed study of the constitution with a view to suggesting possible changes. The third vice-president, Dorothy Holloran Addi- son, is chairman of the Property Committee and has three Board members working, as committee chairmen of separate activities, under her. She is responsible for for saying, "No, the money isn't there." Those alumnae present at the Annual Meeting which look place on June 6th this year were, according to, our constitution, empowered to carry out the business of the Agnes Scott Alumnae Association and have, therefore, heard the following report. authorizing expenditures on alumnae property orl The secretary keeps detailed minutes of Board meet- ings, the Annual Meeting and carries on the official! correspondence of the Executive Board. Betty Jeannei Ellison Candler holds this office and has kept records! that may be passed along with pride to future officers.i The treasurer, Betty Medlock Lackey, works with! the Alumnae Budget and is chairman of the Finance! Committee, not to mention having to be familiar with! the eternal government forms which even our modest non-profit organization must fill out. This "modesti organization" this year more than met its budget with a total of $11,300 collected. Our Alumnae Trustees are Frances Winship Walters and Catherine Baker Matthews. They represent ouri interests at meetings of the College Board of Trustees. The nine committees: 1. The Class Council chairman, Betty Jeanne Rad- ford Moeller, another out-of-towner, pulled the bonds! of common interest shared by alumnae tighter through letters to all class presidents and secretaries urging them to keep news coming in and alumnae getting together. These letters were composed by the chair- man, typed and mimeographed in the Alumnae Office then mailed to her for signature and mailing. 2. Our Education chairman, Mary Wallace Kirk,* and her committee this year have put out an Alumnae Quarterly devoted to the subject of Agnes Scott todayi 1953 GRANDDAUGHTERS. This year's senior class included the ten granddaughters shown below in cap and gown. Left to 1 right^ roughly, are Sarah Smith Hamilton, Acad., and Mary; Leone Bowers Hamilton '26 and Sarah Crewe; Catherine Nash Goff '24 (in white) and Kitty (at her left); below them, Anne DeWitt George and her grandmother, Fannie Orr Carter, Inst.; above, Evelyn and Edith Melton Bassett x24; below her, Marion Park Merritt x21 and Marion; Dinah Roberts Parramore '19 with Li I la Kate behind her; Christine Turner Hand x24 and Florence, looking over her shoulder; right rear, Peggy and Louise. Slack Hooker '20; right front, Leila Joiner Cooper '27 and Ann. This picture is always the hardest of the year to get: imagine catching ten new graduates and their mothers in the melee after Commencement exercises! hich you will remember as one of the highlights of he year. 3. We have a year-round Nominating Committee leaded by Fannie G. Mayson Donaldson to whom he president is always especially grateful for being spared the problem of recruiting the right person for he job when vacancies occur in the middle of a tern 1 f office. 4. Elaine Stubbs Mitchell is Publications chairman md this year has assisted Eleanor Hutchens with vari- dus editing problems in the production of the Quar- terly. 5. The Special Events Committee is headed by Dor- othy Cremin Read who wrote and directed the Foun- ders' Dav Radio Program with its subject, the place colleges like ours can fill in the field of public moral- ity. Nineteen radio stations in 11 states used transcrip- tions of this program and thus spread the voice of Agnes Scott far and wide. Special Events also plans for the Commencement Luncheon in conjunction with the Entertainment Committee. 6. The Vocational Guidance chairman. Edwina Davis Christian, with her committee staged the annual Career Coffee Conferences for the senior students bringing alumnae now working in various interesting fields to the campus to describe their work and give pointers on how to go about launching a career. 7. The Property vice-president works with the three following chairmen to coordinate the work on and with the property owned by the Alumnae Association, name- ly the Alumnae House and Garden. Clara May Allen Reinero has master-minded the September Tea for freshmen given in the House and one of the nicest parties we have ever had. She also helped with the Career Coffees and with the Special Events chairman planned the luncheon at the Annual Business Meeting. 8. Hallie Smith Walker is chairman of the House Committee. She, with her committee, has supervised repair work on the interior of the Alumnae House, made needed purchases as funds were available, and striven long and hard to get the money to do what iwas needed. From last July through May of this year the House served 164 guests who spent a total of 175 nights. Twenty-eight meetings were held and six parties. 9. Laura Belle Stubbs Johns has been chairman of the Grounds Committee and has wrestled with the problem of maintenance, and new plantings also, out of what is never enough money to do the job, since the House and Garden are not provided for in the general Alumnae Budget but get along on income from room rental in the House and special gifts to the House or Garden. There is no way of giving figures on the number who have enjoyed the Alumnae Garden as we can on the House since the little girl on the fountain is the nearest we come to a resident hostess; but if she would speak her statistics would surprise you. The president would like to commend each member of the Board for jobs splendidly and unselfishly ac- complished this year. The acts mentioned are neces- sarily only single examples of the work done all the year through by the committees and their chairmen. A great deal more might be accomplished with greater funds and more people. We shall not weary you with a recital of our dreams for the Alumnae Association and what it might do for the college and the alumnae, only urge you to accept and enjoy the assignments of volunteer work you may be called upon as voting mem- bers of the association to take next year. Respectfullv submitted. JEAN BAILEY OWEN President By HALLIE SMITH WALKER xl6 House Chairman, 1952-53 AS MY CHAIRMANSHIP of the House Committee drew to a close in June, I began taking stock of the fine gifts the Alumnae House received in the course of the year and what an imposing list it is! First, fifty dollars from Annie Galloway Phillips which was twice blessed, for it brought renewed hope when we thought we were forgotten. Next, all the way from Germany, a real work of art a tablecloth hand made especially for the Alum- nae House by Liselotte Roennecke Kaiser. Bee Miller Rigby, on a visit to the House, left as a parting gift a pair of featherweight percale pillow- cases. How welcome they were, the housewives among vou will know. In the late spring three alumnae clubs overjoyed us with generous checks for improvements which were gravely needed. The Charlotte Club sent $75.00, the Atlanta Club $85.00 and the Decatur Club $50.00! Already, as a result, the House has begun to blossom out in comfort and beautv. Charlotte s money bought two small wing chairs for bedrooms and Annie Gallo- way Phillips' check purchased another bedroom easv chair. It's wonderful to know that all the broken springs are gone and that when you come to see us you can sit in comfort. I agree with Cibber that "words are but empty thanks." Here's hoping, though, that this special thank-you will be that word fitly spoken that is like "apples of gold in pictures of silver" you deserve it! THE MYSTERIOUS REUNION SYSTEM TO MANY OF US, one of the most mystifying aspects of alumnae life is the setting of reunion dates. Why, for instance, did 1944 have a reunion this year, with its 10th anniversary only one year off? Conversely, why does 1928 have a reunion set for next year although it celebrated its 25th in considerable style this year? These questions do have rational answers. The mentally energetic reader may enjoy puzzling out the solution from the table on the opposite page. For those who, as Professor Henry Robinson lamented in The Quarterly not long ago, recoil instantly from a set of figures with protestations of complete mathe- matical innocence, here is an attempt at verbal ex- planation. It is desirable to bring back simultaneously four classes who were at Agnes Scott together. Your college friends were not all necessarily members of your class. By sharing reunion dates with the classes that were at college with you, you gain the opportunity of seeing these non-classmate friends again. When classes are brought back in groups of four, only one of each group if any can in a given year observe a "milestone'' (5th, 10th. etc.) anniversary, be- cause those anniversaries fall five years apart. In 1954, the Class of 1929 happens to be scheduled for a re- union. It happens also that 1954 will be 1929's 25th anniversary. That's nice. But the classes of 26, '27, and '28 will be back with '29, celebrating such incon- sequential anniversaries as their 28th, 27th, and 26th respectively. Also scheduled for reunion in 1954 are the classes of '45, '46, '47, and '48 for none of which 1954 means anything as a conventional anniversary. All of this irrelevance is an inevitable mathematical result of bringing coeval classes back together. This system, known as the Dix Reunion Plan, is in wide use by alumni associations over the country. To meet its chief deficiency, the failure to provide "milestone" reunions automatically, three methods have been evolved by various associations: (1) ignor- ing the milestones; (2) scheduling a milestone reunion for each class every five years in addition to Dix reunions, even though this nearly doubles the frequency of reunion and thus cuts down average attendance at each gathering; (3) giving special milestone classes 5th, 10th. 15th. 20th, 25th, 30th, 40th, 50th, 60th an option as to whether they will hold special reunion. This third method is the one chosen by the Agnes Scott Alumnae Association. For instance, in 1953 the Class of 1928 was reminded through its president that its silver anniversary was at hand; the president polled 1 the class and got favorable views on a special reunion and the reunion was held, although the Dix plan die not provide for one. The queries in the right-hanc columns on the opposite page concern such special re unions, which will be held if the classes want them The triumphant exclamations in the same columns show classes which happen to hit milestone reunions unden the Dix plan. Explanation of three small points perhaps will com plete the unraveling of the enigma. You may notice that in 1949 and 1958 only three classes in a group appear to be scheduled. Not so; one class in each 1949 group has had another reunion since then, so that 1949 was not its last reunion, and one class ir each 1958 group will first have a reunion in 1954, sc that 1958 will not be its next reunion year. Also, i may worry you that the four-year grouping rule seem to have been suspended for the classes at the bottorr of the second column. Be reassured; those were th> first-year reunions every class holds after graduation and 1955 (see third column) will bring them snugl) into the system. Finally, you may spot the fact that while in most cases five years elapse between Dix re unions, sometimes the interval is only four. Th< reason for this is that the plan does not bring bacl the same four coeval classes every time: e.g., 1929-32 came back in 1950, 1930-33 will come back in 195 (leaving 1929 to drop back for a 1926-29 reunion ii 1954), and so on until 1969, when 1929-32 agair will be back together. You may wish to keep these pages for reference The table opposite will show you, of course, whe^ your next reunion falls and what other classes wil| be back the same year. It may be that after this explanation you still d not think the Dix plan as good as the regular five year schedule. Some colleges have made this decisioi and discontinued the plan. If you think Agnes Scot should do so, write your opinion to your class presi dent (you'll find her name and address in the Clas News section ) , who is responsible for all reunion busi ness for your class and who represents you on th Class Council, which in turn determines reunion plan for all classes. LAST DIX NEXT DIX LAST DIX NEXT DIX REUNION REUNION REMARKS CLASS REUNION REUNION - REMARKS 1950 1955 1924 1953 1958 30th in '54? 1950 1955 60th in '54? 1925 1953 1958 30th in '55? 1951 1955 60th 1 1926 1949 1954 1951 1956 60th ! 1927 1949 1954 1951 1956 1928 1949 1954 1951 1956 1929 1950 1954 25th! 1952 1956 1930 1950 1955 25th ! 1952 1957 1931 1950 1955 1952 1957 1932 1950 1955 1952 1957 1933 1951 1955 1953 1957 1934 1951 1956 20th in "54? 1953 1958 50th in 54? 1935 1951 1956 20th in '55? 1953 1958 50th in '55? 1936 1951 1956 20th ! 1953 1958 50th in '56? 1937 1952 1956 1949 1954 1938 1952 1957 1949 1954 1939 1952 1957 15th in '54? 1949 1954 1940 1952 1957 15th in '55? 1950 1954 1941 1953 1957 15th in "56? 1950 1955 1942 1953 1958 15th in "57? 1950 1955 1943 1953 1958 15th! 1950 1955 1944 1953 1958 10th in '54? 1951 1955 40th in 54? 1945 1949 1954 1951 1956 40th in 55? 1946 1949 1954 1951 1956 40th I 1947 1949 1954 1951 1956 1948 1949 1954 1952 1956 1949 1950 1955 5th in '54? 1952 1957 1950 1951 1955 5th! 1952 1957 1951 1952 1955 1952 1957 1952 1953 1955 1953 1957 1953 1954 1953 1958 JOBS ON CAMPUS There are several openings at Agnes Scott for the com- ing year, all requiring typing skill but leading into executive work. If you are interested in joining the administrative staff with an eye to a career in this work, send your qualifications at once to the Director of Alumnae Affairs. Serious intentions and some ex- perience are necessary. Details will be sent to those whose qualifications seem suitable. Mrs., C. F. Atlanta, Georgia '* RETURN POSTAGE GUARANTEED BY ALUMNAE QUARTERLY. AGNES SCOTT COLLEGE, DECATUR, GEORG IA THE AGNES SCOTT Alumnae Quarterly FALL 1953 THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS JEAN BAILEY OWEN '39 President GRACE FINCHER TRIMBLE '32 Vice-President FLORENCE BRINKLEY '14 Vice-President MARY WARREN READ '29 Vice-President BETTY JEANNE ELLISON CANDLER '49 Secretary SARAH HANCOCK '50 Treasurer TRUSTEES CATHERINE BAKER MATTHEWS '32 FRANCES WINSHIP WALTERS Inst. CHAIRMEN CATHERINE BAKER MATTHEWS '32 Nominations DOROTHY CREMIN READ '42 Special Events EDWINA DAVIS CHRISTIAN '46 Vocational Guidance MARY WALLACE KIRK 'II Education ELAINE STUBBS MITCHELL '41 Publications BETTY JEAN RADFORD MOELLER '47 Class Officers SARA SHADBURN HEATH '33 House LOUISE BROWN HASTINGS '23 Grounds CLARA ALLEN REINERO '23 Entertainment STAFF ELEANOR N. HUTCHENS '40 Director of Alumnae Affairs ELOISE HARDEMAN KETCHIN House Manager MEMBER AMERICAN ALUMNI COUNCIL The AGNES SCOTT Alumnae Quarterly Agnes Scott College, Decatur, Georgia Volume 32 Number 1 Fall 1953 DEDICATION OF HOPKINS HALL ALUMNAE AND HOPKINS HALL Jean Bailey Owen MY PERSONAL IMPRESSION OF MISS HOPKINS 2 Carrie Scandrett MISS HOPKINS' PERMANENT CONTRIBUTION James Ross McCain CAMPUS NEWS THE CONSERVING OF THE BEST Goodrich C. White ALUMNAE ACHIEVEMENT 10 Ruth Slack Smith ANNIE LOUISE HARRISON WATERMAN 11 CLASS NEWS 11 CLUB DIRECTORY Inside Back Cover The Agnes Scott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. Yearly subscription, $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24, 1912. }N THE LAST DAY of Septem- ber, a sunny fall morning, Hop- uns Hall was dedicated Agnes kott's first new dormitory in ]bout 40 years. It houses fifty reshmen and brings the board- ng contingent up to 425. (There ire 90 day students this year, naking the total enrollment 515.) Because the words that were spoken on the occasion were full }f the flavor and history of Agnes kott, and in particular because hey brought Miss Hopkins back ;o distinctly to those who had cnown her and made her a living sersonality to those who had not, he speeches are presented here. Dedication of HOPKINS HALL 10:30 A.M., Wednesday, September 30, 1953 Invocation President Wallace M. Alston Introductory Statement Presentation of the key by Mr. Robert B. Logan of the firm of Logan and Williams, Architects, to Mr. Otis A. Barge, of Barge-Thompson, the builders. Presentation of the key by Mr. Otis A. Barge to Mrs. Edward Wallace Owen, President of the National Agnes Scott Alumnae Association. Presentation of the key by Mrs. Edward Wallace Owen to Mr. George W. Winship, Chairman of the Board of Trustees of Agnes Scott College. Reading of Memorials Miss Eleanor Hutchens, Alumnae Di- rector. Address, "The Permanent Contribution of Miss Nannette Hop- kins to Agnes Scott." President-emeritus James Ross Mc- Cain. "My Personal Impression of Miss Hopkins" Dean Carrie Scandrett. Prayer of Dedication Dean S. Guerry Stukes. Left This picture of Miss Hopkins, taken about 1913, and the one on Page 3 were sent by Lavalette Sloan Tucker '13 for use in connection with the dedication. Below: Dean Scandrett pays tribute to her predecessor. ALUMNAE AND HOPKINS HALL by JEAN BAILEY OWEN '39, President, Agnes Scott Alumnae Association I HOLD THIS KEY for a few moments in the name of hundreds of alumnae who, over nearly fifteen years, have made this building possible. My momentary pos- session of it is purely symbolic, and not even as ap- propriate as might be desired. Augusta Skeen, Mrs. Samuel Inman Cooper, would have been a much more fitting custodian inasmuch as it was she who directed the original alumnae campaign from 1939 to 1942. She was unable to attend today but we want her and all of you to know that her efforts are still appreciated. In 1939 when the campaign was launched a golden era in luxurous living was about to begin on this campus. If you read the Agnes Scott News of that period describing the new building you would know it to be so. It was going to cost a huge one hundred thousand dollars! It ought to be a dream of a dormi- tory! War. building restrictions and astronomical price rises made it just that a dream. But the col- lege administration and trustees, in a splendid example of keeping faith with those of us who made and paid those five-year-long pledges, touched not a penny. As a Senior in 1939, I was a little wistful at the end of the student campaign thinking I had just barely missed living in the new dormitory, not imagining that a long world-wide war, a Republican president, and many graduating classes would arrive before the dream was realized. You students to whom four years sounds like the Ice Age, and you alumnae, who dislike to count the years between class reunions, dwell on these fourteen years. Take pride in the faith of your college. Have faith in the fifty Freshmen students, charter residents of Hopkins Hall, whose next four years will build the foundation for a greater faith in Agnes Scott and dream still more dreams for the future of this college. And now, Mr. Logan who interpreted our long dream in blue prints and building specifications and Mr. Barge who translated it into brick and stone and steel, have passed the key to me as proxy for the alum- nae. I. in turn, pass it on to Mr. Winship, chairman of the Board of Trustees, symbolic as it is of pledges kept and dreams fulfilled. MY PERSONAL IMPRESSION OF MISS HOPKINS by Carrie Scandrett '24, Dean of Students RARELY DOES ONE have the privilege that is mine today: the opportunity, as we honor Miss Hopkins, of trying to put into words what Miss Hopkins meant rather, means to me. I assure you that I approach this opportunity with a feeling of complete inadequacy because, for me, Miss Hopkins cannot be put into ^ words. I shall, however, in all humbleness, attempt to give the impressions I have of her. They are based upon my association with Miss Hopkins during my college years as one of her "girls" as she always called us and, later, during the 12 or so years I worked under and with her in the Dean's Office. When I think of Miss Hopkins there comes to in) mind such qualities as strength and gentleness, selflessness and self-control, dignity, poise, charm, graciousness, a delightful sense of humor. Although she was so gentle, quiet, and soft-spoken there was ever that certainty of action based on cour- age of conviction. Miss Hopkins gave of herself completely to Agnes Scott. No demand it made on her time and strength was ever too great. Miss Hopkins had a rare gift of listening and the equally rare gift of changing with changing times yet she. at all times, held for each one of us the highest standards for work and play. Combined with these qualities was a genuine sense of fun. I can hear her laughing now as she talked about the comic strips in the morning paper or the predicaments of Amos and Andy which she had heard the night before over the radio "her girls." the alum- nae, had given her. She thoroughly enjoyed the Sunday morning break- fasts of waffles and coffee with Miss Alexander and Miss Phythian in West Lawn; the strawberry short- cake with Miss Daugherty on the porch of the infirm- ary, which is now Mary Sweet; the mid-morning cup of coffee in response to the tap on the radiator from Miss Miller, whose room was just over her office. The Agnes Scott tradition of coffee drinking I am sure must have originated with Miss Hopkins. Deeply rooted as her life was in the college, she was also keenly aware of world affairs. Woodrow Wil- son's picture hung on her office wall. But on her desk was a picture of the great English Bible scholar and preacher. Campbell Morgan, for Miss Hopkins was deeply spiritual, too. One of the places from which she was most missed during her illness and after her death was the front row seat in chapel where she sat each chapel period. The passage she most frequently read at vespers was the 13th Chapter of I Corinthians. The hymn was "Love Divine. All Loves Excelling." She usually closed her prayers with the phrase "in the all-prevailing name of Jesus." Everybody on the campus felt her influence and had real affection for her. It was well expressed by Mary Cox, whom so manv of us remember, who came to Agnes Scott in its open- ing years as a personal maid to two students and stayed on at the college, even until after Miss Hop- kins' death, as the maid on first floor Inman. When asked why she had never married. Mary Cox replied. "Miss Hopkins never married; and what is good enough for Miss Hopkins is good enough for me." Miss Hopkins at her desk in Main, about 1913. Her "girls" felt the affection, appreciation, and admiration that Mary Cox expressed, and their feel- ing takes visible form in the building which we are dedicating today. Our desire is through it to perpetuate her influence in the College whose ideals and life she so largelv shaped. In its simple, dignified beauty it seems a fitting tribute. MISS HOPKINS' PERMANENT CONTRIBUTION by James Ross McCain, President Emeritus THIS MORNING WE are thinking of the first person ever employed by the institution that is now Agnes Scott College, and who was in her fiftieth year of con- nection with it when she passed away. During that half-century, she personified the College more fully than any other person who has shared in its growth and development. This is a strong statement, but ab- solutelv true. She was born in Augusta County. Virginia, on De- cember 21. 1860, ninety-three years ago. the year in which Lincoln was elected president of this country. Her father was a noted and beloved physician, and her mother was a beautiful and spiritually-minded leader in church work. Miss Hopkins graduated from Hollins Seminary I now Hollins College) which at that time was doing preparatorv work for college. She taught first at Louisa. \ a., and later at Valley Sem- inary in Waynesboro, Va. In 1889 a small group of Decatur citizens, headed by Dr. Frank H. Gaines and Col. George W. Scott, determined to start a school for girls in this com- munity. They raised the sum of $5,000 in order to assist with financing the first year, rented a house, named the school Decatur Female Seminary, enrolled 63 students, and were ready to employ teachers. Dr. Gaines thought that the best teachers might be found in Virginia, and he was authorized to make the trip to secure a principal. He had in mind a Presbyterian minister for the place, but the person he sought was unable to come. He remarked to Dr. Gaines. "If I were going to start a school and wanted it to be a great success, I would try to get Miss Nannette Hop- kins for its head." Dr. Gaines had never heard of her. but went at once to Staunton, her home, to see if she would come to Georgia. Miss Hopkins was planning to go to Vassar College with a view to completing her college work and secur- ing her B.A. degree; but Dr. Gaines was so persuasive and the idea of starting a new school so intriguing that she decided to come to Decatur. I am sure that we may very reverently conclude that the Lord sent her for this work. She thought that she would teach here for a year or two and then go on for her degree. She was never able to complete this part of her life plan. The Decatur school was so interesting and absorbing of her time and thought that she never left it for even a year of vacation or rest until her retirement 19 years later. Miss Hopkins was principal of Decatur Female Sem- inary and also teacher of several academic subjects. She had one assistant in this work for her 63 pupils, with two others who helped with piano and art. Dr. Gaines, who was chairman of the board of trustees, taught Bible in the school and helped in the general planning. Her successful handling of the new school made a strong impression on Col. George W. Scott, a trustee of the school and the leading citizen in the community. He thought that Miss Hopkins was very much like his own mother, and he soon discovered that the school was developing character as well as teaching books. In the spring of 1890, he called Dr. Gaines into his parlor one day and said. "Mr. Gaines, the Lord has greatly prospered me in my business and I don't want it to harden my heart. I have decided to give $40,000 to provide a home for our school. ' He was interested in having the school to become a memorial for his mother, Mrs. Agnes Scott. Miss Hopkins had a great thrill in helping to plan for a fine new building. She and Col. Scott worked together in outlining what should tie included, and they added one feature after another until Main Hall, as we know it now, was completed and furnished at a cost of $112,500 instead of the proposed $40,000. It was the finest school building in Georgia and one of the best in the South. By 1897. Agnes Scott Institute, as it was then called, had increased so much in size and its business prob- lems were so numerous, that the trustees persuaded Dr. Gaines to give up his pastorate and to become the full-time president of the institution. Miss Hopkins then became the Lady Principal, with less responsi- bility for outside contacts, and increasing devotion to moulding the lives of the girls committed to her. During the first eight years of the school, Dr. Gaines represented the trustees and Miss Hopkins the faculty in drawing up and in promoting two of the most im- portant documents in the history of the College. They 4 for the rnished ssociare helped to set the pattern for the institution that was to follow, and are still actively cherished. The first of these was the Agnes Scott Ideal, which is as follows: 1. A liberal curriculum, fully abreast of the best institutions in this country. 2. The Bible a text-book. 3. Thoroughly qualified and consecrated teachers. 4. A high standard of scholarship. 5. All the influences of the school conducive to the forma- tion and development of Christian character. 6. The glory of God the chief end of all. The second document was signed by two faculty members and by six trustees. It was intended to be the working program for attaining the Ideal which had been announced. All the early school leaders be- lieved that prayer is practical and effective, and they used it as definitely as they applied work for the win- ning of objectives. The Prayer Covenant is as follows: We, the undersigned, believing the promise of our Lord con- cerning prayer (Matt. 18:19). and having at heart the largest success of the Agnes Scott Institute in its great work for the glory of God, do hereby enter into covenant with each other to offer daily prayer in our closets for the following specific objects: 1. For each other in our work in and for the Institute. 2. For the Board of Trustees and Faculty. 3. That God would convert every unconverted pupil before leaving the Institute. 4. That He would graciously build up in faith, and prepare for the highest usefulness, all who are His. 5. That He would baptize the institution with the Holy Spirit, and make it a great fountain of blessing. 6. That He would give it so much of endowment and pros- perity as He sees would be for His own glory. 7. That He would have the institution constantly in His own holy care and keeping, that His name may be glorified." In 1906 Agnes Scott Institute was discontinued. It was reorganized as Agnes Scott College, and its pre- paratory work was assigned to Agnes Scott Academy. Miss Hopkins gave up her supervision of the Academy and became Dean of the College. This position she held until her death. The duties of her office involved both academic responsibility and the guiding of stu- dent affairs. At this time, the Student Government As- sociation was set up under her direction, and she worked closely with it and helped to make its influ- ence felt in all phases of the life of campus, in con- trast to the honor councils in most colleges for men, where generally the honor system covered only a few major offenses. In recognition of the unusual service rendered by Miss Hopkins to the cause of Christian education in general as well as on the Agnes Scott campus, she was elected as a representative of the Synod of Georgia cm the Board of Trustees for Agnes Scott, and she was a helpful member of that important group. She received two honorary doctor's degrees for what she accomplished for education in general in Georgia and in the South. No recognition or public offices could draw Miss Hopkins away from the campus for any extended length of time. She loved every square foot of it and gave herself to making it worth-while. Until her last illness, she had gone nine years without missing a day from her duties. Very few individuals have had the privilege of start- ing an institution and continuing with it to the full ma- turity of its development, but Miss Hopkins had this experience. The school was a tiny grammar school when she became its leader. She still led as it became successively a good preparatory school, a junior col- lege, and a senior college. As more and more recog- nition came, she was in the forefront of the achieve- ments which won approval from others membership in the Southern Association of Colleges and Secondary Schools, approval by the Association of American Uni- versities, membership in the American Association of University Women, a chapter of Phi Beta Kappa, a chapter of Mortar Board and numerous other signal honors. She was not carried along by them, but was leading others into greater things. Without any aca- demic degree and never with time for advanced study, merely through the force of her quiet personality and by her keen loyalty to standards and to spiritual values, she became the one whom Agnes Scott people delighted to honor as one of the best educated of all a truly great woman. CAMPUS NEWS EIGHT NEW FACULTY members and several admin- istrative staff replacements are among the faculty-staff complement with which Agnes Scott began its 65th session in September. JOHN LOUIS ADAMS, principal violinist in the Atlanta Symphony and former member of the Roches- ter Philharmonic orchestra, joined the music depart- ment as assistant professor. He holds the Bachelor of Music degree from DePauw University and the Master of Music from Eastman School of Music. DR. HELEN JORDAN. Ph.D. from the University of California, is an instructor in biology. Other new instructors are CATHERINE CHANCE '50 and FRANCES CLARK '51, both winners of Fulbright awards for study abroad and holders of the M.A. in French; and LOIS E. BARR, M.A. in English. PROFESSOR D. R. McMILLAN. chairman of the Emory University physics department, is teaching one course at Agnes Scott this year; Professor Emeritus STERLING BRINKLEY of Emory is visiting professor of education for the fall quarter; and also visiting dur- ing the quarter is Associate Professor J. 0. BAYLEN of the history staff of the University of New Mexico (Highlands). Back at the College are PROFESSOR JOHN I. G00DLAD, director of the teacher education program, who has been away for a year on a Ford Foundation grant; MARY BONEY, assistant professor of Bible. who has been on leave for graduate study for a year; DORIS SULLIVAN '49, former alumnae admissions representative, now senior resident of Hopkins Hall and an assistant dean of students; and ANN COOPER '53, alumnae admissions representative. On leave for the 1953-54 session are DR. ELIZA- BETH BARINEAU, visiting associate professor of French at the University of Chicago; DR. WALTER B. POSEY, professor of history and political science, in Europe for a year's teaching; DR. ELLEN DOUG- LASS LEYBURN, winner of a Huntington Fellowship for research in California in the field of English liter- ature; and NANCY GROSECLOSE, who is continu- ing work toward the doctorate in biology at the Uni- versity of Virginia. OTHER FACULTY NEWS: Dr. Janet Alexander, college physician, was chosen by her alma mater. Erskine College, as recipient of its Sullivan Award for outstanding service. Dr. Alex- ander practiced 30 years in Pakistan before coming to Agnes Scott. Dr. Josephine Bridgman '27 is now head of the biology department. Last summer she was appointed a research participant in the biology division of the Oak Ridge National Laboratory. Edna Hanley Byers, college librarian, was a lec- turer in library science at the L'niversity of Michigan last summer, giving a course in the planning and equipping of library buildings. Her book on the sub- ject is in wide use by library schools, and she is na- tionally known as a consultant for colleges about to build new libraries. Dr. Margaret DesChamps, assistant professor of history and political science, spent the summer doing research at Duke University under grants awarded by Duke and the University Center in Georgia. Leslie Gaylord, assistant professor of mathematics, plans to take a party to Europe next summer. Inter- ested alumnae should write to her very soon. Marie Huper, assistant professor of art, was hon- ored with an exhibition of her paintings and sculp- ture at the University of Tennessee in March. She spent part of the summer teaching in Toronto, Canada, and in the fall conducted a one-day workship in Char- lotte, N. C. Dr. Catherine Sims, associate professor of history and political science and acting head of the depart- ment this year, has been appointed to the national committee which screens candidates for Fulbright awards. She will attend biweekly committee hearings in New York from Dec. 1 to Jan. 12 at the office of the Institute of International Education which screens and nominates applicants for the State Depart- ment scholarships. Ferdinand Warren, professor of art. spent the sum- mer experimenting in the encaustic technique, under a grant from the University Center in Georgia, and has had several exhibits this fall featuring his new work. Last year he was represented in exhibitions at the Metropolitan Museum in New York, the Corcoran Gallery in Washington, at the National Academy of Design, and with the American Watercolor Society. Recent and forthcoming faculty publications: Elizabeth Barineau: Critical edition of Les Orientates of Victor Hugo. Vol. I. Paris: Marcel Didier, 1952. Josephine Bridgman: "Radiation Studies on Tillina magna." ( Paper in process) Melissa Cilley "Hispanic Culture,'' The Neiv Hampshire Quarterly, February, 1953. Margaret DesChamps: "The Presbyterian Church in the South Atlantic States. 1801-1861: A Bibliography," Journal of the Presbyterian Historical Society, XXX (September. 1952), 193-207. "Presbyterians and Others in the South." Journal oj the Presbyterian Historical Society, XXXI (March. 1953), 25-40. Florene J. Dunstan : "Paradox in Spain," Commission, January, 1953, 14. "Methods Must Be Skillfully Used," The Teacher, January, 1953, 16. W. J. Frierson: "Paper Chromatography of Inorganic Substances," Chemical and Engineering News. October. 1952. "Elution Chromatography with Thick Filter Paper," Analytical Chemistry. Paul L. Garber: "A Recommendation of Solomon's Temple," Arch- aelogy, V (Autumn, 1952), 165-172. illustrated. Netta E. Gray: "A Taxonomic Revision of Podocarpus. VII. The African species of Podocarpus: Section Afrocarpus," Journal Arnold Arboretum, XXXIV 1 1953). 67-76. Muriel Harn: "Wieland Studies," (in honor of Professor William Kurrelmeyer) Modern Language Notes, May, 1953. Ellen Douglass Leyburn: "Hudibras Considered as Satiric Allegory," Hunt- ington Library Quarterly, XVI (February, 1953), 141-160. Catherine Strateman Sims: Expedicio billarum antiquitus. An Unpublished Chapter of the Second Book of the Manner of Holding Parliaments in England, by Henry Elsynge, Clerk of the Parliaments. Scheduled for publication this fall in Belgium by E. Nauwelaerts, Louvain. among "etudes presentees a la Commission inter- nationale pour IHistoire des Assemblees d'etats." Wallace M. Alston: Mirrors of the Soul, practical and devotional studies of selected psalms. Used for study this year by the Board of Women's Work. Presbyterian Church U.S. DR. GOODRICH C. WHITE, president of Emory University and of the United Chapters of Phi Beta Kappa, made the honors day address at Agnes Scott in September. The concluding paragraphs of his speech, one of the best and most discerning tributes paid to the College latelv. are printed here. They constitute an appraisal of Agnes Scott by a close neighbor and a good friend through years of cooperation between the two institutions. I venture now to expand just a little on the words I used in suggesting what had gone into the making of the Agnes Scott of today. There has been, in her development, singular clarity and definiteness of pur- pose. And such purpose has been held to with extra- ordinary fidelity, without deviation or wavering. From the beginning, and through the years, as I have read the record, there has been no uncertainty as to just what kind of institution Agnes Scott was to be. just what kind of service Agnes Scott sought to render. This fixity of purpose has been altogether admirable, even if it has at times seemed to carry with it an unyielding rigidity that some may have been disposed to criticize adversely. Such criticism should not have troubled and I think has not troubled Agnes Scott. Agnes Scott has pioneered in admirable ways. But Agnes Scott has also been a bulwark against the "winds of doctrine" and the shifting currents of change and experiment in the educational world. Agnes Scott, if I judge rightly, has refused to change just for the sake of change. She has refused to experiment just because other people were experimenting. This may annoy some people. But we need some institutions that can be rightly thought of as "conservative." For the con- serving of the best in our educational heritage is one of the great needs of our dav. And it is the best for which Agnes Scott has stood. She has held steadily to the ideals of liberal education and to exacting standards of scholarship. There has been no place for the shoddy or the superficial. Stead- fastly refusing to be "all things to all men " I or to all women I . with no ambitions for bigness, deliberately limiting the areas of her work, she has emphasized thoroughness, quality, excellence. So doing, she has strengthened the hands and steadied the purposes of others as they too have sought to find and to foster those ideals and those values in the life of a college that endure through flux and change and which we must cherish in the face of all the uncertainties, the hazards, and the threats of the world we know todav. The day-by-day life and work of a college such as this may seem to involve as does not all of life and work much of routine and of drudgery. It may seem sometimes to some people to be a bit remote from the issues and the challenges of the disturbed world that lies around. It may seem sometimes to be a waste of time. But not so! Not so, if the routine and the drudgery are shot through with purpose a purpose of which even the newest Freshman can get at least a little of the "feel."' Not so. if steadily the day by day living and working together are contribut- ing to growth in mind and heart. Not so, if learning and teaching can be so managed that they become in some measure at least adventure, even fun. Then there will have been made a long start towards the goals of informed and disciplined intelligence; of persisting aspiration to excellence, with humility and sympathy as we aspire; of sensitiveness to beauU in nature and in art; of concern for human welfare: of a sense of responsibility in decision and action; of generous and gracious and poised personality; of serenity and strength and courage rooted in a sure and unwaver- ing faith in God and his purposes. A start only; beginnings only, perhaps. For as I have said, nothing is finished in college. But the beginnings are of immeasurable importance. Such things, wrought into the personalities of men and women and expressing themselves in word and deed these things are needed in the world today today perhaps as never before. They are needed in humble places and in everyday living as well as in high places and in great enterprises. Thev cannot be supplied by organizations or propaganda, by con- gresses or conventions, by resolutions or by tactics and least of all by armed might. They can come only through education, interpreted in its broadest and its best sense. To the attainment of these and like things Agnes Scott is. if I understand her aright, wholly dedicated. Thus to her all of us who value these things are grateful. ALUMNAE ACHIEVEMENT Ruth Slack Smith '12, editor of this department, will welcome suggestions as to alumnae whose names and accomplishments should be recorded here. After receiving an MA. from Stanford University MILDRED THOMSON '10 began graduate work in psychology at Columbia. She was called from her studies to help on a "temporary" job in Minnesota and has been there ever since, teaching and doing organizational work for mentally deficient children. She has been head of the Minnesota bureau for the mentally deficient and epileptic, and has been instrumental in organizing social workers and county welfare boards and in securing more effective legislation for the mentally deficient. Much of the material which she has written in this field has been nationally recognized and used. FRANCES CRAIGHEAD DWYER '28 began her post graduate career in the Latin depart- ment at the University of Michigan, but gave that up to study law at Emory. In this field she is entirely at home since both of her parents were lawyers and she married a lawyer. She has made a signal success in her profession and has been active in community work as well. She has served as general counsel for the Legal Aid Clinic, aided in writing Georgia's excellent child labor law, has been a leader in Y.W.C.A., P.T.A., and other organizations, and in 1946 was chosen Atlanta's Woman of the Year. The class of 1932 has produced two outstanding leaders in Girl Scout work. SARAH BOWMAN was recently appointed Executive Director of the Savannah River Girl Scout Project, one of four critical areas designated by the National Board of Directors of the Girl Scouts. She is doing a splendid job in community organization, leadership recruitment and training. DIANA DYER WILSON has been active in scouting since graduation and has been delegated to attend many national and international conferences. She is a member of the National Executive Committee and is Chair- man of the National Field Committee of the Girl Scouts of the U.S.A. J ANb I /V\AL.D(JIN ALU Zo received her Ph.D. from the University of Chicago and is Chairman of the Division of Social Studies and professor of history at Hollins College. She has long been active in the A.A.U.W., was president of the Roanoke Branch and the Virginia State Division, and recently was appointed Chairman of the Social Studies Committee of the National A.A.U.W. IVYLYN oIKAKDLAU 22 received an M.D. from Tulane University and, after internship and further training, worked for twelve years in the Ackerman Hoyd Hospital in Jhansi, U. P., India. Dur- ing her mother's illness she returned to this country and practiced medicine in Thomaston, Georgia. In 1950 she went back to India to continue her medical work there. Another alumna to receive a medical degree from UADV AKIM KK I/IMKI n\/ 'OC Tulane and to serve in mission work in India is AAAKY AININ /V\C !\ I IN IN b Y 2D. For a number of years she taught in the Women's Christian Medical College in the Punjab. Now she is practicing obstetrics and gynecology in Houston, Texas. A career in advertising and public relations seems a far cry from her early musical ambitions, but MARY CATHERINE WILLIAMSON HOOKER '31 is making a success in this field and enjoying it thoroughly. After working in the publicity depart- ment of Elizabeth Arden and for several publishing houses, she is now director of public relations for the New York Tuberculosis and Health Association. 10 ^Jtnnie oLouiie ^rtt arriion Wate Annie Louise Harrison Waterman, alumna, trustee and benefactor of Agnes Scott, died Aug. 23 in Mobile. Ala., of a cerebral hemorrhage. She was stricken as she taught her Sun- day School class at the Government Street Presbyterian Church. In 1949 Mrs. Waterman made a pledge of $100,000 to the campaign then being carried on by Agnes Scott, designating the gift as endowment for the department of speech. The pledge was paid at the rate of $10,000 yearly until her death, when her will provided for payment of the remainder in a lump sum. One of Mobile's most prominent citizens (her death was the top front-page story of The Mobile Register the next day I , Mrs. Waterman was a civic, cultural and religious leader and a generous giver to charitable and welfare causes. She was named Mobile's First Lady of the Year in 1950. As a young woman. Mrs. Waterman led the movement which brought about the es- tablishment of the first juvenile court in Alabama. She founded a boys' club and was in- terested in a child dav care center, the building of which now bears her name. An ardent supporter of cultural efforts in art. music and literature, she gave substantial assistance to many students in those fields. She was interested in writing and published collections of essays, the last of which was a book written for her grandchildren. She is survived by her son. Caroll. two granddaughters and two grandsons. Mrs. Waterman visited Agnes Scott about twice a year for board meetings and was in- terested in every phase of the College's life. Her gift to the speech department will form a permanent living contribution to Agnes Scott and its thousands of future students. CLASS NEWS Edited by Eloise Hardeman Ketchin Deadline for news in this issue was September lit. News received between that date and December 10 will appear in the W inter Quarterly. DEATHS INSTITUTE J. Willis Bagby, husband of Lucile Shuford Bagby, died last fall. Alda Johnson Holcombe died Au- gust 16. Katie Steele Vickers died August 16. Elizabeth Adair Streater died De- cember 30, 1952. May Eugenia Pagett Bridges died in May. Mary Lovice Simpson died May 20. Annie Louise Harrison Waterman, trustee of Agnes Scott College, died August 23. Annie Beall Dobbs Bellinger died in May 1952. ACADEMY Mrs. Richard Brevard Russell, Sr., mother of Mary Russell Green and Carolyn Russell Nelson '34, and grandmother of Nancy Green '43, died August 30. 1912 Janette Newton Hart of the class of 1912 died July 14, 1953. As a college girl, Janette was lovable, full of fun, a good student, and a leader standing for the right. A few years after graduation she married Richard Hart and spent the rest of her life in her native section of West Point, Gab- bettville. and LaGrange, Ga. Five of her six children have taken their places in worthwhile work. The young- est daughter is still in college. Jan- ette's Agnes Scott classmates remem- ber her especially at their reunion in 1947 at Ruth Slack Smith's home in Durham. During the last years of her life. Janette added teaching to home- making. In 1952 she became ill, yet was able to teach for a large part of the school session of 1952-'5.3. Her final illness lasted only a few weeks. Cornelia Cooper. 1913 James Samuel Guy, husband of Allie Candler Guy, father of Flor- rie Guy Funk '41, and noted educator, died August 16. 1915 News has reached the Office that Frances Swaney is deceased. 1920 4. Helen Williamson died August 11 RETURN BY ALUMNAE QUARTERLY, AGNES SCOTT COLLEGE, DECATUR, GEORGIA - THE AGNES SCOTT Alumnae Quarterly THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS JEAN BAILEY OWEN '39 President GRACE FINCHER TRIMBLE '32 Vice-President FLORENCE BRINKLEY '14 Vice-President MARY WARREN READ '29 Vice-President BETTY JEANNE ELLISON CANDLER '49 Secretary SARAH HANCOCK '50 Treasurer TRUSTEES CATHERINE BAKER MATTHEWS '32 FRANCES WINSHIP WALTERS Inst. CHAIRMEN CATHERINE BAKER MATTHEWS '32 Nominations DOROTHY CREMIN READ '42 Special Events EDWINA DAVIS CHRISTIAN '46 Vocational Guidance MARY WALLACE KIRK '11 Education ELAINE STUBBS MITCHELL '41 Publications BETTY JEAN RADFORD MOELLER '47 Class Officers SARA SHADBURN HEATH '33 House LOUISE BROWN HASTINGS '23 Grounds CLARA ALLEN REINERO '23 Entertainment STAFF ELEANOR N. HUTCHENS '40 Director of Alumnae Affairs ELOISE HARDEMAN KETCHIN House Manager MEMBER AMERICAN ALUMNI COUNCIL The AGNES SCOTT Alumnae Quarterly Agnes Scott College, Decatur, Georgia Volume 32 Number 2 Winter 1954 NEWS OF THE COLLEGE 1 ECONOMIC PROBLEMS ARE WITH US ALWAYS 3 Mildred Rutherford Mell Josephine Bridgman 7 BIOLOGY AND RELIGION NEWS OF THE CLUBS CLASS NEWS 9 ALUMNAE ACHIEVEMENT Inside Back Cover COVER The sketches and designs are reproduced from pages in the notebooks of students in the art classes of Ferdi- nand Warren and Marie Huper. The Agnes Scott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agnes Scott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. Yearly subscription, $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24, 1912. NEWS OF THE COLLEGE MRS. JAMES ROSS McCAIN, wife of the president meritus of Agnes Scott, died December 28 after an Hness of several months. Mrs. McCain was the former Pauline Elizabeth Mar- tin of Covington. She was graduated in 1902 from Erskine College, of which her grandfather, her brother and her nephew have served as president, and taught chool until her marriage in 1906 to Dr. McCain, who was then headmaster of the Darlington School at Rome. She was active in religious and civic affairs until she became an invalid some years ago. Her interest in lAgnes Scott, its faculty and its students continued, and she was alwavs fullv informed on happenings and people at the College. The warmth and immediacy of her concern for all Agnes Scott matters expressed itself in cordial telephone conversations with people on the campus whom she never met. and in affection- ate notes to all those who sent her greetings from time to time. She was loved by many who had never spoken face to face with her. Besides Dr. McCain, she is survived by three daugh- ters, all Agnes Scott graduates, and three sons, all holders of doctor's degrees in different fields: Louise (Mrs. Eugene I Boyce "34. Tallahassee. Fla; Isabel (Mrs. William) Brown "37. Lothair, Ky. ; Mildred I Mrs. Barrington I Kinnaird "46, Paris, Ky.; Dr. John Ross McCain. Atlanta physician and member of the Emory Medical School faculty ; Dr. Paul M. McCain, president of Arkansas College. Batesville. Ark.; and Dr. Charles R. McCain, pastor of the Canton, Miss.. Presbyterian Church. Also surviving are a brother. Grier Martin of Atlanta, and sixteen grandchildren. LETITIA PATE WHITEHEAD EVANS, donor of the Agnes Scott dining hall, died Nov. 14 at her home in Hot Springs, Virginia. Mrs. Evans, a trustee of the College for several years, left a bequest of 8100,000 for the maintenance of the Letitia Pate Evans Dining Hall, which she built at a cost of about 8500,000 in 1949-50. She was a consistent and generous benefactor of educational institutions. Emory University. Georgia Institute of Technology, and half a dozen other schools and colleges were aided by her both in her lifetime and through her will. The income from her bequest to Agnes Scott will be used in the maintenance and operation of the dining hall and thus will help to ease the yearly strain on College resources which results from a steady increase in costs. DR. RICHARD LEE HENDERSON, now dean of education at Eastern Montana College of Education, will come to Agnes Scott as professor of education next fall. He will teach in the undergraduate program in education at the Col- lege and will direct some graduate work and in-service teacher education at Emory University. Agnes Scott and Emory have a joint program of teacher education which enables students to obtain public school teaching certification upon graduation from college. Dr: Henderson holds the B.A. cum laude from the University of Rochester, the M.A. in English from Harvard Uni- versity, and the Ph.D. in education from the University of Chicago. His published work consists of articles in educa- tion journals. For the spring and winter quarters of the current year, Roy E. Dwyer is visiting instructor in education. He holds the B.S from State Teachers College, California. Pa., and the M.Ed, from the University of Miami, and is now work- ing twoard the Ed.D. at the University of Florida. PROFESSOR W. JOE FRIERSON'S research in paper chromatography, a new technique of chemical analy- sis, received signal recognition this year when the A. D. Little Corp. of Cambridge, Mass.. made a grant sufficient to cover all expenses for the 1953-51 re- search, including part-time laboratory assistance. The corporation is a chemical consultant and engi- neering firm which undertakes research for industries. CEEVAH ROSENTHAL '45 is among the Ten Young Women of the Year se- lected by Mademoiselle magazine for its 1953 Merit Awards. The honor came in recognition of her work in behalf of epileptics, reported in The Quarterly last spring. She organized the Committee for Rehabilitation and Re- search in Epilepsy and on her own initiative obtain- ed financial support and stimulated the development of a program for epileptics the first of its kind in this country. It combines medical treatment, research, vocational training and social adjustment. Her co-winners in the Mademoiselle selection were Audrey Hepburn, actress; Ilona Karmel, writer: Dr. Eugenie Clark, scientist; Carmel Carrington Marr. lawyer; Lorraine Budny. fashion designer; Rosalind Wiener, councilwoman; Tenley Albright, figure skater; Maria Callas. singer; and the recently unearthed Aph- rodite now on display in the Metropolitan Museum of Art. CATHERINE WOOD MARSHALL '36 has been named to alumnae membership in Phi Beta Kappa by the Agnes Scott chapter and will be initiated in April. Alumnae membership in Phi Beta Kappa is awarded for high intellectual achievement since graduation from college. Besides A Man Called Peter, a best seller for more than two years, Mrs. Marshall has published three other volumes: Mr. Jones, Meet the Master, an edition of her husband's sermons and prayers; God Loves You, a collection of stories and prayers for children; and Let's Keep Christmas, published in November 1953. She will speak in chapel at Agnes Scott April 2. "PICK A HUSBAND who has plenty of self-confi- dence" if you want to combine marriage and a career, Agnes Scott students were advised last month bv Doris Lockerman, former associate editor of The Atlanta Constitution and leader in Atlanta civic work. Mrs. Lockerman was convocation speaker for the Alumnae Association's Career Conference series. Pointing out that fully half of all employed women in the country are married, and that wives who work I do so either from necessity or because they honestly prefer a job to household chores, she said that a hus- band with full confidence in his own ability would be proud of his wife's rather than sensitive about it. Two Career Coffees, held on successive evenings at the Alumnae House, brought to the students seven consultants on types of work selected by students in | a poll: art. science, social service and assignments overseas. MORE THAN 50,000 will come to Agnes Scott through the will of the late Dr. Elizabeth Fuller Jack- son, associate professor of history at the College from 1923 until her death in 1952. In addition to the bulk of her estate. Miss Jackson left a specific bequest for the installation of an elevator in the six-story Library stacks and willed the College her furniture, of which a number of handsome pieces are being used in Hopkins Hall. i Edna Hanley Byers, College librarian, is vastly pleased with the new elevator, serving six floors of stacks, which was provided for the library under the will of the late Dr. Elizabeth Fuller Jackson. MILDRED RUTHERFORD MELL, Professor of Economics and Sociology ECONOMIC PROBLEMS ARE WITH US ALWAYS THE AUTHORS of one of the currently popular texts in economics begin their first chapter as follows: No one, no matter what his wishes may be. can escape the great economic problems of his day. Such problems are part of the social environment. Some are always with us. like taxes; others come and go. like inflation in recent years and depression in the 1930"s. They take up space in the newspapers and time on radio and television; they are a subject of conversation at social gatherings. Economic problems play a part in national elections, and in inter- national relations. National governments and international agencies spend time and money to solve them or in trying to solve them. Equally significant problems are ever present for the housewife, as she talks about the price of bacon with a stranger, momentarily her intimate confidant, while the two examine the wares found in the display cases of the busy super-market. Or a little later, this same housewife, having watched the mounting cash register, having seen a ten-dollar bill melt away, and having stored her scanty bagful of groceries in her kitchen cabinets, finds a residue of uneasiness in the back of her mind. Whether this uneasiness comes from the problem of stretching the family income, if she is married, or stretching her own income, if she is un- married, it is an economic one and intimately related to all those economic problems which the text-book writers cite as basic in the lives of all of us. Gone are the days when ignorance and muddled thinking were thought to make a woman more "femi- nine" and attractive. The "helpless" female can't af- ford to be economically illiterate when, statistically speaking at least, she is the most important spender of our national income. As she becomes self-conscious about her economic role of buyer for the family, and as to an increasing extent she has income from work- ing or from owning property, the college trained wo- man inevitably tries to relate her personal finances to the larger economic pattern. She reads the news- papers, listens to the radio, or watches television. She cannot fail to realize that the economic state of the nation and the world sets the stage for a satisfacton or an unsatisfactory economic base for her own life. But why? And how? The intelligent woman seeks to get some sort of answers to such questions as guides to her in spending, saving, and investing income. Of course, if she has managed to save something to be invested, she can turn to the investment special- ists who are ready to give advice or to take over the whole problem for her. But even if she prefers to use such help instead of going it on her own. she finds increased satisfaction in the process if she has basic understanding of the whole situation enough to enable her to pass intelligent judgment on the advice she is given. Having funds to invest these days is for most of us a major accomplishment dependent both upon the size of our incomes and the way we spend them. Hap- hazard spending cannot guarantee results which bring much satisfaction, nor can it guarantee savings to be invested. So there would be no need to develop good judgment in the investing of funds unless there had been good judgment in the spending of income. Sav- ing, spending, investing are just various aspects of the same set of activities and wisdom gained in one reinforces the store of wisdom available in the others. In the sort of environment in which our spending, saving, and investing are done real wisdom comes only when the individual, through understanding how our economy operates, understands the relationship of the individual to the whole. One of the real values which a college education brings us is the habit of getting from books or the printed word what we need and want to enable us to live more intelligently. Be- lieving that Agnes Scott Alumnae like the rest of us are concerned about economic affairs, the editor of our Alumnae Quarterly asked me to make some sugges- tions about easily accessible sources of knowledge which would help in the easing of these worries. I am listing some of these and commenting upon them. As the publishing of books and pamphlets is an endless process, the individual reader starting with my sug- gestions probably will be led into discovering excellent material for herself. Re-emphasizing my belief that the intelligent woman likes to view her own special problems in the larger setting, there are two rather new books which will help her to do that without being too technical and without taking too much time. A new 1953 book pub- lished by Scott, Foresman and Company is by Robert D. Patton of Ohio State University and is called THE AMERICAN ECONOMY. The title in full explains why I am suggesting it. It is: "The European back- grounds, the dynamic growth, the present status, and some urgent problems of the American Economy." It is entertainingly written and attractively illustrated even though it is a text. The roots of most of the news in the morning paper can be found in it. Another readable and useful little book published by Prentice- Hall is "The Origins and Development of the Ameri- can Economy" written by E. A. J. Johnson and H. E. Kroos. This covers a lot of territory concisely and will prove helpful for a rapid review by those who studied economics while in college. In addition to these two books there are some more "popular" ones, for example the very readable books written b\ Frederick Lewis Allen whose latest, THE GREAT CHANGE, is one of the current best sellers. Even more "popular" material is available in pam- phlet form. The big industries send out some of this in their public relations programs. A good example is a small booklet called AMERICAN BATTLE FOR ABUNDANCE which was issued in 1947 by General Motors and is a graphic story of what mass production means in the American economy. A somewhat similar pamphlet which is much broader in scope and more concerned with the meaning of our productive process is POWER, MACHINES, AND PLENTY, one of the Public Affairs Committee pamphlets based on Dew- hurst's famous survey made for the Twentieth Century Fund. This and other similar pamphlets which will be suggested as useful can be obtained from the Pub- lic Affairs Committee, Inc., 22 East 38th Street, New York, and are kept on file in most libraries. An es- pecially good pamphlet has just been issued by Mc- Graw-Hill Publishing Company (330 West 42nd Street, New York ) and may be had for the asking. Its title is: PROSPERITY IN THE U. S. A. Two other Public Affairs Pamphlets which also give material helpful in getting general, basic economic understand- ing are: THE AMERICAN WAY (concerned with the problem of business freedom or government con- trol) ; AMERICA'S STAKE IN WORLD TRADE (a timely discussion of international economic relations) . Because money is basic to many of the personal de- cisions we make, and these are inevitably made within our national monetary system, we need to have at least a speaking acquaintance with it as a mechanism invented to help us attain certain ends. HOW MONEY WORKS and HOW TO CHECK INFLATION are Public Affairs Pamphlets which attempt to give the uninitiated as clear and accurate an understanding as possible without too many details. Someone with an inquiring mind may wish to dig deeper in this field. There is surely a mass of material, some good, some not so good. THE FEDERAL RESERVE SYSTEM, a pamphlet published by the Federal Reserve Board, is remarkably good and would make a useful and in- teresting addition to the two Public Affairs Pamphlets. Even though understanding our complex monetary system makes more intelligent decisions possible when we face our personal monetary problems, these de- cisions for most of us are not only important but dif- ficult. Realizing this. J. K. Lasser and Sylvia F. Porter wrote a little book in a simple, clear style called MAN- AGING YOUR MONEY, and it was published this year by Henry Holt and Company. An earlier volume of theirs ( published by Simon and Shuster in 1948 for $1.00) is also good. It is entitled HOW TO LIVE WITHIN YOUR INCOME. A textbook which is cur- rently used in college courses would be a good refer- ence book for any woman to own if she has the desire to have a handy source of guidance when specific problems are being faced. This textbook is PER- SONAL FINANCE by E. F. Donaldson, published by the Ronald Press and sold for $4.50. In addition to these books, two more Public Affairs Pamphlets will be helpful. These are: MORE FOR YOUR MONEY by C. W. Moffett, and WOMEN AND THEIR MONEY by M. S. Stewart. These books and pamphlets cover most of the problems which arise out of the whole process of spending, saving, and investing our in- comes. Better still through using good, hard common sense the authors make the solution of the problems seem challenging instead of drab and wearing. Budg- eting is shown to be a way to get the greatest degree of satisfaction out of the use of personal income, rather than a way of holding in check wayward de- sires for things which grandmother got along without! Planning security for the years ahead becomes a part of the whole pattern of satisfaction-yielding use of in- come. Saving and investing for future income, in- stead of seeming to be pinch-pennny joy killers, are 4 shown as comparable to spending in the satisfaction they bring and the interest they hold for beginners and old-timers alike. Perhaps saving and investing through insurance is more frequently used than any other method, but an intelligent decision to take out insurance would prove to be wise more frequently than a haphazard decision would. The college woman can make good use of two pamphlets which are easily obtainable. The Institute of Life Insurance (488 Madison Avenue, New York) has issued an excellent HANDBOOK OF LIFE IN- SURANCE by R. W. Kelsey and A. C. Daniels. It will send this upon request. In the foreword the hope is expressed that every reader "will gain better under- standing of his personal stake in this form of financial security" from studying the little booklet. It certainly will help the reader to do just that. BUYING YOUR OWN LIFE INSURANCE by Maxwell S. Stewart is another one of the Public Affairs Pamphlets and evaluates insurance somewhat more objectively, of course, than the HANDBOOK of the industry does. For one dollar a more detailed, objective guide to insurance can be gotten from the American Institute for Economic Research. This is a pamphlet by G. R. Upchurch and E. C. Harwood entitled LIFE INSUR- ANCE AND ANNUITIES FROM THE BUYER'S POINT OF VIEW. In teaching economics, a never ending problem is to find ways and means to arouse the student's in- terest, but there always seems to be ready-made in- terest when stocks and bonds are discussed. This is particularly true if the stock market is involved in the discussion. Perhaps that interest is due to a sort of romance which seems to be attached to buying stock, cutting coupons, watching the vagaries of the stock markets, etc. This atmosphere of romance gives way to hard reality when the uninformed and un- wary find themselves suffering the disappointments of the gullible. There is a useful Public Affairs Pam- phlet, GYPS AND SWINDLES by W. T. Foster, which gives warning to the uninitiated. Better still, there are books which seek to help the uninitiated to learn what to do or at least where to turn for guidance. One of the less expensive of these books is ABC OF INVESTING by R. C. Effinger, published by Harper for $1.50. This is good but no better than another Harper book. THE INTELLIGENT INVESTOR by Benjamin Graham. A 1951 book published by Mac- Millan is one of the best and most usable of all the books which have been written especially for the in- experienced investor who knows little about different kinds of investments. This is INVESTMENTS FOR PROFESSIONAL PEOPLE by R. U. Cooper. It is somewhat more general in character than the other two, but perhaps because of that is more worthwhile. Lasser and Porter in their little book MANAGING YOUR MONEY say: "How to finance not only day- to-day needs, but also future dreams, is an objective of families everywhere, in every income group, in every circumstance." I am sure they are right, and I am sure that Agnes Scott Alumnae are not ex- ceptions to the rule, so I hope many will find help along the way in the material I have suggested. Being a teacher, I cannot help but hope that Agnes Scott Alumnae will get more meaningful help because they take the time and make the effort to solve their parti- cular problems more effectively by trying to see them within the framework of the American economy. The old Science Hall, up ami down whose dark wooden stairs many a student had toiled, ivas removed last summer. These pictures, taken before and after from almost the same spot, show the change in that part of the campus. Look- ing from tlie opposite direction, one has a handsome side view of the Letitia Pate Evans Dining Hall. BIOLOGY AND RELIGION JOSEPHINE BRIDGMAN, Professor of Biology FOLLOWING THE PRECEDENT set by other mem- bers of the faculty, and at the request of the Chapel Planning committee, I shall try to tell you what 1 consider to be the relation of biology to religion. Biology impinges on religion in at least two areas. The first of these is in an understanding which a knowledge of biology can give of the pattern of the living world. I should like to come back to this and go on to the second area which I might call that of the quickened conscience. It is my belief that biology points the way to Christian action in a number of fields and makes the life of a Christian more demand- ing. Knowledge in any area brings responsibility. In a primitive society to be one's brothers' keeper might actually mean a responsibility to one or two brothers, but today one's brothers are everywhere, from the Negro slums to the Congo, from European universities to the battle fronts in Korea and Laos; and several thousands of our brothers formerly lived in Nagasaki and Hiroshima. Let me suggest just three areas in which I think biological information should quicken the conscience. The first of these is in the problems connected with race. To your parents and grandpar- ents who honestly believed that the Negro was in- ferior, the paternalistic answer of their generation seemed fairly satisfactory. Bot today when anybody w : ho can read an elementary biology book knows that there is no basis for this comfortable theory, the problem requires new thinking. It seems to me that this is one of the most pressing problems before all of us today. It is one where the dicta of science and of Christianity are in perfect agreement, and are per- fectly clear; and yet many of us are dragging our feet, and many secular groups are facing the problem and acting with more courage than organized Chris- tianity. As Christians with an education which makes the old answers untenable we should be busy explor- ing new pathways to understanding between the races. Many thoughtful people are greatly concerned about the backlog of bitterness which must be building up in the minds and hearts of a people constantly denied the equality of treatment guaranteed them by the Con- stitution and certainly implicit in Christianity and the exploitation of that bitterness by professional leftists whose motives have nothing to do with the Constitution or with Christianity. Another area in which biology might quicken the conscience is in our feeling of responsibility for our neighbor's health. There is so much information read- ily available to us which could improve the health of underprivileged people methods of prevention and cure of disease, knowledge of dietary requirements, better agricultural methods which might mean the difference between starvation and plenty. Much of this is a closed book to many of the people who need the help most. Surely this knowledge is a responsibility to people whose greatest worry about diet is the threat of too much cheese in the menu.* \ou say, Oh. this is a matter that takes times education is a slow process. And it is. But suppose you were on the other side of the picture suppose you were hungry, or your father had some disease which might be cured by modern medicine wouldn't you feel that com- mon decency demanded all possible speed in the sending of this education? The third and last area for conscience-searching which I feel that I should mention is that of the biological effects of radiation weapons now available. The former use of these weapons has been of grave concern to many Americans. The New Yorker, ordi- narily a light-hearted magazine, devoted an entire issue to John Hersey's documentary account of the effects of the bombing of Hiroshima. This, I should think, is must reading for any serious adult. The scientists who know most about atomic energy have repeatedly urged that it not be used against human populations. I think perhaps I might be forgiven if I throw in here a little defense of science and scien- tists. It is very popular nowadays to blame science with all modern ills. Because science has devised methods of destruction we should therefore abandon science. The fallacy here lies in imputing technologi- cal design to science. Pure science has only one pur- pose, which is the discovery of natural law. These laws, once discovered, may be turned by man to good or to ill. Electricity may be used for electrocution, or *The reference is to current student joke about Collejre meals. Kd. it may produce light, knowledge about disease may be used to prevent illness, or it may be used in biolo- gical warfare. In every case the use is determined by the citizen, not the scientists. A recent article in The Saturdav Review of Literature pictured the scientist as a sort of split personality, seeking truth with one hand and designing destruction with the other. It is of course true that a scientist, outside his laboratory, has a role to play as a citizen, and in this role he may hope to influence public opinion and the course of government. But the voice is small; few of us even knew that the scientists who designed the first atomic bomb, thinking of it as a defensive weapon of the last resort, urged that it not be used against the Jap- anese. If it has been the chemists and physicists whose work has led to the actual release of these new forces, it is the biologists who have a piece to say about the effects of radiations on human life. We can scarcelv overstate the case against the use of such agents. It is radiations which we use in the laboratory to produce abnormalities. This is the standard way of changing the germ of plasm of an individual. Recent reports, still unpublished, from Hiroshima and Nagasaki, in- dicate that babies born to mothers who were pregnant at the time of the bombing were in many cases de- formed, idiots, microcephalics, etc. And since human heredity operates slowlv through the years the com- plete story will not be told for many generations. It may be that a military situation could be so critical as to demand the use of weapons now much more powerful than in 1945, but it is difficult for the Chris- tian conscience to condone such action. The other field in which I think biology may make a contribution to religion is a little happier for our consideration. This is the chapter that biology can write about the pattern of the living world. The thought of the revelation of God to be found in na- ture has been a favorite topic of writers and thinkers through the years of human historv. The author of Genesis says that God came to Adam and Eve as thev walked in the Garden. David in the 19lh Psalm cries out, "The heavens declare the glorv of God and the firmament showeth his handiwork." The author of Job. in the drama recorded there, has God say to Man. "'Where wast thou when I laid the foundations nf the earth?" Man has always felt a revelation of God in nature, and modern man. with his increasing knowledge of the world, has a much broader oppor- tunitx to approach God through his creation. Obser- vation, enhanced by training and greatly increased by the range of microscopic magnification, reveals de- tails in complexity in organization and function little dreamed by the untutored layman. The microscopic intricacy of pattern displayed in one simple leaf mat be a revelation to one who has scarcelx recognized the gross difference between a maple and an oak. Even so lowly a creature as an earthworm may be- come an object of interest if one knows enough about its anatomy, physiology and behavior. These are home- ly illustrations taken from the limitless wealth of material available in the living world. To the inquiring mind there are never-ending revelations of pattern, patterns of beaut) and symmetry of elegant detail which can be followed through every level of magni- fication down to the last limits of the electron micro- scope. To a Christian philosophy this revelation of design in the living world is a revelation of a tiny segment of the mind of the Creator. For a Christian to study science is to widen the area where he can follow the Creators thoughts, and a stud) of the natu- ral world may easily become a search for God. One of the modern poets has expressed this thinking of many biologists when he says: Day and night I wander widely through the wilder- ness of thought, But my one unchanged obsession, wheresoe'er my feet have trod, Is a keen, enormous, haunting, never-sated thirst for God. NEWS OF THE CLUBS FOUNDER'S DAY is just ahead, and Agnes Scott alumnae clubs are making varied plans for its celebra- ton. As this is written, announcements of the 1954 radio program are about to go out to club presidents, who will try to obtain local radio time for the 15- minute broadcast. The committee in charge of the program hopes that "What is Academic Freedom?" will have more listeners than any previous production. Taking part in the discussion will be Dr. George P. Hayes, professor of English; Dr. Catherine Sims, acting professor of historv and political science; Florrie Fleming of Augusta, Ga., senior, and Nancy Brock of Greenville. S. C. freshman. ANDERSON, S. C. planned a tea for prospective students in January, when Ann Cooper, field repre- sentative, was to be in town. ATLANTA, JUNIOR ATLANTA. SOUTHWEST ATLANTA, and DECATUR, four lively groups within reach of the sheltering arms, are in the midst of an active year. In the fall the four clubs held a joint meeting in the Agnes Scott science hall to hear a scholarly review of the school segregation question previous court decisions, present conditions, major points of difference between those who favor segrega- tion and those who oppose it. Each club holds its own monthly meetings and has its own project. At- lanta held a highly successful tea for prospective stu- dents. Decatur was raising money with soap coupons, Junior Atlanta was stressing individual contributions to the Alumnae Fund, and Southwest Atlanta was selling Readers Digest subscriptions. At the end of last year the Atlanta club gave $115 to the Alumnae House and Garden, and Decatur gave $75 to be used as the Executive Board of the Association should decide. Each of the four clubs has a year's program of speakers for its meetings. BIRMINGHAM had a lively tea for prospective stu- dents last spring and another this year. The club has succeeded in bringing the number of Birmingham girls at Agnes Scott up from zero to a respectable level in the last few years. This year's tea was a Christmas affair, with the Birmingham Agnes Scott students present to give first-hand nformation. CHARLOTTE, which crowned its achievements last year with a gift of $75 to the Alumnae House, has had an active autumn which began with a meeting in October. Doris Sullivan '49. former alumnae repre- sentative and now assistant dean of students, spoke and showed slides of the campus. At this meeting the club launched a fund in memory of Eloise Gaines Wilburn '28, one of its leading members, who was killed Oct. 18 in an automobile accident. The fund, which is being used to buy books for the College library, has now more than doubled by virtue of con- tributions from Eloise's college friends and fellow club members. Charlotte will have Dean Scandrett as its speaker on Founder's Day. CHATTANOOGA, which continues to build its stu- dent loan fund, honored President Wallace Alston at a luncheon in June and in November held a tea for prospective students, with Dean Scandrett as speaker. A luncheon is planned for Founder's Day. LEXINGTON, Ky., plans a Founder's Day meeting, according to its report of last year's gathering. LONG ISLAND formed a club this year, one of several groups in the New York area, and planned to join the Greenwich club in a visit to the United Nations. NEW ORLEANS has met regularly this year and has begun a scholarship fund which it hopes to com- plete I $1000 makes a regular college scholarship, listed in the Catalogue I through club projects and individual contributions. One of its meetings was a tea for Dean Scandrett. who was in New Orleans for a conference. NEW YORK has been busily dividing itself nto geographical clubs which will meet separately through the year and have one joint annual gathering. The club is making efforts to introduce Agnes Scott to school counselors in the area. RICHMOND had Ann Cooper, alumnae field repre- sentative, as its speaker in October. New officers were elected at the November meeting. SHREVEPORT had a tea for prospective students in October and sent money to buy a chair for Hop- kins Hall. WASHINGTON joined the Associated Alumnae Clubs of Washington this year and arranged a booth at the organizations college night for high school students, with former alumnae representative Sybil Corbett Riddle '52, Ensign Helen Jean Robarts '52, and Anne Thomson '53 present to disseminate infor- mation about Agnes Scott. The November meeting was a tea honoring past presidents of the club, and was publicized by press and radio. In January, thirtv members appeared on television! The program was wonderful publicity for the College, consisting partly of questions and answers about Agnes Scott and the club. Dean Scandrett will speak at the Founder's Day meeting. Feb. 20. WESTCHESTER-FAIRFIELD, or GREENWICH. Conn., is a flourishing group whose every meeting is fully covered by a considerable number of local news- papers in the area a real feat, publicizing Agnes Scott so far awav. The club is raising a scholarship fund and at last report was planning a trip to the United Nations. 8 William Ross Harper, husband of Jean Ramspeck Harper and father of Marian Harper Kellogg '20 and Fran- ces Harper Sala '22, died Oct. 18. Daisy Wesley Spurlock, sister of Emma Wesley and mother of Susan Spurlock Wilkins '43, died Nov. 30. Dorothy Dyrenforth Luman died Nov. 2. 1 922 Laurie Bell Stubbs Johns' nephew, William Alston Tennent, was killed in a jet plane crash Dec. 6. I VZo Peggy Story Ranson Shef- field died Nov. 25. I z.ZOJohn Girardeau Wilson, hus- band of Helen Clark Wilson, died in September. 1 928 Edgar R. Craighead, father of Frances Craighead Dwyer, died Dec. 8. 1936 Irving S. Bull, father of Meriel Bull Mitchell, died in Oct. 1952. I 74U Grace Ward Anderson her mother in July 1952. lost 1 944 Mary Maxwell Hutcheson's mother died last February. I 7 jU Frank Bernard Linton, bro- ther of Betty Jo Linton Alexander, died in the fall of 1953. AGNES SCOTT 1LUMNAE QUARTERLY Spring. 1954 R T M USIC P II ILOS THE ALUMNAE ASSOCIATION OF AGNES SCOTT COLLEGE OFFICERS JEAN BAILEY OWEN '39- President GRACE FINCHER TRIMBLE '32 Vice-President FLORENCE BR1NKLEY 7 H Vice-President MARY WARREN READ '29 Vice-President BETTY J EANNEELlTsON CANDLER J 49 Secretary SARAH HANCOCK '50 Treasurer TRUSTEES CATHERINE BAKER MATTHEWS '32 FRANSES W1NSHIP WALTERS Inst. CHAIRMEN CATHERINE BAKER MATTHEWS '32 Nominations DOROTHY CREMIN READ '42 Special Events EDWINA DAVIS CHRISTIAN '46 "" Vocational Guidance - MARY WALLACE KIRK '11 Education ELAINE STUBBS MITCHELL '4\~ Publications BETTY JEAN RADFORD MOELLER '47 Class Officers NELLE CHAMLEE HOWARD '34 House LOUISE BROWN HASTINGS '23 Grounds CLARA ALLEN REINERO '23 Entertainment STAFF ELEANOR N. HUTCHENS '40 Director of Alumnae Affairs ELOISE HARDEMAN KETCH1N House Manager MEMBER AMERICAN ALUMNI COUNCIL the AGNES SCOTT ALUMNAE QUARTERLY -Mcjnei S^cott College, ^Decatur, Cjeorgia SPRING 1954 VOLUME 32 NUMBER 3 The Agnes Seott Alumnae Quarterly is published four times a year (November, February, April and July) by the Alumnae Association of Agues Seott College at Decatur, Georgia. Contributors to the Alumnae Fund receive the magazine. } early subscription, $2.00. Single copy, 50 cents. Entered as second-class matter at the Post Office of Decatur, Georgia, under Act of August 24. 1912. 1 (editorial by Mary Wallace Kirk ONE of the functions of the Education Committee is to act as liaison between the College and its alumnae in the realm of academic offerings. In partial fulfillment of that objective the committee takes pleasure in presenting in this issue of The Quarterly three departments Art, Music, Philosophy. As all things change so have these de- partments, and in recent years expansion has also laid its demands upon them. There- fore, an account of their "insistent present", which contains both past and future, should be of significant interest. The committee is deeply indebted to Mr. Ferdinand Warren, head of the De- partment of Art, to Mr. Michael McDowell, head of the Department of Music, and to Mr. C. Benton Kline, Jr., assistant professor of Philosophy, for so graciously con- tributing the three articles on their respective subjects, to President Wallace M. Alston for his inspiring Foreword, to the students of the Department of Art for their attractive drawings, again to Mr. Warren for designing the format of this issue, and to Eleanor Hutchens. Editor of The Quarterly, for her advice and valiant assistance at all times. Education Committee Lucile Alexander Leone Bowers Hamilton Ruth Slack Smith Mary King Critchell Mary Wallace Kirk. Chairman the AGNES SCOTT ALUMNAE QUARTERLY Spring ,954 Contents Editorial 2 Mary Wallace Kirk Rembrandt, "The Sibyl" 4 An Aristocracy of Competence 5 Wallace M. Alston Bursting at the Seams 7 Ferdinand Warren Growing Noises 11 Michael McDowell Philosophy at Agnes Scott 15 C. Benton Kline, Jr. Class News 18 Eloise Hardeman Ketchin Calendar of Art and Music Events, 1953-54 . . . .27 Club Directory 28 COVER The cover design and illustrations are reproduced from pen and ink drawings made especially for this issue by Katherine Hefner *54 as part of an art class assignment. 3 REMBRANDT, The Sibyl, Oil Collection Metropolitan Museum of Art, New York REMBRANDT and TINTORETTO Through the courtesy of the Metropolitan Museum of Art two art masterpieces are to be exhibited at Agnes Scott from April 15 to May 15, with a special reception May 2. "The Sibyl," from the Metro- politan's Rembrandt collection, and "Portrait of a Man," by Tin- toretto, will be on view with accompanying reproductions and other materials on the two artists in the gallery on third floor Buttrick. Jsntroduct ion An Aristocracy of Competence b\ Wallace M. Alston PROFESSOR JOHN McMURRAY, of the Uni- versity of London, calls Plato's Republic "The fairest and falsest of all Utopias." In this remarkable writing, Plato develops the analogy of the perfect man in the perfect state. As he presents an analysis of the human mind, Plato finds the rational or reasoning principle, the spirit or will, and the appetite or passion. This threefold division is applied to the commonwealth which Plato regards as analogous to, and a sort of exhibition of a good and virtuous man. Plato classifies the mem- bers of his ideal republic under three divisions: coun- selors, or an aristocracy of intelligence ; guardians, or the military ; and artisans, the common people. One does not have much difficulty finding the weak places in the Platonic scheme. There are, nevertheless, some keen insights and some enduring recognitions in the Republic. One of the most important of these in- sights is that the commonwealth, the world indeed, needs the leadership of men and women of intelligence an aristocracy of competence, if you please. The best qualified people, Plato insists, ought to be discovered, commandeered, and given the opportunity to use their intelligence and training for the common welfare. We still need an aristocracy of intelligence not, of course, a petted, coddled little group whom we will set free from ordinary responsibilities in order to show favor or preferment to them. What we do need, how- ever, within the framework of our democracy, is to dis- cover ways to mobilize and challenge the folk who are endowed and trained to think an aristocracy of intel- ligence, if you will, but one that is imbued with a strong sense of social responsibility. The word "aristocracy" has become somewhat de- cadent and decrepit. As a matter of fact, it is a good word, the virility and relevance of which we might do well to recover. It comes from two Greek words: aristos, meaning "best," and kratein, "to be strong." A true aristocrat is one who, realizing endowment, deliberately offers himself in service to others. Aristo- crats have often been despised or distrusted because they have exploited their position, or have held them- selves aloof from the needs of common people, or have undertaken to dominate others, or have simply used their cleverness to make their own status secure. The kind of aristocracy that we need today within a demo- cratic framework is an aristocracy of competence pos- sessing a strong sense of social responsibility. Let me suggest some achievements that would seem to be requisite in a leadership that might deserve to be known as an aristocracy of competence within a frame- work of democracy. For one thuiff, there is the need for a strong sense of objective reality in a day of relativities. Intellectual leaders generally appear to be unimpressed today by the sort of realization that caused Arthur Hugh Clough to write : It fortifies my soul to know That, if I perish, truth is so. Plato's philosophers, who composed the governing group, were recognized as authentic intellectual, moral, and spiritual leaders by virtue of their devotion to the world of ideas, or forms. Their authority as leaders was derived. They were qualified persons, but they were instruments through whom truth, goodness, and beauty were mediated to the common life of men. Our intellectual and cultural climate is subjective and relativistic. It is doubtful whether men will regard truth as a sacred prize to be discovered and as a trust to be valued and shared, when the truth is seen to be so exclusively the creation of clever people. Whether a thorough-going relativism in ethics and religion will result in a leadership imbued with a strong sense of mission is quite doubtful. Is truth made anew by every generation, by each separate individual, indeed? It matters little how competent men and women may be in their endowment and training, if they determine that goodness, truth, and beauty are merely values that men project into the world ; a different sort of enterprise is presented from that envisaged by Plato when he made his plea for an aristocracy of competence. Moreover, there is the need for disciplined insight and the ability to think in a day of confusion. Some time ago President Ralph C. Hutchinson, of Lafayette Col- lege, wrote that a veritable "cult of confusion" exists in America. Not only are people by and large confessing bewilderment, but our leaders themselves admit to a confusion that is disconcerting, to say the least. The sort of intellectual guidance that people require today must come from men and women who know what the facts in the various aspects of learning are and who have a respect for tested realities. Experimentation is good, but it must not be random and chaotic. There is good sense in requiring that any person who would be- come proficient in his field should at least know what has been done before he came upon the scene. There is no virtue in mere novelty, and those who are looking for short cuts should definitely be discouraged by their fellows in all fields that lay claim to educational and cultural leadership. John Ruskin said a relevant thing when he insisted that "the right to own anything is dependent upon the willingness to pay a fair price for it." Creativity and originality come not through novelty and the attempt to by-pass the disciplines of intellectual endeavor, but through persistence, habitual and unremitting labor, and through the conventional channels. The only aristo- cracy of intelligence that deserves general approval and support will be one to whom the past with its accom- plishments is known, and one who accepts the necessity of hard work and patient, painful intellectual endeavor. Then, poise and sanity in this day of intellectual, moral and spiritual instability constitute a "must" for leaders worthy of respect and loyalty. There are many indications in our contemporary scene of the unsteadi- ness and emotionalism of people. We make a serious mistake if we assume that most folk think logically and make decisions upon the basis of the evidence pro and con that has been judiciously weighed. The fact is that the average person thinks very little, if at all. He is a hero worshipper. He is swayed by the tides of popular sentiment and by the power of a personality. He seems at times to move by "fits and starts." Leaders are sorely needed, men and women who can speak clearly, think logically, maintain perspective, chart a course of action, and inspire confidence in those who look to them for responsible direction. Moreover, in a genuine aristocracy of competence, there would be a sense of concern and liability in a day of irresponsibility. There is, indeed, a liability of the privileged, and nothing is more immediately important than a recognition and an assumption of this obligation by those who have been trusted. Certain tendencies peculiar to privilege must be re- sisted by people of endowment and opportunity. There is, for example, the tendency of privilege to lead a person to a false evaluation of himself. If an individual estimates himself on the basis of his money, or his heredity, his brilliance, training, popularity, or the position that he occupies, he will scarcely get a true view of himself. There is also the tendency of privilege to shut a person off from the needs of people all around him. There is danger as well as obvious advantage in such protection. And there is the tendency of privilege to let a person off with only a fractional part of the contribution that he is capable of making. By comparing himself with others and by reminding himself that he is doing as much or more than they, the privileged indi- vidual salves his conscience when he continues to put back into life only a part of what he is capable of doing and for less than he takes out. Privileged people need to learn that they are held accountable proportionately and that there is a liability of the privileged that must be acknowledged and accepted if they are to lay claim to the loyalty of people by and large whom they would influence. This desire for an aristocracy of competence is not an armchair academic matter. It should not be dismissed as a nostalgic yearning for an impossibility. Plato's insight that the commonwealth must be guided by its best trained, most sensitive, most responsible citizens, is an essential if our democratic form of government is ever to be made effective. The alternative is to increase mediocrity and control by the inefficient. The initiative rests measurably with educated and privileged people. It is in large measure a matter of attitude and inner spirit, of motive and commitment. College men and women could make the difference be- tween hope and despair for our race. An aristocracy of competence, baptized with humility and charged with a sense of mission, could supply the leadership now desperately lacking. -Art Bursting at the Seams by Ferdinand Warren "THE ART DEPARTMENT is bursting at the seams." This comment was made recently by Dr. Alston at a meeting held to find ways of providing additional space for Agnes Scott's growing Art Department. Over the past two years the enrollment in all Art courses has increased 50% and more, an excellent indication of growth since all such courses are elective. We believe that this increase is due in large measure to the growing interest in Art which has its roots in the vital and greatly improved creative Art Education programs in the public schools. An Art program that is tuned to the creative instinct of the individual is the basis for sound development ; and it is the obligation of the Liberal Arts College to carry further this Art education, there-by making its contribution to the total program of building a society which some day may boast of a real understanding and appreciation of the Fine Arts. It is only by such a program extending from kinder- garten through college that the goal may eventually be achieved. Furthermore there is a new awakening in Art of national scope. Thousands of amateur painters are trying their bands at creative work. Psychologists agree that creative Art plays an important part in the growth of the individual ; such outstanding people as President Eisenhower and England's Sir Winston Churchill find in the creative experience an outlet for their emotions. Art is not just pictures on the walls or in buildings far away Art is a way of life. The Art Department of Agnes Scott likes to think of Art not only as great master- pieces of painting, sculpture, and architecture of the past, but as Art related to life, as the living expression of the civilization in which it is produced. We today are creating and producing Art that will, in future years, reflect our present culture. Our paintings, our sculpture, our skyscrapers, our literature, music and poems, our every day objects such as automobiles and movies are all a part of the total picture. We ore offering Art Introduction, Art History and Criticism, courses in Creative Work in painting and sculpture with opportunities for those with special talent to continue in advanced study. An Art Major provides a well balanced program in both Art History and practice, for Art History cannot be taught so successfully without the laboratory experience as it can be when the student has the opportunity of participat- ing in a creative activity. Courses in design give the student an opportunity for wide appreciation of "Art in Living," including design in the home, in every day objects, in clothing. Since design is always with us, to be able to tell the good from the bad is to develop a fine critical discrimination. The Art History courses provide the student with a wide knowledge and back- ground of Art. These include the study of Art of all civilizations from prehistoric times to the present day, and are, again, related to life. The students of Art are given practical experience through close cooperation with 7 other departments in the production of plays. Participation in May Day is always a high spot for those interested in art. Designing costumes, scenery painting, and work on props are some of the special opportunities available. Illustrations for "Aurora," posters and announcements offer the student additional practical experience as well as actual participation in these extra-curricular activities. Each student of Art is required to create her own personal Christmas card. Stu- dents are encouraged to equip and decorate their dormitory rooms in a personal manner, thus making the Art experience a living and vital one. For years it has been a student art project to design the printed program for May Day, and many people even on the campus are not aware of the part played by art students in making the performance itself the pictorial delight it is. Costumes and stage groupings are the product of thought and work by the students of art, whose taste and skill are manifested in an increasing number of campus activities each year. The Agnes Scott Dance Group's performance of "The Firebird" in March pro- vided an excellent project for an art student, who designed the sets and costumes as a substitute for writing a term paper in one of her art classes. The Louise Lewis Collection of good reproductions was until this year distributed through a rental arrangement which permitted a student to keep a picture in her room for several months. So many students now buy their own prints, however, that this year the collection has been hung along the hallways of principal buildings. Each year many special Art activities are brought to the campus by the Art Depart- ment. Scheduled for the current year have been frequent exhibitions of student work, loan exhibitions of national character such as the exhibition of Graphic Arts by the National Association of Women Artists. This exhibition contained a variety of media etchings, lithographs, serigraph prints, linoleum and wood block prints. Another out- standing national exhibition was the International Business Machines collection of contemporary water colors. The department has had several exhibitions of work by Agnes Scott Alumnae, which were well attended and stimulated considerable interest. Scheduled to begin April 15 is a loan exhibition of original paintings by The Great Masters, made possible by The Metropolitan Museum of Art. It will include works by Rembrandt and Tintoretto. Bringing such outstanding works of art to this area should prove to be of unusual interest. The department also has scheduled regular Life Magazine exhibitions. These are photographic recordings from all parts of the world, selected and scheduled to integrate closely with Art History courses. All these special activities are open to the entire student body, faculty, and community. The Art Department is proud to announce that the Agnes Scott permanent col- lection of Art has been increased this year by several new items. The National Academy of Design, New York, has presented to the College eight charming paintings water colors and oils by William T. Richards, N.A., and Walter Shirlaw. These are excellent examples of Nineteenth Century painting. The department is negotiating with the National Academy for a gift of an important contemporary work. This we hope will be forthcoming in the near future. Mr. Alfred Holbrook, Director of the University of Georgia Museum of Art, has recently presented to Agnes Scott one of his large oil paintings, indicating his interest in helping Agnes Scott build a fine collection of Art. In addition to these gifts, the College has purchased a small oil painting by Mrs. Ray- mond Bishop, who was formerly an instructor of Art at Agnes Scott. It is hoped that an Art fund will be established in the near future, which will make it possible for the College to enlarge its permanent collection by important works of Art, and that friends of Agnes Scott will have a part in this growing collection through their gifts and contributions. Frequently art students from the college are invited to exhibit their work in At- lanta. Recently the Atlanta Public Library showed paintings, watercolors, oils, and mobiles by the Art classes. Most colorful occasions at Agnes Scott have been the opening receptions of im- portant Art exhibitions, which hundreds of interested Art lovers have attended. These occasions have drawn people not only from the Atlanta and Decatur area but from Athens, Gainesville, Augusta, Columbus, and many other cities. Hundreds of pattering footsteps in the halls of Buttrick are frequently heard as school children from nearby public schools, escorted by their teachers, view and enjoy these exhibits, and members often given gallery talks to interested groups. We believe these special activities are a valuable contribution to the cultural development of the community. "Bursting at the seams" is definitely the predicament in which the Department finds itself at this moment. To "burst at the seams" and temporarily repair those seams only to have them burst again is not healthy growth. The future in Art for Agnes Scott is promising and encouraging. With our physical plant and limitations pressing and enclosing us, we are forced to dream. Dreaming has always been associated with artists and other creative people. Such giants as Edison, Wright, Leonardo DaVinci, were all called dreamers, and today their dreams are realized. We are confident that our dreams can come true. As Agnes Scott grows and continues to grow, each arm or department must grow proportionately to keep pace with the whole. First of our dreams is for even better and stronger Art courses and closer integration of these courses with other departments. At present, Art History courses are related to courses in Bible, literature, history, and philosophy, and we would welcome a closer cooperation with other departments. In a Liberal Arts College such as Agnes Scott, some Fine Arts knowledge and experience should be a part of the total program of studies for all students. A course integrated with music, philosophy, literature, and history in a vital and meaningful way would provide the student with a background of related subjects that would enrich her experience and prepare her for more enjoyable life after college. In an effort to broaden and strengthen their Art offerings Agnes Scott College and Emory University Art faculties have been making an extensive study aimed at a cooperative program. The faculty recommendations are now in the hands of the Agnes Scott-Emory Liaison Committee. The department would also welcome an opportunity to offer the student a creative experience in Ceramics as part of a regular studio Art course. A workshop course, including ceramics, offered as an extra-curricular activity for students and faculty, would be a worthwhile endeavor. Almost daily, requests from students and faculty are made for creative opportunities in this medium. We of the Art Department envision as a reality an Art Building which would provide adequate class rooms, studios, lecture room, and workshop. It is quite possible that such a building could house speech department classes and a rehearsal stage. It should have an Art Gallery and a reception hall, so badly needed for important functions of the College. A lounge and an Art library are also necessary to an efficient department. The Visual Arts are an important and vital part of the growth of the individual, particularly in this era of mechanized wonders. The Arts have long awaited their rightful place in education. The cultural development of the individual must keep pace with the technological advances of today, or we shall continue to develop lop-sided personalities. Today too few people recognize Art as an important subject that comes as close to our every day lives as economics. Ideally situated in the Atlanta area in close proximity to Emory, Columbia Semi- nary, and Georgia Tech, Agnes Scott stands as an ideal and accessible place for an Art and cultural center. Centrally located Agnes Scott can make a major contribution through the Fine Arts to the total cultural program. At present Agnes Scott is the only College in the area offering Art Appreciation, Art History and creative courses in Art. All of this is in our favor and makes Agnes Scott College most desirable for an Art Center. Our Art Department's dream is a dream worthwhile a large one, but one which can come true. Today, when one stands on the campus quadrangle and looks toward the South, the dome of Bradley Observatory comes to view. A little nearer one sees the new John Bulow Campbell Science Hall and to the left the beautiful Letitia Pate Evans Dining Hall, which is proud of its new neighbor, the beautiful dormitory, Hopkins Hall. As one glances to the West, one sees the stately Presser Hall and directly north of Presser, across Buttrick Drive, a most desirable spot a spot which both Dr. McCain and Dr. Alston have often referred to as the spot for an Art Building. Agnes Scott is dreaming and looking to that day when one can complete the picture from the quadrangle and see westward on this now lonely spot a stately building which will be known as the Fine Arts Building. 10 m uSic Growing Noises by Michael McDourll "WHAT DOES all this noise mean," says the visitor to his wife. "What is going on here?" The hypothetical visitor and his wife have just entered the lobby of Presser Hall and both of them are trying to see the lovely interior architecture of the building but each finds his thoughts distracted by a conglomeration of sounds, which, for lack of a more exact term, they call noise. From Gaines Chapel comes the full, resonant sound of the organ as a student practices a modern French Toccata. Mrs. Visitor keeps trying to hear it but she can't separate this sound from a Beethoven Sonata coming from another studio. Unable to think clearly about the situation she walks down the hall, pulling her husband along with her. The sound gets louder. Two studios are pouring forth sounds of the Grieg Piano Concerto and a Chopin Etude, and from somewhere comes the distinct sound of another organ. A stairway nearby is a tempting sight and an escape seems at hand. As the two ascend to the second floor new and stranger sounds greet them. From somewhere there comes the sound of a lovely voice singing a Mozart Aria, but where is that violin? and what is it playing? The doors to Maclean Auditorium look solid and sound-proof so in they go. But now they have located that other organ and once inside Maclean all other noises are swallowed up in the tones of a Bach Fugue. Retreat to the basement was done too hastily for thought. It's too late now. They might as well face it. This is worse than they could possibly imagine. About fifteen studios are pouring forth piano music in all keys, all rhythms and with great vigor. There is even another organ! Through the glass window in the door they are looking with interest at the new looking wood which seems to be the source of the sound. Occasionally the shutters open and they can easily see a mass of pipes of all sizes, the smallest looking suspiciously like a pencil. Now, it is rather difficult to explain all this sound to such visitors. They can't see the musical trees for the forest, and the forest is very dense. They didn't catch the skill- ful entrance to the coda of the Beethoven Sonata or the excellent rhythmic control show r n by the young organist at the climax of the Toccata. It takes a pair of trained ears to separate all this sound into its component parts, to know exactly what is going on, to be able to tell if there is progress in the technique of this student or that. In fact, it takes trained ears to know that these are growing noises of a music department and as such they are music, nay, "sweet music," to those involved in the process. Just as the farmer looks at the barren ground in March and thinks he sees fields of grain, or the mechanic views a mass of strange looking gadgets and sees a finished automobile, a teacher can hear these sounds and imagine a line organist performing in a large church, an excellent pianist giving a recital, and perhaps an inspired choral conductor leading a performance of a magnificent cantata. This outpouring of sound is not the only activity that is going on in Presser Hall as our visitors would have discovered if they had not become frightened and left in a hurry. Down in room number four there is a large class of about thirty-five students. Some of them are leaning eagerly toward the front as if to catch the sounds coming from the phonograph a little ahead of their neighbors. They have already discussed this Haydn symphony, they have seen a diagram of its basic form outlined on the black- board and now they are following it with their ears as it unfolds neatly and clearly 11 according to schedule. They are feeling the immense vitality and good humor of a near- perfect work of art. In another classroom a student is conducting the session. She has prepared herself for this moment by carefully studying the scores of several church anthems and now, with the other members of the class as her chorus, she is conducting these selections. When she has finished, the class will criticize what she has done and the teacher will direct their attention to some of the more subtle aspects of conducting which may have escaped her attention. This same group has just finished in the preceeding quarter a comprehensive survey of church music literature. If our visitors had lingered a while longer, they would have seen one of the sections of freshman theory hard at work, heads bent down in great concentration, taking dictation of melodies which the teacher is playing on the piano. Some of them have the confident look of one who knows exactly what to do, while a few have the anguished look of uncertainty. It isn't easy as any freshman can tell you and to complete the work satisfactorily is no small accomplishment. The juniors and seniors are more likely to wear their anguished look while the instructor plays the invention or fugue just completed by them. After working all week-end on this composition and in the mean- time becoming rather enchanted with the sound of their own talents, it is terribly frustrating to have it put under the microscope of criticism, but a word of praise is an uncommonly sweet sound and they begin to understand how very difficult it is to achieve something satisfactory, to say nothing of something perfect, when creating any- thing original in music. Putting all these sounds and sights together one can see the pattern of a thriving, vigorous music department, one in which students and faculty are active and busy in the limitless areas of music. It is different from all other music departments and yet so much like them. The similarities are easy to catch at a glance, and they vary only in degree at different colleges. There are the same classrooms with young, intelligent faces, and the teachers are discussing many of the same problems, using the blackboards in much the same manner. It is necssary to go beyond these more obvious sights and sounds to find out the purpose and ideals motivating all this activity in order to more fully under- stand a department or a school of music. Here at Agnes Scott College, we believe firmly that music as an art and a language is worthwhile regardless of its potential value as a means of earning a living. It presents to the student an almost limitless field of interest that contains the sterner principles of logic with the warmer, more emotional qualities of art. In its basic, scientific struc- ture the study of music requires a discipline of mind that any college should welcome as a part of its curriculum. It is here that music is like mathematics or like architecture, holding ones interest from pure logic and reason. As an art, a medium for the expression of human feelings, emotions and aspirations it is the equal of poetry or fine prose. Its universality of language presents no barriers that call for translations and it speaks directly to the mind and heart of an American as to a Russian. Its literature is vast and extends in time far beyond the beginnings of modern languages, in fact it goes back to the days when the human race first discovered it had a voice. As a distillation of the best in past civilizations it belongs with sculpture, painting, poetry and architecture. We feel that it is good for serious students to spend time discovering the past eras of music just as they spend time discovering the political and economic aspects of older civilizations. None of these elements stands alone as the mirror of the past but is a part of the complete picture. No music was ever created in a vacuum nor was any political history lived by men whose interests excluded the things of the spirit. It is this part of music, with its roots deep in the everyday life of the past as well as of the present, that we believe should be made available to all students at Agnes Scott College. They may, or may not have any desire to understand the basic concepts of music, but they should have available the means for understanding this phase of the cultural heritage of western 12 civilization. Students will find these opportunities in the course offerings in history and literature. Perhaps there is no phase of music which presents more difficulties to the student than "theory." The reason for this is easy to understand when one considers the fact that the theories underlying our system of music are the least obvious of its facets and most difficult to understand. Why do these tones sound well together and another group of tones do not? What is there in the diatonic scale that demands certain treatment? and what is that treatment? The answer to these and other similar questions makes up the study of theory. Our belief is that a student will best understand the problems and the various answers to them through dealing directly with musical materials themselves. It is perfectly all right to read books about the subject hut no book or series of books will take the place of actual experience in composition as a key to the understanding of these problems. Many fingers which fly with ease over a keyboard will become hesitant and uncertain when confronted with manuscript paper and pencil. This field of music- is open to all students but, as you can imagine, we are not overwhelmed with non- musical students, in fact it is very rare that a non-musical student even knows that this difficult subject exists. Quite a few students, however, whose major subject is in other fields but whose background has included serious music study will elect these courses of study for the best reason in the world, because they are interested in the subject. In the field of applied music our aim is to provide the talented and interested student with instruction which will be worthy of our college standards. Our primarj concern is with the gifted student and her progress. But we not only make available instruction by the same faculty for the less-talented-but-interested student, we encourage it. Many students have developed enough skill while in college to give themselves a feeling of security in performing music of moderate difficulty, and think what this means to such students as an introduction to worlds of genuine satisfaction in hearing music and performing for one's own delight. As it happens with the more talented student, we are aware of the limitations of time. Four years is not really a very long time, but it is enough to open new worlds, to kindle ambitions that may burn brighter and deeper with the years. It is this that is likely to give the teacher the greatest satis- faction and bring the greatest reward to the student. \ ou must remember that all this activity is carried on within the scope of the B.A. degree which makes considerable demands on students here at Agnes Scott. There are many students who receive absolutely no college credit for their applied music study. They pursue their music study in addition to a full schedule of college courses. But there is much satisfaction in knowing that students of music come to us in full knowl- edge of the requirements and do so voluntarily, so we feel that the interest and the desire must be there at least in some degree. However, such activities as Glee Club and Orchestra fill a great place in extending the benefits of music to the entire student body, without making strenuous demands on their time. Although the music faculty is one of the largest in the college, we feel constantly the pressure of meeting the needs of the students. In practically every one of the applied music fields which we offer, registration is uncomfortably crowded and in several cases we have had to refuse applications. We would like to be able to take all students who want to study and perhaps a more satisfactory solution will be found. In the case of organ instruction, we were limited not only by the instructors' time but also by limited practice facilities. This is now greatly relieved by the new practice organ in the base- ment of Presser. We still have plenty of pianos for teaching and practice, but so many of them are of more interest historically than they are musically. You would recognize all of them for thev are living out a graceful old age in modern surroundings. The tremendous task and expense of replacing them must be undertaken over a long period. But if any one of you wants to help in this matter, you will find us in a very receptive mood for suggestions. You should be on the campus on the nights of the larger concerts in the Atlanta 13 i Auditorium. It would be a big surprise to you to know how many of the students have season tickets to these events, or manage to get single tickets at the last minute. It takes three or four busses, of the large size, packed and jammed to the doors to accommodate the crowds. And when the Metropolitan Opera Company comes on its annual visit this year you may count on an even larger attendance. As you know, Atlanta enjoys a particularly fine musical season and all these events will find at least some students or faculty members from the college in the audience. It may surprise you somewhat to know that on a number of occasions you will find music lovers from Atlanta and Decatur driving out to Presser Hall for concerts there. Organ recitals, piano recitals, two-piano programs, violin and voice programs by faculty members are a regular part of the college and community life. It is surprising how many Atlantans think it is a longer distance from Atlanta to Presser Hall than it is from Presser Hall to Atlanta. By this, I simply mean that it isn't easy to entice audiences from Atlanta to come out to Presser Hall. It is a "state of mind" problem, quite understandable when one realizes how much there is in Atlanta in the realm of concerts. It is therefore very gratifying to have them come as they do to the programs at the college. The annual Christmas Carol program by the Glee Club is always a great attraction and it always comes at a time when many other Christmas programs are com- peting for audiences. Organ programs will find not only a large audience but almost full representation of the Organ Guild membership. Two-piano concerts are a great favorite and can be counted on for an excellent audience. Several years ago, Aaron Copland, one of America's leading composers and lecturers, drew a standing-room audience for his lecture in Gaines Chapel. A feature that is less conspicuous but just as important to the department is the quarterly auditions for all music students. Just before the end of the quarter, all students of applied music are required to perform for faculty members. In spite of the nervous wringing of hands by the students, they would probably be the first to admit the benefits of this "trial" by performance. The faculty members, acting as critics, will find this week a very heavy one but they will also admit the satisfaction they feel in seeing their work bear fruit and feeling the sure development of a musical talent. The final audi- tion in the spring quarter takes the form of a series of recitals with high heels and evening dresses. Its resemblance to a marathon is purely coincidental for it is the one in which every student presents her most pretentious repertoire and naturally it takes a longer time. And don't forget that from late February until the end of school the seniors are presenting graduating recitals, while the more ambitious juniors and sopho- mores often find time to present programs of their own. The annual May Day celebration has been so long established and has been so consistently entertaining that one of our largest audiences always appears for this. The college orchestra provides the musical program for this and, in spite of perspiring fingers under the warm spring sun or capricious winds that do mischievous tricks to the flimsy sheets of music, they give an excellent account of themselves. The spring concert by the Glee Club is a beautiful and delightful occasion with choral numbers and individual solos. Last year it took the form of an opera, "Bastien and Bastienne" by Mozart. The young and well disciplined voices sounded lovely in this work. Whether this rambling account of activities in the music department interests you or not, you certainly are entitled to know what is going on and we feel that perhaps you may be a little curious. Every spring we send forth graduates, and we will admit it is with reluctance, but then every September there is the pleasure of seeing a new group arrive. It is like a wheel continuously revolving, a cycle that never stops. Sometimes the wheel needs a slight push or perhaps a heavy push and you are the ones on whom we have to call when wheels need that extra shoulder. Just remember that the roads leading to Agnes Scott are in good condition and we would like to know that your interest in us includes visits to our programs and other activities. 14 PluL odoph r n ? Philosophy at Agnes Scott by C. Benton Kline, Jr. PHILOSOPHY IS not new at Agnes Scott. Since the earliest days of the College there has been a department named at least in part Philosophy. A very early catalog shows four courses in the Department of Philosophy: Ethics, Psychology, Political Economy, and Sociology. Later the department was called "Philosophy and Education" and included all the work in psychology as well. This arrangement continued until 1949. During most of this period Dr. S. Guerry Stukes and later Dr. Emily S. Dexter taught the courses in philosophy. In 1949, a separate department of philosophy was constituted with the coming of Dr. Wallace M. Alston to the College. In the past five years the work offered has been expanded greatly until now we offer 13 courses totalling 60 quarter hours of credit. Since the fall of 1951, when the writer came to Agnes Scott, a major has been offered in philosophy, and the first student to major in the department graduated last June. One of the debated questions among philosophy teachers is the character of the introductory course. One may start on philosophy through problems: what is truth? what is the nature of reality? what is the real nature of man? Or one may begin with the methods of sound thinking: how may a term be defined? when is an argument sound? how can I prove my thesis? Or one may proceed historically, beginning with earliest Greek thought and moving on to Plato, Aristotle, Augustine, Aquinas, Des- cartes, Locke, Hume, Kant, Hegel. President Alston chose to make the basic course a year's course in a survey of the history of philosophy. The course, at first open only to juniors and seniors, now enrolls sophomores as well and counts toward the group requirement in history. We believe that a sound understanding of the history of Western philosophy is basic to any further work in philosophy ; a study of major contemporary problems can only be complete when it draws upon the history of the problems and the answers given to them. We also feel that the historical introduction fulfills a genuine purpose in the liberal arts curriculum, for it has more correlative value than either of the other types. A knowledge of Greek philosophy enriches the understanding of the New Testament world ; an acquaintance with St. Thomas Aquinas enlightens the student of Dante; the philosophy of the Enlightenment is a background to nineteenth century British and American literature. In addition to this course which we regard as the basic course, we are offering other courses at the introductory level. We have a beginning course in Problems of Philosophy, which is intended for students who want to know about the field of philosophy and cannot take a year course. In this course the field of philosophy is surveyed more from the contemporary angle in terms of major areas of human questioning. Systems of thought are introduced as answers to these questions. A third introductory course is Ways of Thinking, which is an introduction to logic. This course had not been offered at Agnes Scott until 1951-52. There are those who think that such a course does not belong in a woman's college, and we must admit that early response to the offering here was not encouraging. But this year the course is full, and already there are some testimonials to its therapeutic value in campus dis- cussions. Seriously, we have offered this course in the conviction that in the contemporary world where we are bombarded with deliverances through the mass media of communi- cation, anyone needs guidance in sorting out the sound reasoning from the shoddy and in detecting sophistry and demagoguery. 15 In life men and women are as much concerned with valuing as with understand- ing.' The philosophy of value includes Ethics, which deals with the nature of the good and the good life, and Aesthetics, which deals with the nature of beauty. Miss Dexter offers a course in each of these fields. A specific application of ethical theory is to be found in Political Philosophy, a course which we introduced last year. In this course we try to integrate the historical approach, studying classics of political thought such as the Republic of Plato, Locke's Second Essay, Rousseau's Social Contract, and the systematic approach, constructing a theory of political organization and life. Increasingly among philosophers the importance of the Christian heritage in Western thought is being realized. Yale University, for example, now has in its philosophy department at least one man who is trained in the distinctively Christian tradition. In a college like Agnes Scott, committed to the Christian tradition in educa- tion, that heritage deserves emphasis. President Alston initiated a course in the Philosophy of the Christian Religion and continues to teach it each year. This course serves for many students as a final summation in the spring quarter of the senior year. Last year we added a course in the History of Christian Thought, which was plan- ned for two quarters but ran for three because of the interest shown in it. Here we seek the background for contemporary Christian thought and expression in the long dialogue of the church with itself over the meaning of the Christian faith. All of these courses are open to students without prerequisites. Most of them are intended as allied work for students majoring in other departments, although they are also integral to major work in Philosophy. We are also offering work at a more advanced level, courses which require some previous work in philosophy. In the case of American Philosophy, the prerequisite is introductory work in philosophy or in American literature. Miss Dexter teaches this course, which serves to introduce students to the distinctively American contributions to Western thought, to thinkers like William James, Josiah Royce, and John Dewey. Also a part of the advanced work are more specialized, seminar-type courses on Plato and Augustine, Kant and His Successors, Pragmatism and Contemporary Phi- losophy. These courses are being offered for the first time this current session. Some are enrolling students from Columbia Seminary as well as Agnes Scott students. This is our background and present situation. The program of the department is still in transition, but the major plan of our work is established. The future will be a matter of development and addition, not of fundamental change. It is our purpose to continue the historical approach as basic and to continue the interest in Christian thought as an integral part of the Philosophy program. Expansion will come first in the area of value theory, for we believe that the philosophy of ethical and aesthetic value is a necessary foundation for our common value judgments in history, in the social studies, in literary criticism, in art and music, both at the academic level and in ordinary life. Expansion must also come in the number and range of advanced historical courses, probably on an alternate year basis. Finally, we want to add, when possible, some systematic work in areas other than value theorv. Let me add a concluding word about the place of philosophy in the curriculum of a liberal arts college for women like Agnes Scott. Like all other departments or areas of study, we are primarily concerned not with the preparation of students for graduate work but with a terminal four-year liberal arts education. We are convinced that philosophy provides a valuable major field of concentration in such a program, and that it can and does offer significant aid to other fields of concentration. At the same time we do not feel that our program in philosophy will be inadequate as a preparation for graduate school. Our emphasis upon the historical approach we conceive to be the best both culturally and professionally. Our aim is to open up for students the richness of our Western heritage of thought in order to illuminate and put in perspective our contemporary thinking. 16 The propaedeutic to all beautiful art, regarded in the highest degree of its perfection, seems to lie, not in precepts, but in the culture of the mental powers by means of those elements of knowledge called [the humanities], probably because humanity on the one side indicates the universal feeling of sympathy and on the other faculty of being able to communicate universally our inmost [feelings]. For these properties taken together constitute the characteristic social spirit of humanity by which it is distinguished from the limitations of animal life. IMMANUEL KANT: Critique of Aesthetic Judgment The eve which is called the window of the soul is the chief means whereby the understanding may most fully and abundantly appre- ciate the infinite works of nature; and the ear is the second inasmuch as it acquires its importance from the fact that it hears the things which the eye has seen. If you historians, poets, or mathematicians have never seen things with your eyes you would be ill able to describe them in your writings. Leonardo da Vixci 17 RETURN POSTAGE GUARANTEED BY ALUMNAE QUARTERLY AGNES SCOTT COLLEGE, DECATUR, GEORGIA -' - - 1 i ; - - - , pillg^lpg '**m ' * v -^ > o o -t- ro rt c rr i- Ph CO rt V cj JZ 4-J te m -a a 3 to o u C/3 fct < C u S u r B^ u ffi u u j ,13 e M ~ " " -13 2 S.O-. P cr. j= Z > *-> _c 3 OJ u c c T ^z L u X J r- z SO) - 2 CM jz o rt *- u o ~ - r - - o 3- u o - M c - C 3 ^ ^ u u to - 3 - 1* - - OJ -t- "E, to u m c B 3 -^ J3 O 'X _' 3 JO 1 - OJ c < OJ 1-1 -_ -' C jO - J X Q- < Z THE TENTH ANNIVERSARY ALUMNAE FUND -$28,733.15 1953-54 IN 1944, the Alumnae Association discontinued the dues system and inaugurated the Alumnae Fund a plan of annual giving by which alumnae might sup- port Agnes Scott regularly according to their varying means and interests. About $6,000 was raised in that first year. IN 1953-54, alumnae gave ^3S,7^3. 1 5 to the College, designated as follows: Unrestricted Funds $11,002.75 Hopkins Hall 6,396.90 Foreign Students 822.50 Scholarships 460.00 Special funds 10,051.00 "Special funds" included scholarships and other en- dowments named for individuals, club gifts, gifts to departments, and gifts to the Alumnae House and Garden. About $6,000, or three-fifths of the Spina] Funds total, was given by three alumnae who are building scholarships beginning at $1,000. The average gift was $16.00, individual gifts ranging from $1.00 to more than $3,000. The list below is the honorable roster of those who shared in giving the magnificent 1953-54 Alumnae Fund. INSTITUTE Orra Hopkins Cora Strong Winifred Quarterman Emma Laura Wesley Ethel Alexander Gaines Jeannette Craig Woods Jean Ramspeck Harper Meta Barker Laura Caldw?ll Edmonds Bell Dunnington Sloan Eilleen Gober Grace Hardie Emily Winn Laura Candler Wilds Annie McNeill Shapard Emma Askew Clark Mabel McKowen Lila Eugenia Arnold Morris Thyrza S. Askew Octavia Aubrey Howard Annie Aunspaugh Aiken Stella Austin Stannacd Eleanor Brice Ezell Daisy Caldwell MeGinty Claude Candler McKinney Alice Coffin Smith Mary Ellen Cook Hamilton Georgia Crane Clarke Mary Dortch Forman Annie Emery Flinn Ethel Farmer Hunter Olivia Fewell Taylor Jewell Gloer Teasley Roba Goss Ansley Marie Gower Conyers Rebecca Frances Green Hinds Ida Cah Hamilton Bessie Alexander Harwell Dennis Margaret Hobson Alice Walton Hocker Drake Orie Jenkins Lillian Johnson Hunnicutt Lillie Ora Lathrop Katherine Logan Good Leila Mabel Hettye McCurdy Mary McPherson Alston Delia McCrae Montgomery Ardele Mills Farnsworth Hattie Mims Lois Nash Kiser Annie Newton Lena Orr McCray Lillian Ozmer Tread well Gertrude Pollard Davella Blair Ramsey Gorham Evelyn Ramspeck Glenn Katherine Reid Mary Carter Schaefer Marks Louise Scott Sams Mice Sharp Strang Bonner Simms Turner Florence Stokes Henry Eugenia Thornton Juliet Webb Hutton Edith West Annie Shannon Wiley Preston Margaret Wilson McCully Marie L. Wilson Frances Winship Walters Susan Young Eagan ACADEMY Augusta Arnold Barrow Lillian Beatty Parent Mildred Beatty Miller Helen Camp Richards^ i Eudora Campbell Ilaynie Frances Crumley Johnston Julia Emery Green Heinz, Maccie Haas Harrison Bessie Hancock Celeman Eloise Hardeman KetL-hin Elma Harwell Patti Hubbard Stac/ Bertha Hudson Whitaker Susie E. Johnson Minnie Lee McCaskill Slinson Jean Robson Rooney Mary Russell Green Laura Sawtelle Palmar Ai^.rEriret Wright Alston 1906 Mary A. Crocheron Whorton Annie G. King May McKowen Taylor 1907 M. Elizabeth Curry Winn Clyde Pettus Jeannette Shapard 1908 Sophie Elva Drake Ethel Reid Lizzabel Saxon Bessie Sentell Martin 1909 Louise Elizabeth Davidson Adalene Dortch Griggs Lutie Pope Head Margaret McCallie Anne Waddell Ber,hea Lillie Bell Baehmun Harris Virginia Barker Hujnes Nell Coats Pentecost Frankie Enzor Annette McDonald Suarez Jean Powel McCroskey 1910 Jennie Eleanor Anderson Flora M. Crowe W'ntriire Emma Eldridge Ferguson Eleanor Frierson Mattie Louise Hunter Marshall Clyde MeDaniel Jackson Lucy Reagan Redwine Mildred Thompson Annie Smith Moore Tommie Doia Barker Allie Knox Felker Nunnally Lucy Johnson Oznr?r Isabel Nunnally Knight 1911 Lucile Alexander Eleanor Preston Coleman Burchard Adelaide L. Cunningham Geraldine Hood Burnu Mary Wallace Kirk Gladys Lee Kelly Erma Montgomery Mize Mary Elizabeth Radford Julia Thompson Gibson Louise Wells Parson Theodosia Willinghatn Anderson Hattie Bardwell Arnold Florinne Brown Arnold Anne G. Fields Eliza D. McDonald Muse Gussie O'Neal Johnson 1912 Antoinette Blackburn Rust Cornelia E. Cooper Mary Crosswell Croft Nellie Fargarson Racey Martha Hall Young May Joe Lott Bunkley Marie Maclntyre Alexander Fannie G. Mayson Donaldsn Annie Chapin McLane Ruth Slack Smith Carol Stea'.ns W.^y Cordelia Dowdell Wolf Lucy Eitzhugh Maxfieid Maibel Gregg Carpenter Hazel June Murphy Elder Julia Pratt Smith Slack 1913 Allie Candler Guy Kate Clark Mary Enzor Bynum Elizabeth Joiner Williams Emma Pope Moss Dieckmann Eleanor Pinkston Stokes Margaret Roberts Graham Lavalette Sloan Tucker Ruth Brown Moore Elizabeth Dunwoody Hall Sara A. Williams 1914 Bertha M, Adams Ruth Blue Barnes R. Florence Brinkley Helen Mawbray Brown Webb Mary Rebecca Brown Florence Annie Tait Jenkins Kathleen Kennedy Nell DuPre Floyd Robina Gallacher Hume Ruth McElmurray Cothran 1915 Marion P. Black Cantelou Martha Brenner Shryock Annie Pope Bryan Scott Mary B. Hyer Dale Sallie May King Henrietta Lambdin Turner Grace Reid Kate Richardson Wicker Mary Nancy West Thatcher Lorinda Farley Thornton A 1 media Sadler Duncan 1916 Mary Bryan Winn Laura Cooper Christopher Nell Frye Johnston Maryellen Harvey Newton Charis Hood Barwick Leila Johnson Moore Margaret T. Phythian Mary Glenn Roberts Magara Waldron Crosby- Clara Whips Dunn Omah Buchanan Albaugh Vivien Hart Henderson Rebekah Lackey Codding Mary Louise McGuire Plonk Janie B. Rogers Allen 1917 Amelia Alexander Greenawalt Louise M. Ash Isabel S. Dew- Agnes Scott Donaldson Elizabeth Gammon Davis India Hunt Balch Annie Lee Barker Mary Mclver Luster Regina Pinkston Margaret Pruden Lester Louise Roach Fuller Virginia Scott Pegues Katharine Baker Simpson Augusta Skeen Cooper Frances Thatcher Moses Sarah Caroline Webster Georgiana White Miller Vallie Young White Hamilton Virginia Allen Potter Agnes Ball Grace Coffin Armstrong Ailsie Mayo Cross Effie Wrenn Doe Black Florence Kellogg Donehoo Elizabeth Kinnear Reese Maude Shute Squires Ernestine Theis Smith Frances White Oliver 1918 Hallie Alexander Turner Elva Brehm Florrid Ruby Lee Estes Ware Lois Frances Grier Moore Alvahn Holmes Caroline M. Larendon Margaret Leyburn Foster Lalla Samille Lowe Skeen Emma Porter Pope Carolina It. Randolph Katherine L. Seay Evamaie Willingham Park E. Katherine Anderson Bessie Harvey Pew Virginia Haugh Franklin Katherine Jones Patton Helen Ledbetter Jenkins Catherine Montgomery Williamson 1919 Blanche Copeland Jones Lucy Durr Dunn Lois Eve Rozier Louise Felker Mizell Frances Glasgow Patterson Katherine Louise Godbee Smith Goldie Suttle Ham Hanson Mary Brock Mallard Reynolds Virginia Newton Alice Norman Pate Elizabeth Pruden Fagan Ethel Rea Rone Margaret Rowe Jones Julia Lake Skinner Kellersberger Lulu Smith Weseott Marguerite Watts Cooper Llewellyn Wilburn Elizabeth Witherspoon Patterson Elizabeth Dimmock Bloodworth Emily Jameson Miller Smith Margaret Miller Childers Pauline Smathers 1920 Louise Abney Beach Margaret Bland Sewell Mary Burnett Thonngton Romola Davis Hardy Julia Hagood Cuthbertson Lulie Harris Henderson Ann Houston Shires Emilie Keyes Evans Lois Maclntyre Beall Gertrude Manley McFarland Elizabeth Marsh Hill Virginia McLaughlin Margery Moore Macaulay Elizabeth Moss Harris F. Elizabeth Reid LeKey Louise Slack Hooker 1921 Margaret Bell Hanna Myrtle Blackmon Thelma Brown Aiken Lois Compton Jennings Mary Finney Bass Betty Floding Morgan Sarah Fulton Aimee Glover Little Helen Hall Hopkins Eugenia Johnston Griffin Alice Jones Anna Marie Landress Cate Frances Charlotte Markley Roberts Jean McAlister Charlotte Newton Janef Preston Julia Watkins Huber Helen Wayt Cocks Mildred Harris Isabel Pope Edith Roark Van Sickle Kathleen Stanton Truesdell Julia Elizabeth Tomlinson Ingram 1922 Elizabeth Brown Cama Burgess Clarkson Sue Cureton Edythe Davis Croley Eunice Dean Major Otto Gilbert Williams Catherine Haugh Smith Julia Jameson Lucia Murchison Ruth Janet Pirkle Berkeley Ruth Scandrett Hardy Laurie Belle Stubbs Johns Emma Julia Thomas Johnston Helen Burkhalter Quattlebaum Hallie Cranford Daugherty Louise Harle Jane Nesbit Gaines Helene Norwood Lammers Lois Polhill Smith Dinah Roberts Parramore 1923 Clara May Allen Reinero Imogene Allen Booth Dorothy Bowron Collins Margaret Freida Brenner Awtrey Nannie Campbell Roache Eileen Dodd Sams Christine Evans Murray Helen Faw Mull Maud Foster Jackson Philippa Gilchrist Mary Goodrich Stead Emily C.uille Henegar Quennelle Harrold Sheffield Viola Hollis Oakley Jane Knight Lowe Lucile Little Morgan Josephine Bell Logan Hamilton Lois McClain Stancil Hilda McConnell Adams Martha Mcintosh Nail Mary Stewart McLeod Sarah Ranson Hahn Lena Feldman Jeannye Hall Lemon Mildred Ham Darsey Emma Hermann Lowe Ruby Mae Hudson Summerlin Caroline Moody Jordan Sara Olive Moore Kelly Dorothy Scott Margaret ta Womelsdorf Lumpkin 1924 Frances Amis Janice Stewart Brown Virginia Burt Evans Helen Lane Comfort Sanders Marguerite Dobbs Maddox Martha Eakes Matthews Katie Frank Gilchrist Frances Gilliland Stukes Margaret Griffin Williams Emma Kate Higgs Vaughan Barrun Hyatt Kinney Evelyn King Wilkins Mary Mann Boon Margaret McDow MacDougall Cora Frazer Morton Durrett Catherine Nash Goff Margaret Powell Gay Cora L. Richardson Daisy Frances Smith Polly Stone Buck Annie Wilson Terry Mary Evelyn Arnold Barker Evelyn Byrd Hoge Eunice Evans Brownlee Selma L. Gordon Furman Marguerite Lindsay Booth Rosalie Long Speight Edith Melton Bassett Annie Will Miller Klugh Louise Pappenheimer Finsterwald Elvie Ann Wilson Wiley 1925 1 r ; < r ] . - - I'll /.ei Edson Mary Bess Bowdoin Mary Phlegar Brown Campbell Louise Buchanan Proctor Mary Palmer Caldwell McFarland Elizabeth Cheatham Palmer Agatha Deaver Bradley Ruth Diane Williams Isabel Ferguson Hargadine Lucile Gause Fryxell Alice Greenlee Grollman Ruth Guffin Griffin Sallie Horton Lay Margaret Hyatt Walker Mary Keesler Dalton Margaret Ladd May Josephine Marbut Stanley Anne LeConte McKay Clyde Passmore Dyson Julia F. Pope Floy Sadler Maier Carolyn Smith Whipple Emily Spivey Simmons Sarah Tate Tumi in Frances Tennent Ellis Mary Ben Wright Erwin Lulawill Brown Ellis Elizabeth Fore Crawford 1926 Helen Bates Law Lois Bolles Knox Leone Bowers Hamilton Mary Dudley Brown Hanes Betty Chapman Pirkle Edythe Coleman Paris Louisa Duls Ellen Fain Bo wen Mary Freeman Curtis Edith Gilchrist Berry Juanita Greer White Virginia Grimes Evans Mary Ella Hammond McDowell Helena Hermance Kilgour Hazel Huff Monaghan Sterling Johnson Mary Elizabeth Knox Happoldt Elizabeth Little Meriwether Helen Clark Martin Wilson Catherine Mock Hodgin Grace Augusta Ogden Moore Dorothy Owen Alexander Florence Perkins Ferry Allene Ramage Fitzgerald Susan Shadburn Watkins Elizabeth Shaw McClamroch Sarah Slaughter Sarah Smith Merry Olivia Swann Margaret Tufts Ladie Sue Wallace Nolan Margaret Whiting ton Davis Virginia Wing Power Rosalie Wootten Deck Sarah Cowan Dean Olive Hall Shadgett Susan Rose Saunders Louise Stokes Hutchison Norma Tucker Sturterant Peggy Whittemore Flowers 1927 Reba Bayless Boyer Maurine Bledsoe Bramlett Josephine Bridgman Charlotte Buckland Georgia Mae Burns Bristow Grace Carr Clark Lillian Clement Adams Willie May Coleman Duncan Mildred Cowan Wright Martha Crowe Eddins Mabel Dumas Crenshaw Katharine Gilliland Higgins Mary R. Hedrick Lelia Joiner Cooper Ida Landau Sherman Louise Leonard McLeod Helen Lewis Lindsley Ellen Douglass Leyburn Elizabeth Lilly Swedenberg H. Louise Lovejoy Jackson Lamar Lowe Connell Kenneth Maner Powell Carolina McCall Chapin Caroline McKinney Clarke Pauline McLeod Logue Lucia Nimmons McMahan Elizabeth Norfleet Miller Louise Plumb Stephens Miriam Preston St. Clair Evelyn Satter white Virginia Sevier Hanna Sarah Shields Pfeiffer Emily Stead Edith S. Strickland Jones Elizabeth A. Vary- Margie Wakefield Roberta Winter Edna Anderson Nobin Martha Rose Childress Ferris Grace Etheredge Theodosia Hollingswoith Duskin Lora Lee Turner Bostwick Louise Woodard Clifton 1928 Sallie Abernethy Harriet Alexander Kilpatrick Martha Brown Morrison Elizabeth Cole Shaw Dorothy Coleman Cohen Patricia Collins Andretta Frances Craighead Dwyer Mary Crenshaw McCullough Carolyn Essig Frederick Elizabeth Fuller Veltre Eloise Gaines Wilburn Irene Garretson Nichols Louise Girardeau Cook Sarah Glenn Boyd Olive Graves Bowen Muriel Griffin Annie Dorothy Harper Nix Rachel Henderlite Mary Mackey Hough Clark Alice Hunter Rasnake Irene Lowrance Wright Janet L. MacDonald Mary Bell McConkey Taylor Mary Jane McCoy Gardner Elizabeth McEntire Sarah L. McFadyen Brown Julia Napier North Martha Lou Overton Margaret Rice Elizabeth Roark Ellington Mary Sayward Rogers Mary Waller Shepherd Soper Mary Shewmaker Lillian White Nash Alice Evelyn Barnett Kennedy Madelaine Dunseith Alston Frances New McRae Ruth Thomas Stemmons 1929 Pernette Adams Carter Sara Frances Anderson Ramsay Gladys Austin Mann Lillie Ruth Bellingrath Pruitt Martha Bradford Thurmond Miriam Broach Jordan Dorothy Brown Cantrell Hazel Brown Ricks Virginia Cameron Taylor Sara Carter Massee Dorothy Cheek Callaway Sally Cothran Lambeth Sara Douglass Thomas Mary Ficklen Barnett Nancy Fitzgerald Bray Ethel Freeland Darden Betty Gash Elise Gibson Alice Glenn Lowrv Marion Green Johnston Elizabeth Hatchett Hazel Hood Katherine Hunter Branch Dorothy Hutton Mount Elaine Jacobsen Lewis Sara Johnston Carter Mary Alice Juhan Mary Lanier Swann M. Geraldine LeMay Katherine Lott Marbut Alice McDonald Richardson Edith McGranahan Smith T Elizabeth Moss Mitchell Julia Muliss Wyer Eleanor Lee Norris MacKinnon Rachel Paxon Hayes Letty Pope Mary Prim Fowler Helen Ridley Hartley Sarah Rikard Martha Selman Jacobs Lois Smith Humphries Olive Spencer Jones Mary Gladys Steffner Kincaid Susanne Stone Eady Mary Warren Read Violet Weeks Miller Frances Welsh Ruth Worth Mary Ansley Howland Amanda Groves Ernestine Hirsch Stern Ellamay Hollings worth Wilkerson Isabelle Leonard Spearman Mary Lou McCall Reddock Elsie McNair Maddox Josephine Pou Varner 1930 Walterette Arwood Tanner Louise Baker Knight M. Ruth Bradford Crayton Elizabeth Branch Johnson Cleminette Downing Rutenber Anne Ehrlich Solomon Elizabeth Flinn Eckert Anna Kathrine Golucke Conyers Mildred Greenleaf Walker Edith Hughes Stipe Katherine Leary Holland Ruth McLean Wright Frances Medlin Walker Blanche Miller Rigby Emily Paula Moore Couch Carolyn Nash Hathaway F. Carrington Owen Sallie W. Peake Shannon Preston dimming Helen Respess Bevier Virginia Shaffner Pleasants Janice Simpson Martha Stackhouse Grafton Belle Stowe Abernathy Mary Louise Thames Cartledge Sara Townsend Pittman Mary Trammell Anne Dowdell Turner Crystal Hope Wellborn Gregg Evalyn Wilder Harriet Williams Pauline Willoughby Wood Raymond Wilson Craig Octavia Young Harvey Charley Will Caudle Carter Lilian Cook McFarland Muriel David Lagomarsino Marian Martin Wainwright 1931 Sara Lou Bullock Marjorie Daniel Cole Ellen Davis Laws Mildred Duncan Ruth Dunwody Marion Fielder Martin Jean Grey Morgan Dorothy Grubb Rivers Carolyn Hey man Goody tein Myra Jervey Hoyle Elise Jones Dorothy Kethley Klughaupt Anne McCallie Shirley McPhaul Whitfield Ruth Pringle Pipkin Katharine Purdie Julia Rowan Brown Jeannette Shaw Harp Elizabeth Simpson Wilson Martha Sprinkle Rafferty Mary Sprinkle Allen Laelius Stallings Davis Cornelia Taylor Stubhs Julia Thompson Smith Cornelia Wallace Martha North Watson Smith Margaret Weeks Elizabeth Woolfolk Moye Caroline Elizabeth Jones Johnson Alice Quarles Henderson Mary Winter Wright 1932 Catherine Baker Matthews Sarah Bowman Varnelle Braddy Perryman Penelope Brown Barnett Mary Louise Cawthon Margaret Deaver Mary Dunbar Weidner Diana Dyer Wilson Grace Fincher Trimble Marjorie Gamble Susan Love Glenn Ruth Conant Green Elena Greenfield Julia Grimmet Fortson Louise Hollingsworth Jackson Alma Howerton Cleveland Elizabeth Hughes Jackson LaMyra Kane Swanson Clyde Lovejoy Stevens Margaret Maness Mixon Mary Miller Brown Lila Ross Norfleet Davis Louise Stakely Velma Taylor Wells Miriam Thompson Olive Weeks Collins Eliza Mathews Booth Mary Oliver Cox Helen Conley Ray 1933 Page Ackerman Margaret Bell Bun Margaret Belote Morse Julia Blundell Adler Evelyn Campbell Sarah Cooper Freyer Jewell Coxwell Eugenia Edwards McKenzie Helen Etheredge Griffin May Belle Evans Betty Fleming Virgin Mildred Hooten Keen Polly Jones Jackson Roberta Kilpatrick Stubblebine Blanche Lindsey Camp Caroline Lingle Lester Elizabeth Lynch Vivian Martin Buchanan Rosemary May Kent Marie Moss McDavid Eugenia Norris Hughes Margaret Ridley Beggs Mary Louise Robinson Black Letitia Rockmore Lange Sara Shadburn Heath Laura Spivey Massie Marlyn Elizabeth Tate Leter Rosalind Ware Reynolds Katharine Woltz Green Mary Boyd Jone s Porter Cowles Pickell Thelma Firestone Hogg Dorothy Morganroth Bates 1934 Helen Boyd McConnell Iona Cater Nelle Chamlee Howard Martha Elliott Elliott Margaret Friend Stewart Pauline Gordon Woods Mary Grist Whitehead Elinor Hamilton Hightower Elizabeth Johnson Thompson Louise McCain Boyce Mary McDonald Sledd Carrie Lena McMullen Bright Hyta Plowden Mederer Dorothy Potts Weiss Gladys Pratt Entrican Florence Preston Bockhorst Virginia Pretty man Charlotte Reid Herlihy Carolyn Russell Nelson 5 AGNES SCOTT Louise Schuessler Patterson Mary Louise Schuman Simpson Ruth Shippey Austin Rosa Shuey Day Mabel Talmage Isabella Wilson Lewis Elizabeth Winn Wilson Sara May Love Laura Ross Venning Mallie White Regen Eleanor Williams Knox 1935 Elizabeth Alexander Higgins Vella Marie Behm Cowan Mary Lillian Deason Mary Jane Evans Liehliter Betty Fountain Edwards Mary Green Wohlford Anne Harman Mauldin Katherine Hertzka Betty Lou Houck Smith Frances McCalla Ingles Carolyn McCallum Julia McClatchey Brooke Ida Lois McDaniel Marguerite Morris Saunders Nina Parke Hopkins Nell Pattillo Kendall Grace Robinson Wynn Marie Simpson Rutland Suzanne Smith Miller Elizabeth Thrasher Baldwin Susan Turner White Mary Borden Parker Jane Goodwin Harbin 1936 Lulu Ames Elizabeth Baethke Catherine Bates Ernelle Blair Fife Meriel Bull Mitchell Shirley Christian Ledgerwood Margaret Cooper Williams Maxine Crisler Johnston Sara Cureton Prowell Marion Derrick Gilbert Elizabeth Forman Lois Hart Agnes Jamison McKoy Carrie Phinney Latimer Duvall Gertrude Lozier Hutchinson Lenna Sue McClure Parker Dean McKoin Bushong Sallie McRee Maxwell Sarah Nichols Judge Myra O'Neal Enloe Mary Margaret Stowe Hunter Eugenia Symms Marie Townsend Mary Vines Wright Mary Walker Fox Lilly Weeks McLean Rebecca Whitley Nunan Virginia Williams Goodwin Catherine Wood Marshall Jane Blair Roberson Florrie Lee Erb Bruton Jean Hicks Pitts Marjorie Hollingsworth Louisa Roberts LeRoux Reba Frances Rogers Griffith Mary Alice Shelton Felt 1937 Eloisa Alexander LeConte Lucile Barnett Mirman Louise Brown Smith Lucille Cairns George Frances Cary Taylor Kathleen Daniel Spicer Lucile Denm'son Keenan Michelle Fnrlow Oliver Annie Laura Galloway Phillips Mary Gillespie Thompson Fannie B. Harris JoneB Ruth Hunt Little Barton Jackson Cat hey Dorothy Jester Mary Johnson Molly Jones Monroe Rachel Kennedy Lowthian Mary King Critchell Florence Lasseter Ramlvo Vivienne Long McCain Mary Malone Martin Katherine Louise Maxwell Isabel McCain Brown Frances McDonald Moore Enid Middleton Howard Mary Alice Newton Bishop Kathryn Printup Mitchell Marie Stalker Smith Laura Steele Alice E. Taylor Wilcox Mildred Tilly Lillian Whitehurst Corhett Betty Willis Whitehead Frances Wilson Hurst Barbara Hertwig Meschter Elizabeth Perrin Powell Mary Pitner Winkleman Vivienne Trice Ansley 1938 Jean Barry Adams Weersing Nell Allison Sheldon Tommy Ruth Blackmon Waldo Elsie Blackstone Veatch Katherine Brittingham Hunter Frances Castleberry Jean Chalmers Smith Goudyloch Erwin Dyer Mary Lillian Fairley Hupper Mary E. Galloway Blount Martha Alice Green Earle Jane Guthrie Rhodrs Ann Worthy Johnson Winifred Kellersberger Vass Mary Anne Kernan Eliza King Paschall Elizabeth McCord Lawler Lettie McKay Van Landingbam Nancy Moorer Cantey Gladys Sue Rogers Brown Joyce Roper McKey Elise Seay Grace Tazewell Flowers Anne Thompson Rose Elizabeth Warden Marshall E. Virginia Watson Logan Sarah Ruth Arechavala Tyler Nettie Mae Austin Kelley Doris Dunn Hills Kennon Henderson Patton Lily Hoffman Ford 1939 Mary Rice Allen Reding Jean Bailey Owen Adelaide Benson Campbell Alice Caldwell Melton Caroline Carmichael Wheeler Lelia Carson Watlington Virginia Cofer Avery Sarah Joyce Cunningham Carpenter Lucy Hill Doty Davis Catherine Farrar Davis Susan Goodwin Garner Dorothy Graham Gilmer Mary Frances Guthrie Brooks Eleanor T. Hall Jane Moore Hamilton Ray Emily C. Harris Swanson Mary' Hollingsworth Hatfield Cora Kay Hutchins Blackwelder Kathleen Kennedy Dibble Elizabeth Kenney Knight Virginia Kyle Dean Helen Lichten Solomonson Emily MacMoreland Wood Ella Hunter Mallard Ninestein Martha Marshall Dykes Emma McMullen Doom Mary Wells McNeil] Helen Moses Regenstein Julia Porter Scurry Mamie Lee Ratliff Finger Hay den San ford Sams Aileen Short ley Whipple Alice Sill Mary Pennel Simonton Boothe Selma Steinbach Elrod Mary Frances Thompson Elinor Tyler Richardson Georgianne Wheaton Bower Cary Wheeler Bowers Mary Ellen Whetsell Timmons Margaret Willis Dressier Jane Carhhers Wellington Ruth Hertzka Margaret Pleasants Jones Bettie Winn Sams Daniel 1940 Elizabeth Alderman Vinson Grace Anderson Cooper Evelyn Baty Landis Susie Blackmon Armour Barbara Brown Fugate Mary Virginia Bniwn Cappleman Inez Calcutt Woods Jeanette Carroll Smith Helen Carson Ernestine Cass McGee Mary Elizabeth Chalmers Orslxjrn Lillie Belle Drake Hindaly Rebecca Drucker Robinson Anne Enloe Carolyn Forman Piel Annette Franklin King Marian Franklin Anderson Mary Lang Gill Olsen Florence Graham Wilma Griffith Clapp Polly Heaslett Badger Margaret Hopkins Martin Eleanor Hutchens Eloise Lennard Smith Virginia McWhorter Freeman Virginia Milner Carter Sophie Montgomery Crane Lutie Moore Cotter Nell Moss Roberts Barbara Lee Murlin Pendleton Beth Paris Moremen Nell Pinner Sannella Margaret Ratchford Stilwell Mary Reins Burge Isabella Robertson White Ruth Slack Roach Hazel Solomon Beazley Louise Sullivan Fry Mary McC. Templeton Henrietta Thompson Wilkinson Grace Ward Anderson V. J. Watkins Eloise Weeks Gibson Margaret Barnes Carey Mary Kate Burruss Proctor Frances Morgan Williams Eugenia Williams Schmidt 1941 Mary Stuart Arbuckle Osteen Elizabeth Barrett Alldredge Miriam Bedinger Williamson Frances Breg Marsden Ni na Broughton Gaines Sabine Brumby Charlene Burke Armstrong G. Gentry Burks Bielaski Harriett* Cochran Mershon Florence Ellis Gifford Louise Franklin Livingston Caroline Gray Truslow Florrie Guy Funk Helen Hardie Smith Ann Henry Mary Dinsmore Ivy Chenault Aileen Kasper Borrish Helen Klugh McRae Marria Mansfield Fox Marjorie Merlin Cohen Martha Moody Laseter Pattie Patterson Johnson Marion Phillips Comento Sue Phillips Morgan Elta Robinson Posey Louise Sams Hardy Lillian Schwencke Cook Susan Self Teat Gene Slack Morse Elizabeth Stevenson Carolvn Strozier Elaine Stubbs Mitchell Gay Swagerty Guptill Ida Jane Vaughan Price Grace Walker Winn Mary Madison Wisdom Anita Woolfolk Cleveland Ruth Ashburn Kline Edith Henegar Bronson Sara Lee Jackson 1942 Martha Arant Allgood Mary Jane Bonham Stevenhagen Martha Buff alow Rust Anne Chambless Bateman Sylvia Cohn Levy Dorothy Cremin Read Billie Davis Nelson Susan Dyer Oliver Mary Lightfoot Elcan Nichols Margaret Erwin Walker Lillian Gish Alfriend Virginia Hale Murray Neva Jackson Webb Caroline Long Armstrong Mary Dean Lott Lee Betty Medlock Lackey Dorothy Miller Virginia Montgomery McCall Dorothy Nabers Allen Elise Nance Bridges Caroline Newbold Swails Mary Elizabeth Robertson Perry Helen Schukraft Sutherland Mary Seagle Edelbut Margaret Sheftall Chester Margaret Smith Wagnon Jackie Stearns Potts Jane Taylor White Frances Tucker Owen Alta Webster Payne Myree Elizabeth Wells Maas Olivia White Cave Mae Crumbley Stubblebine Virginia Franklin Miller Betty Redmond Wood Marie Louise Scott Evelyn Saye Williams 1943 Emily Anderson Hightower Flora Campbell McLain Alice Clements Shinall Mary Ann Cochran Abbott Joella Craig Good Laura Gumming Northey Jane Dinsmore Lowe Betty DuBose Skiles Anne Frierson Smoak Nancy Green Susan Guthrie Fu Helen Hale Law ton M. Elizabeth Hartsfield Sberman Betty Henderson Cameron Dorothy Holloran Addison Bryant Holsenbeck Moore Mardia Hopper Brown Sally Sue Howe Haines Frances Elkan Kaiser Wallace Lyons Griffin Marjorie Patterson Graybeal Anne Paisley Boyd Patricia Perry Braun Frances Radford Mauldin Ruby Rosser Davis Clara Rountree Couch Anne Scott Wilkinson Helen V. Smith Woodward Martha Ann Smith Roberts Aileen Still Hendley Mary Ward Danielson Marjorie Weismann Zeidman Barbara Wilber Gerland Kay Wright Philips Netta Jones Ingalls Jean Tucker 1944 Claire Bennett Kelly Marguerite Bless Mclnnis Louise Breedin Griffiths Carolyn Calhoun Davis Mary Carr Townsend Barbara Connally Rogers Barbara Daniels Agnes Douglas Kuentzel Mary Louise Duffee Philips Elizabeth Edwards Wilson Patricia Evans Ruth Farrior Pauline Garvin Keen Zena Harris Temkin Elizabeth Harvard Dowda Julia Harvard Warnock Madeline Rose Hosmer Brenner Ann Jacob Catherine Kollock Thoroman Ruth Kolthoff Kirkman Martha Ray Lasseter Storey Lois Martin Busby Mary Maxwell Hutcheson Quincy Mills Jones 8 Aurie Montgomery Miller Camilla Moore Merts Katherine Philips Long Martha Rhodes Bennett Anne Sale Betty Scott Noble Robin Taylor Horneffer Katheryne Thompson Mangum Johnnie Mae Tippen Marjorie Tippins Johnson Martha Marie Trimble Wapensky \*iruitii;i Tuggle Betty J. Vecsey Mary Elizabeth Walker Shellack Anne Ward Amacher Betty Williams Stoffel Oneida Woolford Josephine Young Sullivan Betty Bacon Skinner Eloise Gay Brawley Murray Ethlyn Coggin Miller Elinor Gershon Smith Mary Frances Hill Bell Henrietta Ruhmann Katherine Wilkinson Orr 1945 Ruth Anderson Stall Martha Arnold Shames Bettye Ashcraft Senter Elizabeth Blincoe Edge Virginia Bowie Frances Brougher Christenberry Louise Cantrell Jeanne Carlson Parker Virginia Carter Caldwell Geraldino Cottingim Richards Hansell Cousar Palme Mary dimming Fitzhugb Elizabeth Daniel Owens Harriet te Daugherty Howard Elizabeth Davis Shingler Dorothy Dyrenforth Gay Katherine Edelblut Rox Pat Elam Anne Eouen Ballard Pauline Ertz Wechsler Helen Elizabeth Forester Joyce Freeman Marting Barbara Frink Allen Martha Jean Gower Woolsey Ruth Gray Walker Bippy Gribble Cook Jean Hood Booth Kittie Kay Pelham Frances King Mann Jane Kreiling Mell Marion Leathers Daniels Martha Jane Mack Simons Sylvia McConnel Carter Jean McCurrv Wood Montene Melson Mason Molly Milam Inserni Mary Neely Norris King Martha Patterson Ceevah Rosenthal Julia Slack Hunter Joan Stevenson Wing Lois Sullivan Kay Ann Campbell Betty Campbell Wiggins Beverly King Pollock Juanita Lanier Porter Alice Mann Niedrach Irene McCain McFarland Farline Milstead Winchell Marilyn Schroder Timmerman Marearet Shepherd Yates Emily Singlet ary Phillips 1946 Victoria Alexander Mary Lillian Allen Wilkes Lucile Beaver Emily Ann Bradford Batts Mary Cargill Mary Ann Courenay Davidson Edwina Davis Christian Eleanor Davis Scott Pattie Dean Curry Conradine Fraser Riddle Jean Fuller Hall Gloria Gaines Klugh Alice Gordon Pender Ellen Hayes Bonnie Hope Elizabeth Horn Johnson Lura Johnston Watkins Peggy Jones Miller Marjorie Karlson Barbara Kincaid Trimble Stratton Lee Peacock Mildred McCain Kinnaird Mary McConkey Reimer Margaret Mizell Dean Marjorie Naab Bolen Annette Neville Clark Jane Ann Newton Marquess Anne Noell Fowler Elizabeth Osborne Rollins Peggy Perez Westall Bettye Lee Phelps Douglas Celetta Powell Jones Rosalind Price Sasser Harding Ragland Sadler Anne Register Jones Louise Reid Eleanor Reynolds Verdery Mary Russell Mitchell Ruth Ryner Lay Mary Jane Schumacher Bullard Ruth Simpson Blanton Bettye Smith Satterthwaite Dorothy Sprageus Trice Helga Stixrad Rose Minnewil Story McNeal Peggy Trice Hall Lucy Turner Knight Maud Van Dyke Jennings Mary Catherine Vinsant Grymes Verna Vail Weems Macbeth Betty Weinschenk Mundy Winifred Wilkinson Eva Williams Jemison Elisabeth Woodward Ellis Ann Gilmore Noble Dye Jean Rooney 1947 Marie Adams Conyers Louisa Aichel Mcintosh Mary Frances Anderson Wendt Betty Andrews Lee Isabel Asbury Oliver Virginia Barksdale Lancaster Glassell Beale Smalley Marie Beeson Ingraham Kathleen Buchanan Cabell Eleanor Calley Story Charlotte Clarkson Jones Jane Ruth Cooke Betty Crabill Rogers Helen Catherine Currie Virginia Dickson Philips Anna George Dobbins Anne Eidson Owen Ruth Ellis Nelson Fisher Mary Jane Fuller Floyd Dorothy Galloway Fontaine Mynelle Grove Harris Anne Hagerty Estes Agnes Harnsberger Rogers Mary Emily Harris Genet Heery Barron Peggy Pat Home Martin Ann Hough Hopkins Louise Hoyt Minor Sue Hutchens Henson Marianne Jefferies Williams Anne Johnson Coogler Kathryn Johnson Rosemary Jones Cox Margaret Kelly Wells Theresa Kemp Setz Janet Liddell Phillippi Mary Ann Martin Pickard Marguerite Mattison Rice Mary McCalla Poe Margaret McManus Landham Jane Meadows Oliver Edith Merrin Simmons Alice Newman Johnson Virginia Owens Mitchell Betty Lou Patterson King Dorothy Peace Ramsaur Betty Jean Radford Moeller Jean Rentz Doucher Doris Riddick Berry Ellen Rosenblatt Caswell Lorenna Ross Brown Nellie Scott Pritchett Nancy Shelton Parrott Frances Sholes Higgins Sarah Smith Austin Barbara Sproesser Eiland Carroll Taylor Parker Dorothy Wadlington Singleton Beth Walton Callaway Barbara Wilson Montague Laura Winchester Rahm Betty Mann Jackson Ann Hagood Barlow 1948 Dabney Adams Jane Alsobrook Miller Virginia Andrews Ruth Bastin Slentz Barbara Blair Elizabeth Blair Carter Betty Jean Brown Ray Mary Alice Compton Martha Ann Cook Sanders Edna Claire Cunningham Schooley Jean da Silva Ricketts Susan Daugherty Alice Davidson Nancy Deal Weaver Betty Jo Doyle Fischer Virginia Drake Blass June Driskill Meredith Elizabeth Dunn Grace Durant Tyson Anne Elcan Mann Carol Equen Miller Anne Ezzard Edith Feagle Voigt Nancy Geer Alexander Helen Goldman Alperin Rose Mary Griffin Wilson Kathleen Hew r son Caroline Hodges Roberts Amanda Hulsey Thompson June Irvine Torbert Beth Jones Crabill Mildred Claire Jones Colvin Bette Anne Kitts Kidd Marybeth Little Weinstein Alice Whipple Lyons Brooks Roberta Maclagan Wingard Lady Major Ellen Morrison Fulton Mae Comer Osborne Evelyn Puckett Woodward Margaret Anne Richards Terry Ruth Richardson Anna Clark Rogers Sawyer Jane Rushin Hungerford Teressa Rutland Sanders Zollie Anne Saxon Johnson Rebekah Scott Bryan Anne Shepherd McKee Charlien Simms Wilson Mary Gene Sims Dykes June Smith A they Dorothy Stewart Gilliam Anne Treadwell Suratt Lida Walker Askew Barbara Waugaman Thompson Sara Catherine Wilkinson Tattie Mae Williams Margaret Yancey Kirkman Marian Yancey Carroll Nancy Haislip Cammack Ann Patterson Puckett Barbara Whipple Bitter 1949 Mary Aichel Samford Mary Jo Amnions Jones Miriam Arnold Newman M. Fay Ball Rhodes Louisa Beale McGaughey Betty Blackmon Kinnett Martha Ann Board Howell Frances Brannan Hamrick Bobbie Cathcart Hopkins Helen Christian Shurhut Julianne Cook Ashmead Alice Crenshaw Moore Jo Culp Williams Marie Cuthbertson Faulkner Betsy Deal Smith Nancy Dendy Ryle Jane Efurd Watkins Betty Jeanne Ellison Candler Kate Elmore Ann Faucette Katherine Geffcken Martha Goddard Lovell Jean Harper Anne Hayes Berry Mary Hays Babcock Mary Heinz Langston Nancy Huey Kelly Henrietta Johnson Nan Johnson Mary Frances Jones Woolsey Joan Lawrence Lorton Lee Ruby Lehmann Cowley Rebecca Lever Harriet Lurton Major Katherine McKoy Polly Miles Sayer Ruth Hunt Morris Dorothy Morrison Nancy Parks Anderson Cathie Phillips Mary Helen Phillips Hearn Lynn Phillips Mathews Billie Powell Lemmon Dot Quillian Reeves Frances Robeson Amsler Betty Jo Sauer Carmen Shaver Brown Shirley Simmons Duncan Edith Stowe Barkley Rachel Stubbs Farris Doris Sullivan Tippens Sarah Katharine Thomson Sue Tidwell Dixon Newell Turner Parr Virginia Vining Skelton Valeria Von Lehe Williams Martha Warlick Brame Julia Weathers Wynne Elizabeth Williams Henry Harriot te Winchester Hurley Gene Akin Martin Beverly Baldwin Albea Alice Jean Caswell Wilkin? Jean Fraser Duke Louise Gehrken Howie Caroline Little Witcher Josephine Snow Lee Jeannette Willcoxon Peterson 1950 Betty Asbill Sara Jane Camphell Harris Miriam Carroll Specht Jo- Ann Christopher Betty Cole Van Houten Beryl Crews Betty Jane Crowther Dorothy Davis Yarbrough Elizabeth Dunlap Helen Edward? Jean Edwards Crouch Charlotte Evans Claire Foster Moore Ann Gebhardt Julia Goode Ann Griggs Foster Mary Ann Hachtel Anne Haden Howe Sarah Hancock Louise Harant Bennett Marie Heng Margaret Hopkins Williams Lillian Lasseter Pearson Adele Lee Dowd Norah Anne Little Green Evelyn Long Gaines Alline Marshall Todd McCain Reagan Sue McSpadden Fisher Dorothy Medlock Bond Mary Frances Morris Jean Niven Baker Jean Osborn Sawyer Pat Overton Webb Genie Dean Paschal Harvey Vivienne Patterson Polly Anna Philips Harris Betty Phillips Lindsay Patty R. Phillips Joann Piastre Emily Ann Reid Williams Virginia Skinner Jones Eugenia Louise Staples Martha Stowell Rhodes Sally Thompson Isabel Truslow Fine Sarah Tucker Willa Wagner Beach Terrell Warburton Mary Louise Warlick Niblock Nancy Wilkinson Ann Williamson Camphell Mary Ida Wilson Ann Windham Catherine Chance Dorothy Floyd Jo Ann McCall Cobb Miriam Mitchell Ingram Phyllis Narmore Matthews 1951 Dorothy Adams Knight Betty Averill Durie Noel Barnes Williams Su Boney Milner Anne Brooke Milner Barbara Caldwell Regina Cantrall Banick Nancy Cassin Smith Frances Clark Mary George Cline Lind Patricia Ann Cooper Julia Cuthbertson Anna Da Vault Haley Virpinia Feddeman Kerner Marjorie Felder Nell Floyd Hall Betty Jane Foster Deadwyler Freddie Hachtel Cornelia Hale Dorothy Jean Harrison King Winifred Horton Martin Nancy Lu Hudson Ellen Hull Sara Beth Jackson Hertwig Geraldine Keef Moreland Charlotte Key Anne Kincaid Jeanne Kline Mallory Jane LaMaster Mary Caroline Lindsay Ford Jeanette Mattox Eleanor McCarty Cheney Jimmie Ann McGee Col lings Sarah McKee Jackie Sue Messer Joan Miller Houston Carol Munger Katherine Nelson Mary Anna Opden Bryan Marjorie Orr Brantley Barbara Quattlebaum Parr Wilton Rice Dunn Mary Roberts Davis Elaine Schubert Annelle Simpson Kelly Jenelle Spear Celia Spiro Barbara Stainton Robinson Martha Ann Stegar Deadmore Marjorie Stukes Ruth Vineyard Kitty Warren Ball Martha Weakley Bettie Wilson Marie Woods Betty Ziegler Dunn Nancy Anderson Benson Nan Ford Stevens Betty Hollifield Leonard Kay Laufer Morgan Dolores Martin Jacqueline Palmer Underwood 1952 Charlotte Allsmiller Crossland Margaret Andes Okarma Katie Berdanis Ann Boyer Wilkerson Mary Jane Brewer Barbara Brown Billie Bryan June Carpenter Bryant Sybil Corbett Riddle Landis Cotten Gunn Catherine Crowe Katharine Currie Alk-na Doggett Theresa Dokos Hutchison Louise Dunaway Claire Eaton Franklin Sarah Emma Evans Blair Kathren Freeman Phyllis Galphin Buchanan Kathryn Gentry Westbury Barbara Grace Palmour Jo Ann Hall Susan Hancock Shirley Heath Ann Herman Carolyn Holtrey Holt Betty Holland Boney Helen Huie Bahr Mary Lee Hunnieut Margaret Inman Louise Jett Margaret Ann Kaufmann Helen Frances Land Led better Marparetta Lumpkin Shaw Mary Frances Martin Rolader Mary McDonald Sylvia Moutos Betty Moyer Keeter Ann Parker Lee Edith Petrie Jane Puckett Chumhlcy Catherine Redles Helen Jean Robart? Sea ton Miriam Runyon Adelaide Ryall Beall Kassie Simmons Ellis Carol Solomon Patricia Thomason Smallwood Marie Underwood Sally Veale Daniel Lorna Wiggins Sylvia Williams Ingram Florence Worthy Griner Lillian Beall Lumpkin Hilda I. Priviteri 1953 Charlotte Allain Allardyce Armstrong Hamill Evelyn Bassett Pat Baumgarten Ann Baxter Frances Blakeney Bertie Bond Suanne Bowers Sauerhrun Constance Byrd Peggy Carlos Mary Jo Chapman Doris Lillian Clingman Hopper Frances Ellen Coley Eunice Connally Sarah Frances Cook Ann Cooper Virpinia Corry Margaret Raleigh Cousar Jane Lillian Dalhouse Hailey Ann Carter DeWitt George Donya Dixon Susan Walton Dodson Donna Anne Dugger Frances Carol Edwards Mary Frances Evans Mary Anne Garrard Jernigan Frances Ginn Catherine Goff Beckham Patricia Ann Green Ruth Dahl Gudmundson Mary Adelaide Hamilton Sarah Crewe Hamilton Florence May Hand Warren Virginia Claire Hays Keller Henderson Bumgardm-r Betsy Hill Betsy Lee Hodpes Honorine Jane Hook Peggy Hooker Mary Holland Archibald Ellen Hunter Winn Carol Lou Jacob Barbara Ann Johnston Bennett Ann Jones Ann Wortley Jones Sims Rosalyn Kenneday Jacqueline King Bozeman Sarah Ann Leathers Mary Mills Lindsey McBurney Nancy Loemker Despo Matheson Betty Marie McLellan Carter Margaret McRae Edwards Evelyn Farmer Merrill Marion Poulain Merritt Wall Adaline Miller Royce Belle Neel Miller McMaster Patricia Marie Morgan Lilla Kate Parramore Sue Peterson Dorothv Anne PotU Ruth Brown Reeves Dill Mary Beth Robinson Stuart Louise Ross Nancy Ruffner Ruth Runyon Shirley Samuels Bowden Bonnie Sanders Rita May Scott Priscilla Sheppard Marie Stowers Davie Natalie Stratton Howard Lindy Ann Taylor Barnett Margaret Thomason Lawrence Carolyn Adele Thompson Schaudies Anne Thomson Charline Tritton Shanks Helen Marie Tucker Smith Norma Want: Vivian Lucille Weaver Barbara West Dickens Roberta Williams Mary Ann Wyatt Rene Dudney Carlene Nickel El rod Mary' Rinley Warren Norma Waldrep Cassels Dorothy Weston Senter Jane William? Coleman 1954 Helen Howie French 1955 Lucile Bmokshaw 1956 Mary Anne Fesler Wheeler Virginia Earl Vickery Jon,' SPECIALS Mildred Baldwin Leigb Lila Longley Hicke Bernice Wing Lee Is there an Agnes Scott "type "? Coming in the Fall Quarterly: Dr. George P. Hayes discusses the essence of individ- uality, and Zena Harris Temkin '44, reports states of mind among her classmates ''ten years after." This issue was sent to all alumnae as a report on the great progress of the 1953-54 Alumnae Fund and as an initial request for contrihutions to the 1954-55 Fund. Midsummer thought for all alumnae: please do remember you will receive subsequent issues of the Quarterlv as you become an active member of the Alumnae Association by your annual gift to the college. THE NEW ALUMNAE FUND APPEAL 1954-55 WHEN YOU OPEN this Quarterly, the new Fund year will have begun. It opens with great hopes all founded on your par- ticipation for Agnes Scott's best annual gift year. The envelope opposite this page is for your use in sending in your gift. The amount? Whatever you can give and want to give for the coming year to higher education. You probably give to your church and to several good public causes, because you believe in them. Are you ready to back up with equal promptness and gene- rosity your belief in Agnes Scott and first-rate liberal education? Do you think the world needs more liberal arts graduates, more people who succesfully combine intellectual and religious strength? The Alumnae Fund is your annual chance to translate your belief into action. Whatever the size of your gift, it will be welcome and will be used toward a greater Agnes Scott. Just send it, and send it as soon as you can. "She gives twice who gives quickly'' as everyone knows who has ever been responsible for conducting a fund drive. Your support is needed and is eagerly anticipated. V ou may direct the use of your gift in any one of several ways. UNRESTRICTED FUNDS are used by the administration for the general work of the College. FACULTY SALARIES must go up. SCHOLARSHIPS must continue to bring the ablest girls to Agnes Scott. FOREIGN STUDENTS add to the value of an Agnes Scott education for Americans and help the United States interpret itself abroad. You may have a SPECIAL INTEREST in a certain project : Hopkins Hall Memorial Room ($1,000) McCain Library Endowment Fund McDougald Science Museum Agnes Scott Art Collection Alumnae House or Garden (for this, make check pavable to Alumnae Property Com- mittee I Scholarships in Tribute to Lucile Alexander Mr. and Mrs. R. B. Cunningham Louise Hale Betty Hollis Alary D. Sheppard Jodele Tanner Martha Merrill Thompson Or Your Own Scholarship, which can be founded with a gift of $1,000 or more and augmented each year as you wish. Id CLASS NEWS Edited by Eloise Hardeman Ketchin Deadline for news in this issue was May 10, '54. News received between that date and September 10, '45, will appear in the Fall Quarterly. DEATHS INSTITUTE William Edwin Holt, husband of Amanda Caldwell Holt, died March 6. Mary Danner Frazer died in March 1953. 1911 Neal Johnson, son of Gussie O'Neal Johnson and Lewis, died in April. 1912 Martha Willis Branch died Feb. 20. 1923 Dr. Charles S. Sydnor, hus- band of Ada Elizabeth Brown Syd- nor and dean of the Arts and Science Graduate School, Duke University, died March 2. Mrs. George W. Little, mother of Lucile Little Morgan and Georgia Little Owens '25, died April 1. 1929 Maj. Gen. Earl T. Ricks. deputy chief of the National Guard Bureau and husband of Hazel Ricks, died in January. I I FOR REFERENCE Do Not Take From This Room